Although not nearly as great as "Potemkin", this earlier Eisenstein film certainly showcases his genius eye for strong, intense cinema. Unfortunately, the plot and characters are nowhere near as interesting as the techniques being used, and, if Eisenstein wasn't the man behind it, it would certainly have fallen short of greatness. However, Eisenstein is able to save this film using some of the finest camera-work and editing I have ever seen in a classic film. "Strike" works as a brilliantly propagandic and relentlessly intense drama with even more visual flare than your standard art house film.
In silent movies, it was proved that visuals are more important than words in the cinematic language, and Eisenstein was the embodiment of this theory. While this film has its tedious moments, it is an essential work for those interested in art house and/or experimental cinema, for it is one of the most creative and visually stunning films of the 20th century.
In silent movies, it was proved that visuals are more important than words in the cinematic language, and Eisenstein was the embodiment of this theory. While this film has its tedious moments, it is an essential work for those interested in art house and/or experimental cinema, for it is one of the most creative and visually stunning films of the 20th century.