Going in to the Hobbit, I had certain expectations based on Peter Jackson's Lord of the Rings trilogy.
I expected the film would be beautifully shot, with fantastic art design, intricate sets, detailed costumes, and spectacular scenery. They did not disappoint. The continuity of the art department and cinematographer from those films to this one shows, and it also shows that they still care about what they are doing. I especially love what they did with the dwarven stronghold of Erebor. My only criticism in this area is the make-up on Thorin Oakenshield, especially the facial hair. He does not look like a dwarf. I know it's a starring role and the actor needs to emote through the makeup in order to "sell" it. You couldn't have him buried in extensive hair/bear/mustache pieces (like John Rys-Davies suffered through in LOTR). But Thorin is just not a dwarf in this film. Kili also does not look like a dwarf, but at least he plays the character in an upbeat, youthful fashion so his "5 o'clock shadow" scruff seems appropriate. But Thorin is a dour character, and his look -- which I call "dwarf metrosexual" -- just does not fit. The rest of The Company have great looks, I know they could have come up with something better for Thorin.
I expected this movie to have a great film score. Howard Shore's work on the trilogy was outstanding, and made those films complete. Here, well, there are few new pieces, but most of the score is derivative from prior works. I know it's important for some continuity. The hobbits, in particular, are very set in their ways, so it's highly appropriate to use the same themes for Hobbiton that Shore used in the first trilogy. But they recycled the Ringwraith theme, even though they don't appear in this film, and they used a lot of the same segue music and other cues. There are a few new songs, cues, and themes, but even there, a few fall flat. I remember one specific choral piece simply not fitting with what was happening on the screen. Choral music is used to imbue pathos into a scene, but I don't recall that scene requiring pathos. I just remember the choral music not fitting the mood.
I expected this movie to have a lot of action sequences. This is where Tolkien's "The Hobbit" is actually above LOTR: it has a lot more action sequences. There's a lot here to excite: Smaug's attack on Erebor is brilliantly portrayed, the above-ground warg chases are pretty harrowing, as is the film's climax. But there's an awful lot of goofy crap in it, too. The underground battle with the goblins has some goofy chase sequences that reminded me of a version of Pitfall produced for the NES some 15 years ago. A friend turned to me and said "obligatory video game sequence", so it wasn't just me. The Goblin King and his odd army are brilliant, but the escape scene is just goofy. There's also this encounter with stone giants in the mountains that, although faithful to the book, is so ridiculous it pulls you out of the film. Then there's the Radagast sequence, which is complete "WTF?" I know "The Hobbit" is a kid's book. I know it's not LOTR. I actually like that they had goofy dwarfs and a generally lighter tone than "Lord of the Rings". But some of these action sequences are just so utterly ridiculous they ruin the whole thing.
Finally, I expected the story to be expanded. The writing team said as much throughout the production. I was hoping it would be a good, meaningful expansion (like the Arwen arc in the LOTR films). I was also hoping the expansion would bring depth to the other characters (JRR Tolkien's "The Hobbit" could not be considered a "character piece"). I found myself not pleased with the results. I found the additional story elements (specifically the White Council/Necromancer backstory) to be irrelevant and uninteresting and not thematically appropriate to the story. "The Hobbit" is a lighthearted adventure, adding in this heavy plot stuff interrupts that flow. I also found the addition of Frodo and "old" Bilbo in the beginning of the story to be unnecessary. Sure, it was cool to do a transition between Ian Holm's Bilbo and Martin Freeman's, but it could have been simpler and to-the-point instead of the exaggeration it became. I know the filmmaker wanted to include his friends from the first production in The Hobbit, and I am a fan, they are all fine actors, but he should have focused on the story at hand instead.
What really bothers me about these additions is they take away time that could have been used to work on the various characters, specifically Thorin and the relationship between and amongst his fellow dwarfs. Adding a bit of interpersonal conflict between the dwarfs would have made it so much more interesting than just adding another storyline. As it is, they are (as yet) undeveloped. We know Thorin is grumpy and determined, we know his dwarfs are goofy and boisterous, we known Bilbo is a fish out of water. Beyond that, there's not much going on with them. Contrast "Fellowship", with it's touching character-driven scenes such as Gandalf & Frodo's talk in Moria; Aragorn & Boromir's encounter in Rivendell; the hobbit bonding experience running from the Black Riders; and all the touching stuff at the end when the Fellowship breaks. These moments don't really exist in "The Hobbit", and that's the biggest shame of this film.
Bottom line: it's entertaining, it's beautiful to look at, but it's overboard on goofiness, camp, and PJ's favors to actors, and not deep enough on character. It's disappointing.
