I'm in no hurry to get in the boxing ring with director Uwe Boll, a man who has been known to use his pugilistic skills to silence his less favourable critics, but I have got to say that this horror/action film (apparently based on an Atari video game) is utterly diabolical—far worse than I ever expected (my opinion of Boll had been reasonably high after seeing Rampage, which was surprisingly effective).
The long-winded opening narration is the first clue that this is going to stink: ancient civilisations, evil creatures from another world, a secret organisation devoted to investigation of the paranormal, and a mad scientist experimenting on orphaned children are clumsily thrown together in an attempt to establish the background to the film, but they only succeed in confusing the viewer before things have even begun. Matters are made even more incomprehensible with a prologue that occurs '22 years ago' but which segues into the present day and proceeds to introduce even more mind-bogglingly random elements to ensure that even the most astute of viewers will be completely baffled.
As the film progresses, more and more nonsensical garbage is haphazardly thrown into the mix, Boll's pointless directorial stylisms making everything impossible to follow, with the occasional voice-over by Christian Slater (intended to help explain matters) only adding to the embarrassment factor. Ridiculous voice-overs aside, Slater's performance isn't all that bad, but his co-star Tara Reid is absolutely terrible and was clearly hired for her looks (yet she doesn't even have the decency to take off her bra during the obligatory sex scene!).
After much frenetic shooting, a smattering of reasonably fun gore, some choice snippets of lousy dialogue ('Some doors are meant to stay shut') and lots of naff CGI creature attacks, during which Boll throws in some lousy Indiana Jones-style adventure and a scene completely ripped off from James Cameron's Aliens (the Xenos—yes the monsters ARE called that—obliterate a team of soldiers, despite the use of automated sentry guns), the film wraps up leaving the viewer none the wiser about what they have witnessed.
The long-winded opening narration is the first clue that this is going to stink: ancient civilisations, evil creatures from another world, a secret organisation devoted to investigation of the paranormal, and a mad scientist experimenting on orphaned children are clumsily thrown together in an attempt to establish the background to the film, but they only succeed in confusing the viewer before things have even begun. Matters are made even more incomprehensible with a prologue that occurs '22 years ago' but which segues into the present day and proceeds to introduce even more mind-bogglingly random elements to ensure that even the most astute of viewers will be completely baffled.
As the film progresses, more and more nonsensical garbage is haphazardly thrown into the mix, Boll's pointless directorial stylisms making everything impossible to follow, with the occasional voice-over by Christian Slater (intended to help explain matters) only adding to the embarrassment factor. Ridiculous voice-overs aside, Slater's performance isn't all that bad, but his co-star Tara Reid is absolutely terrible and was clearly hired for her looks (yet she doesn't even have the decency to take off her bra during the obligatory sex scene!).
After much frenetic shooting, a smattering of reasonably fun gore, some choice snippets of lousy dialogue ('Some doors are meant to stay shut') and lots of naff CGI creature attacks, during which Boll throws in some lousy Indiana Jones-style adventure and a scene completely ripped off from James Cameron's Aliens (the Xenos—yes the monsters ARE called that—obliterate a team of soldiers, despite the use of automated sentry guns), the film wraps up leaving the viewer none the wiser about what they have witnessed.