Twisty, turny and mind-bending, one viewing won't be enough for this time travelling head scratcher. Two plots – one revolving around Ethan Hawke's temporal agent seeking to stop a terrorist, the other following the life of a precocious orphan who isn't quite like everybody else – are intricately and intelligently woven together to not only build tension but to explore provocative themes to spoiler-y to mention here. In fact, Predestination is one of those movies its hard to say much of anything about. It's such a meticulously drip-fed thriller – slowly and superbly unravelling as each and every minute of the runtime ticks on – that the real joy here is unwrapping and grasping (or attempting to any rate) what it is you're actually witnessing. In his second collaboration with Aussie filmmakers the Spierig Brothers, Hawke is in career-best form as the veteran time traveller on the brink of burning out, whilst relative newcomer Sarah Snook (born and bred South Australian) is outstanding in a complex and demanding role that has rightly grabbed the attention of Hollywood. The Spierig's also demonstrate their diversity in both the writing and directing departments, going from the enjoyable but tonally lightweight splatter-fest Daybreakers to this altogether more mature, thematically heavy and narratively elaborate sci-fi saga that still manages to maintain a high excitement level. This year's Looper or Inception.
Review of Predestination
