9/10
A Milestone For Time Based Media
14 January 2022
One could write a novel or teach a class on why this film is the most bewitching visual experience to ever grace the silver screen, though no words could ever do this imagery justice. Bruno Delbonnel, the film's cinematographer, does so well to form shadow and light into refined geometry. Just as well, the mood is faultlessly reflected through each scene's lighting. Sullen and gloomy scenes feel muddy and unrefined, while impactful and momentous scenes feel sharp and crisp. Light casts into each shot, an extreme comprehension and understanding of the subject-an understanding that can only be derived from years of experience in the field. Shots feel static and structured when emphasizing themes of power. Contrast to these themes derive from Delbonnel's use of Dutch angles and Stefan Dechant, the production designer's, use of slanted architecture.

This film has much to offer story wise and performance wise as well. Both Denzel Washington and Frances McDormand carry performances that most would say are Oscar worthy. Denzel, most notably, breathes new life into Macbeth through his forceful, yet vulnerable portrayal of the titular character. Washington is such a polished actor that he is able to transition through such dissimilar and contrasting moods with ease. While in one scene, he plays a power hungry and self-assured king, in the next, he plays a defenseless and uneasy criminal. Joel Coen's direction on this entire production is phenomenal and his way of streamlining the script feels natural and refreshing. Well done to the entire cast and crew.
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