Winsor McCay was a newspaper cartoonist for the New York Herald, drawing such famous comic strips as "Dream of the Rabbit Fiend" and "Little Nemo In Slumberland." He was a super fast drawer who displayed his skills on the vaudeville circuit, performing what's known as chalk talk, entertaining his audience with jokes while quickly drawing detailed art on his canvass.
His son brought home some flip books containing a series of drawings. When skimming the pages from front to back, the combined drawings would show its drawn characters moving. McCay felt he could do the same thing on film and took the challenge to create a movie cartoon of his characters. His result was April 1911's "Little Nemo," the first character animated short film in cinema. The movie's full name," Winsor McCay: The Famous Cartoonist of the N.Y. Herald and His Moving Comics," combined live action with his cartoon. The 11 minute movie shows McCay betting his colleagues he could create a cartoon made up of 4,000 drawings within one month. A later scene has McCay with a stack of drawings in his office being disrupted by a curious kid. Finally, McCay finishes and presents his cartoon.
Originally, the cartoon was black and white. When McCay took the cartoon on his vaudeville circuit, the reception he received was overwhelming. He decided to paint the film frames.
The title of the longer version claims McCay's cartoon was the first in the world to make animated films. As seen, there were a handful of earlier animation drawings that used simple "chalk" white on black lines to show movements of nondescript characters. In McCay's "Little Nemo," he uses what's called expressive character animation, transferring his newspaper strips' characters who had personalities of humans onto the cartoon. This was a first in cinema.
McCay's laborious composite of 4,000 drawings onto rice paper would be one of the few times an animated cartoon required to have a drawing for each film frame photographed for the stop-motion camera technique. Other animators would soon come up with shortcuts such as using "Cels" and registration pegs to speed up and simplify McCay's individual hand drawings.
His son brought home some flip books containing a series of drawings. When skimming the pages from front to back, the combined drawings would show its drawn characters moving. McCay felt he could do the same thing on film and took the challenge to create a movie cartoon of his characters. His result was April 1911's "Little Nemo," the first character animated short film in cinema. The movie's full name," Winsor McCay: The Famous Cartoonist of the N.Y. Herald and His Moving Comics," combined live action with his cartoon. The 11 minute movie shows McCay betting his colleagues he could create a cartoon made up of 4,000 drawings within one month. A later scene has McCay with a stack of drawings in his office being disrupted by a curious kid. Finally, McCay finishes and presents his cartoon.
Originally, the cartoon was black and white. When McCay took the cartoon on his vaudeville circuit, the reception he received was overwhelming. He decided to paint the film frames.
The title of the longer version claims McCay's cartoon was the first in the world to make animated films. As seen, there were a handful of earlier animation drawings that used simple "chalk" white on black lines to show movements of nondescript characters. In McCay's "Little Nemo," he uses what's called expressive character animation, transferring his newspaper strips' characters who had personalities of humans onto the cartoon. This was a first in cinema.
McCay's laborious composite of 4,000 drawings onto rice paper would be one of the few times an animated cartoon required to have a drawing for each film frame photographed for the stop-motion camera technique. Other animators would soon come up with shortcuts such as using "Cels" and registration pegs to speed up and simplify McCay's individual hand drawings.