I was very intrigued by the show's retro-futuristic aesthetic. I was expecting something like a live-action Jetsons and hoping for a For All Mankind -like exploration of alternative history.
What we get is a very simple show about a con man trying to reconnect with his son. That's it. The fact that he's selling property on the moon or that the bartenders are floating robots is absolutely inconsequential.
Compare it to For All Mankind. That show is a generational drama that explores an alternative reality and even though the technology and politics are in the background, you can still understand how that future came to be and its implications and ramifications, which are often fascinating.
Or take Severance, another Apple show, so simple on the surface, and yet so intriguing, because, besides the mysteries, it explores how the procedure affects the characters and society as a whole.
None of these are present in Hello Tomorrow. The retro-futuristic look quickly becomes just an overused visual (compare it to Gattaca, where they were very smart in getting just a whiff of retro, enough to create an unique style, but not so much as to overshadow the story). Even Loki put this aesthetic to better use.
What we are left with are a bunch of characters that are not even lovable like the protagonists of Paper Moon, the '70s movie about a con man and his daughter.
What we get is a very simple show about a con man trying to reconnect with his son. That's it. The fact that he's selling property on the moon or that the bartenders are floating robots is absolutely inconsequential.
Compare it to For All Mankind. That show is a generational drama that explores an alternative reality and even though the technology and politics are in the background, you can still understand how that future came to be and its implications and ramifications, which are often fascinating.
Or take Severance, another Apple show, so simple on the surface, and yet so intriguing, because, besides the mysteries, it explores how the procedure affects the characters and society as a whole.
None of these are present in Hello Tomorrow. The retro-futuristic look quickly becomes just an overused visual (compare it to Gattaca, where they were very smart in getting just a whiff of retro, enough to create an unique style, but not so much as to overshadow the story). Even Loki put this aesthetic to better use.
What we are left with are a bunch of characters that are not even lovable like the protagonists of Paper Moon, the '70s movie about a con man and his daughter.