There is one amazing segment of VHS 2 that has to do with a Cult. It is frenetic, gory, has a great story and makes the most of the "found footage" format. If the rest of the film had lived up to this one sequence, we would have had something special. It's better than Part One in most aspects, though I did like a few moments in that film.
Timo Tjahjanto really blew me away - his segment is imaginative and has some real shocks crammed into it's short running time. Some of the camera work is a bit too shaky as people run around, but I was able to get around that due to the intensity of the story. Out of the remaining short films, we get a return to full on Shaky Cam with Edwardo Sanchez (Blair Witch Project). Truthfully, Edwardo has ALWAYS got to shake the camera like he's in a runaway car or something. He seems to think this is a STYLE. I must argue the point. True artists do not need to shake a camera like a fool to get an image to move someone. Argento, Carpenter, Bava. Masters of the art. Dean Cundy would never run around like a fool, shaking his camera at every object he can find, disregarding the basic rules of directing at will, and no real professional should allow camera-work like this. What an artistic stretch for Edwardo. Next time just throw the damned thing on the ground and drag it around with a rope.
There are a few other sparks. Jason Eisener makes the most of his segment by having some real fun with it and throwing in an Alien Invasion that is both scary and funny. And I really enjoyed the basic idea and most of the execution of Adam Wingard's segment. Still, too damned much shaking here.
I am not sure I understand it really - why so much shaking in these "Found Footage" atrocities? I mean, the old camcorder videos that my family made at Holidays and on Vacation never looked like this. Grandpa tried to keep the camera still. I never actually have seen a home movie like these. Not even on old Super 8. Have you? Eyestrain central. For part 3, maybe they can just go to an old amusement park and give us a POV of the rides or jump out of a plane while filming. At least there'll be a legitimate reason for it being so damned shaky. I think I'd rather watch "HI-8" again.
Timo Tjahjanto really blew me away - his segment is imaginative and has some real shocks crammed into it's short running time. Some of the camera work is a bit too shaky as people run around, but I was able to get around that due to the intensity of the story. Out of the remaining short films, we get a return to full on Shaky Cam with Edwardo Sanchez (Blair Witch Project). Truthfully, Edwardo has ALWAYS got to shake the camera like he's in a runaway car or something. He seems to think this is a STYLE. I must argue the point. True artists do not need to shake a camera like a fool to get an image to move someone. Argento, Carpenter, Bava. Masters of the art. Dean Cundy would never run around like a fool, shaking his camera at every object he can find, disregarding the basic rules of directing at will, and no real professional should allow camera-work like this. What an artistic stretch for Edwardo. Next time just throw the damned thing on the ground and drag it around with a rope.
There are a few other sparks. Jason Eisener makes the most of his segment by having some real fun with it and throwing in an Alien Invasion that is both scary and funny. And I really enjoyed the basic idea and most of the execution of Adam Wingard's segment. Still, too damned much shaking here.
I am not sure I understand it really - why so much shaking in these "Found Footage" atrocities? I mean, the old camcorder videos that my family made at Holidays and on Vacation never looked like this. Grandpa tried to keep the camera still. I never actually have seen a home movie like these. Not even on old Super 8. Have you? Eyestrain central. For part 3, maybe they can just go to an old amusement park and give us a POV of the rides or jump out of a plane while filming. At least there'll be a legitimate reason for it being so damned shaky. I think I'd rather watch "HI-8" again.