When I think about the best films on a controversial subject in the past decade, whether it's feminism, AI, urbanization, natural disasters, global warming or a pandemic, the standout film is from Kerala, and now this extends to closet life. It must have been hard for Jeo Baby to finalize a follow-up to the much celebrated "Great Indian Kitchen", but to tackle this issue and get a star like Mammootty involved is without precedent. The result is a film that could never be produced in Bollywood because it would be seen as too much of a commercial risk. Imagine SRK's reaction had he been offered this script.
The story unfolds in a much simpler way than "Kitchen" and it's probably less enjoyable the more you know, because then you're just waiting for the key moments. Jeo Baby has a fantastic talent for visual storytelling, you experience the development the characters go through, particularly Mammootty who might have done his best work here in spite of such a long and illustrious career. Jyothika is a bit too reserved apart from the end, but it is a difficult role.
The two weaknesses of the film are a) the absence of the daughter's opinion which is quite surprising. That's a really important part of the story, I don't understand why this has been omitted. And b) there is no explanation of the crux of the matter, which is just superficially brushed upon, but maybe you have to be queer (like myself) to notice this. Stop reading if you don't want to know too much, continue if you are straight and confused about this bit in the story: if you are gay and identify with the active male role, it is not only common to be pressured into marriage by your relatives, since there's "nothing wrong" with you. You also keep telling yourself that you're nothing like "them" because you talk and behave "normally". There should have been a dialogue about that between the two united friends at the end, we've all been there.
The story unfolds in a much simpler way than "Kitchen" and it's probably less enjoyable the more you know, because then you're just waiting for the key moments. Jeo Baby has a fantastic talent for visual storytelling, you experience the development the characters go through, particularly Mammootty who might have done his best work here in spite of such a long and illustrious career. Jyothika is a bit too reserved apart from the end, but it is a difficult role.
The two weaknesses of the film are a) the absence of the daughter's opinion which is quite surprising. That's a really important part of the story, I don't understand why this has been omitted. And b) there is no explanation of the crux of the matter, which is just superficially brushed upon, but maybe you have to be queer (like myself) to notice this. Stop reading if you don't want to know too much, continue if you are straight and confused about this bit in the story: if you are gay and identify with the active male role, it is not only common to be pressured into marriage by your relatives, since there's "nothing wrong" with you. You also keep telling yourself that you're nothing like "them" because you talk and behave "normally". There should have been a dialogue about that between the two united friends at the end, we've all been there.