Nazrana review :
In the film, Rajesh Khanna playing a music composer, is some sort of Greek God cum Kaamdev mix who attracts every women he is even remotely associated with - first, Smita Patil who elopes to marry him, next Preeti Sapru who is his phoren returned colleague and dreams to become his wife no 2 and finally, Sridevi who is his housemaid but ends up in bed with her maalik in a particular weak moment. Ahem!!
Nazrana is filled with implausible situations, highly melodramatic scenes and heavy dialogues and Khanna, playing the irresistible hero, looks tired and dazed here. The film is only memorable for being Smita Patil's first posthumous release after her untimely death in December 1986.
Regards, Sumeet Nadkarni.
In the film, Rajesh Khanna playing a music composer, is some sort of Greek God cum Kaamdev mix who attracts every women he is even remotely associated with - first, Smita Patil who elopes to marry him, next Preeti Sapru who is his phoren returned colleague and dreams to become his wife no 2 and finally, Sridevi who is his housemaid but ends up in bed with her maalik in a particular weak moment. Ahem!!
Nazrana is filled with implausible situations, highly melodramatic scenes and heavy dialogues and Khanna, playing the irresistible hero, looks tired and dazed here. The film is only memorable for being Smita Patil's first posthumous release after her untimely death in December 1986.
Regards, Sumeet Nadkarni.