Taking her 1940's films into consideration the only thing Joan Fontaine might have been born to be was a mouse or, as she was portrayed in 1939's "The Women", a deer but as Joan got older Joan got bolder and by 1950 she was "Born to be Bad" and was holding the likes of Robert Ryan, Zachary Scott and Mel Ferrer in thrall. The director of this 'woman's picture' was Nicholas Ray who brought a steely edge to proceedings. Actually I've always thought Joan was born to play a bitch; that patrician air of hers was never suited to being simply 'nice' and it was to her credit that she could slip so easily between darkness and light, Here, though, she's almost too good to be true and I'm surprised no-one, other than good girl Joan Leslie, saw through her scheming earlier. Performances throughout are uniformly good; even Ferrer is first-rate here, (he hadn't yet developed that stiffness that marred his later work). Interestingly his character is probably meant to be gay but you really have to read between the lines and use a lot of imagination to get that. From a novel called "All Kneeling" by Ann Parrish.
Review of Born to Be Bad