I expected the film would be beautifully shot, with fantastic art design, intricate sets, detailed costumes, and spectacular scenery. They did not disappoint. The continuity of the art department and cinematographer from those films to this one shows, and it also shows that they still care about what they are doing. I especially love what they did with the dwarven stronghold of Erebor. My only criticism in this area is the make-up on Thorin Oakenshield, especially the facial hair. He does not look like a dwarf. I know it's a starring role and the actor needs to emote through the makeup in order to "sell" it. You couldn't have him buried in extensive hair/bear/mustache pieces (like John Rys-Davies suffered through in LOTR). But Thorin is just not a dwarf in this film. Kili also does not look like a dwarf, but at least he plays the character in an upbeat, youthful fashion so his "5 o'clock shadow" scruff seems appropriate. But Thorin is a dour character, and his look -- which I call "dwarf metrosexual" -- just does not fit. The rest of The Company have great looks, I know they could have come up with something better for Thorin.
I expected this movie to have a great film score. Howard Shore's work on the trilogy was outstanding, and made those films complete. Here, well, there are few new pieces, but most of the score is derivative from prior works. I know it's important for some continuity. The hobbits, in particular, are very set in their ways, so it's highly appropriate to use the same themes for Hobbiton that Shore used in the first trilogy. But they recycled the Ringwraith theme, even though they don't appear in this film, and they used a lot of the same segue music and other cues. There are a few new songs, cues, and themes, but even there, a few fall flat. I remember one specific choral piece simply not fitting with what was happening on the screen. Choral music is used to imbue pathos into a scene, but I don't recall that scene requiring pathos. I just remember the choral music not fitting the mood.
I expected this movie to have a lot of action sequences. This is where Tolkien's "The Hobbit" is actually above LOTR: it has a lot more action sequences. There's a lot here to excite: Smaug's attack on Erebor is brilliantly portrayed, the above-ground warg chases are pretty harrowing, as is the film's climax. But there's an awful lot of goofy crap in it, too. The underground battle with the goblins has some goofy chase sequences that reminded me of a version of Pitfall produced for the NES some 15 years ago. A friend turned to me and said "obligatory video game sequence", so it wasn't just me. The Goblin King and his odd army are brilliant, but the escape scene is just goofy. There's also this encounter with stone giants in the mountains that, although faithful to the book, is so ridiculous it pulls you out of the film. Then there's the Radagast sequence, which is complete "WTF?" I know "The Hobbit" is a kid's book. I know it's not LOTR. I actually like that they had goofy dwarfs and a generally lighter tone than "Lord of the Rings". But some of these action sequences are just so utterly ridiculous they ruin the whole thing.
Finally, I expected the story to be expanded. The writing team said as much throughout the production. I was hoping it would be a good, meaningful expansion (like the Arwen arc in the LOTR films). I was also hoping the expansion would bring depth to the other characters (JRR Tolkien's "The Hobbit" could not be considered a "character piece"). I found myself not pleased with the results. I found the additional story elements (specifically the White Council/Necromancer backstory) to be irrelevant and uninteresting and not thematically appropriate to the story. "The Hobbit" is a lighthearted adventure, adding in this heavy plot stuff interrupts that flow. I also found the addition of Frodo and "old" Bilbo in the beginning of the story to be unnecessary. Sure, it was cool to do a transition between Ian Holm's Bilbo and Martin Freeman's, but it could have been simpler and to-the-point instead of the exaggeration it became. I know the filmmaker wanted to include his friends from the first production in The Hobbit, and I am a fan, they are all fine actors, but he should have focused on the story at hand instead.
What really bothers me about these additions is they take away time that could have been used to work on the various characters, specifically Thorin and the relationship between and amongst his fellow dwarfs. Adding a bit of interpersonal conflict between the dwarfs would have made it so much more interesting than just adding another storyline. As it is, they are (as yet) undeveloped. We know Thorin is grumpy and determined, we know his dwarfs are goofy and boisterous, we known Bilbo is a fish out of water. Beyond that, there's not much going on with them. Contrast "Fellowship", with it's touching character-driven scenes such as Gandalf & Frodo's talk in Moria; Aragorn & Boromir's encounter in Rivendell; the hobbit bonding experience running from the Black Riders; and all the touching stuff at the end when the Fellowship breaks. These moments don't really exist in "The Hobbit", and that's the biggest shame of this film.
Bottom line: it's entertaining, it's beautiful to look at, but it's overboard on goofiness, camp, and PJ's favors to actors, and not deep enough on character. It's disappointing.