There are people in the world who are, quite intentionally, their own worst enemy. This is their story. Alternately, it's about a man and his cat.
Like all Coen Brothers films, "Inside Llewyn Davis" is a character study. Theirs is a style that takes a trait of humanity, cranks it up to 11, and puts it through its paces. In this case, they take on people who purposely sabotage their own happiness.
The film follows Llewyn Davis who, recklessly and tortuously, destroys his relationships at every opportunity. Time after time after time, he returns kindness with selfishness; responsibility with irresponsibility; support with abandonment. Grossly judgmental, incredibly unsympathetic, utterly foolish, this is a man who brings on his own suffering with an odd sort of sustained glee. He seems to revel in his own misery, constantly making bad decisions, and then getting mad at those who did what he told them to do.
This is an odd juxtaposition with his chosen artistic pursuit: folk singing. Folk singing is all about empathy and connection, but Llewyn can't empathize, and definitely can't connect. This is pointed out to him time after time after time, but he just doesn't pick up on it. At all. Therefore, he fails. He is very similar to his co-star, Ulysses, a cat who (in a very characteristically cat-like manner) seems disconnected from what is happening around him, until it's time to wake someone else up from a sound sleep.
It's not a bad film, there are some quirky, funny moments in it. But I gave it 7 out of 10 because it lacks that characteristic "special heartwarming spark" of a Coen Brothers film. "Raising Arizona", "Fargo", "Hudsucker Proxy", and "O Brother, Where Art Thou" had a heartwarming character or situation to help pull you out of the morass of darkness, intentionally acting as counter-point to the misery of life; but "Llewyn Davis" doesn't really have this. I suppose the cat is meant to fill this role (there is a neat little moment when Llewyn and the cat track each other's expressions quite effectively), but it doesn't really work as well as (possibly) intentioned.
An OK movie. Not the Coen Brothers' best.
Like all Coen Brothers films, "Inside Llewyn Davis" is a character study. Theirs is a style that takes a trait of humanity, cranks it up to 11, and puts it through its paces. In this case, they take on people who purposely sabotage their own happiness.
The film follows Llewyn Davis who, recklessly and tortuously, destroys his relationships at every opportunity. Time after time after time, he returns kindness with selfishness; responsibility with irresponsibility; support with abandonment. Grossly judgmental, incredibly unsympathetic, utterly foolish, this is a man who brings on his own suffering with an odd sort of sustained glee. He seems to revel in his own misery, constantly making bad decisions, and then getting mad at those who did what he told them to do.
This is an odd juxtaposition with his chosen artistic pursuit: folk singing. Folk singing is all about empathy and connection, but Llewyn can't empathize, and definitely can't connect. This is pointed out to him time after time after time, but he just doesn't pick up on it. At all. Therefore, he fails. He is very similar to his co-star, Ulysses, a cat who (in a very characteristically cat-like manner) seems disconnected from what is happening around him, until it's time to wake someone else up from a sound sleep.
It's not a bad film, there are some quirky, funny moments in it. But I gave it 7 out of 10 because it lacks that characteristic "special heartwarming spark" of a Coen Brothers film. "Raising Arizona", "Fargo", "Hudsucker Proxy", and "O Brother, Where Art Thou" had a heartwarming character or situation to help pull you out of the morass of darkness, intentionally acting as counter-point to the misery of life; but "Llewyn Davis" doesn't really have this. I suppose the cat is meant to fill this role (there is a neat little moment when Llewyn and the cat track each other's expressions quite effectively), but it doesn't really work as well as (possibly) intentioned.
An OK movie. Not the Coen Brothers' best.