Whenever you take on the daunting challenge of adapting a video game franchise for the cinema, you face an uphill battle from the outset.
But adapting a video game franchise that happens to be one of the most successful and most fiercely adored out there is a task many in the industry will wince at.
After years of speculation and setbacks, on a road that includes a terrific, albeit incomplete, fan film project, UNCHARTED finally makes its way onto the big screen with massive expectations and an abundance of fans ready to burn it at the stake if it so much as gets Sully's facial features wrong.
So, does it succeed?
That's a complicated question to answer fairly.
Ruben Fleischer's UNCHARTED is a film that, much like Tom Holland's young Nathan Drake in the opening sequence, hangs in the balance. It isn't quite the natural successor to the Nathan Fillion-starring short film from 2018 and will likely leave many die-hard fans of the franchise feeling frustrated with its characterisation and plot. It also isn't quite the buddy action comedy by commitee that modern Hollywood has churned out in various incarnations. UNCHARTED manages to find the smallest of spaces in between these two descriptions - while the fan film had the genuine cinematic fingerprints of the video games, this feature film substitutes those qualities for a deeper focus on comedy and chemistry and largely succeeds in that regard; however, it lacks the sheer thrills and carefully crafted plot points of the games in favour of predictable story beats and a glossy, stylish exterior fit for the 2020s.
But that's not to say UNCHARTED isn't exciting or even daring. It showcases its highlights with the best aspect of the games themselves - the action setpieces.
The choreography is frequently spectacular and is pulled off with genuine flair while the globetrotting locations are used to its advantage by being able to display a variety of indoor areas and outside terrain.
The performances are perhaps what stand out the most though - the chemistry between Holland and Wahlberg is fresh and organic and they really anchor the film and drive the plot forward with tenacity. Their relationship and character arcs are believable and help lay the foundation for the partnership Drake and Sully would eventually form in the games.
The comedy is actually pretty well written and plays to each of the actors' strengths but the overall pacing of the film can feel cluttered and awkward, especially with Antonio Banderas' crew, as the conflict and set-up between our heroes and villains can feel slightly disjointed.
The glaring issue here is it's glossy and stylish to a fault; the raw, gritty essence of Nolan North's tenure is watered down in order to make way for a movie star-led action-adventure that see-saws between a buddy comedy and an old-school treasure hunt. UNCHARTED is Sony's latest to exhibit what can happen by trying to please too many demographics; you slowly but surely lose the soul of the story you're meant to be telling.
Maybe the entire idea of telling the story of a young Nathan Drake just doesn't work and that Sony should've focused on adapting A Thief's End instead.
The cynic in me reminds you that the inevitable sequel(s?) wouldn't have been possible if that route had been chosen.
Ultimately, the fan film is more successful in transporting the suspense, pathos and texture of the game franchise than its big screen counterpart but Holland and Wahlberg's partnership as well as the action setpieces help lift this film to respectable heights, hopefully opening this world up to a new generation of fans.
The answer to my initial question, does it succeed? Yes, in many ways, just not in the way you want it to.
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I love old-school adventure films and i'm glad I supported this one as we desperately need more of them even if they stem from existing intellectual property.
But adapting a video game franchise that happens to be one of the most successful and most fiercely adored out there is a task many in the industry will wince at.
After years of speculation and setbacks, on a road that includes a terrific, albeit incomplete, fan film project, UNCHARTED finally makes its way onto the big screen with massive expectations and an abundance of fans ready to burn it at the stake if it so much as gets Sully's facial features wrong.
So, does it succeed?
That's a complicated question to answer fairly.
Ruben Fleischer's UNCHARTED is a film that, much like Tom Holland's young Nathan Drake in the opening sequence, hangs in the balance. It isn't quite the natural successor to the Nathan Fillion-starring short film from 2018 and will likely leave many die-hard fans of the franchise feeling frustrated with its characterisation and plot. It also isn't quite the buddy action comedy by commitee that modern Hollywood has churned out in various incarnations. UNCHARTED manages to find the smallest of spaces in between these two descriptions - while the fan film had the genuine cinematic fingerprints of the video games, this feature film substitutes those qualities for a deeper focus on comedy and chemistry and largely succeeds in that regard; however, it lacks the sheer thrills and carefully crafted plot points of the games in favour of predictable story beats and a glossy, stylish exterior fit for the 2020s.
But that's not to say UNCHARTED isn't exciting or even daring. It showcases its highlights with the best aspect of the games themselves - the action setpieces.
The choreography is frequently spectacular and is pulled off with genuine flair while the globetrotting locations are used to its advantage by being able to display a variety of indoor areas and outside terrain.
The performances are perhaps what stand out the most though - the chemistry between Holland and Wahlberg is fresh and organic and they really anchor the film and drive the plot forward with tenacity. Their relationship and character arcs are believable and help lay the foundation for the partnership Drake and Sully would eventually form in the games.
The comedy is actually pretty well written and plays to each of the actors' strengths but the overall pacing of the film can feel cluttered and awkward, especially with Antonio Banderas' crew, as the conflict and set-up between our heroes and villains can feel slightly disjointed.
The glaring issue here is it's glossy and stylish to a fault; the raw, gritty essence of Nolan North's tenure is watered down in order to make way for a movie star-led action-adventure that see-saws between a buddy comedy and an old-school treasure hunt. UNCHARTED is Sony's latest to exhibit what can happen by trying to please too many demographics; you slowly but surely lose the soul of the story you're meant to be telling.
Maybe the entire idea of telling the story of a young Nathan Drake just doesn't work and that Sony should've focused on adapting A Thief's End instead.
The cynic in me reminds you that the inevitable sequel(s?) wouldn't have been possible if that route had been chosen.
Ultimately, the fan film is more successful in transporting the suspense, pathos and texture of the game franchise than its big screen counterpart but Holland and Wahlberg's partnership as well as the action setpieces help lift this film to respectable heights, hopefully opening this world up to a new generation of fans.
The answer to my initial question, does it succeed? Yes, in many ways, just not in the way you want it to.
-
I love old-school adventure films and i'm glad I supported this one as we desperately need more of them even if they stem from existing intellectual property.