Review of Alphaville

Alphaville (1965)
1/10
Should have given it to Pasolini
28 October 2012
I really wanted to like the movie, firstly because I like the new wave of French cinema made in the 60's and secondly, because the plot seemed to be something that would strongly appeal to my cinematographic interests when it comes down to dystopian movies. Being a person that watched quite a few titles throughout his life I must say I was seldom more irritated by a movie like this one that managed to make me turn it off after as little as thirty minutes.

I don't really know why Godard didn't manage to pull this off, I suppose that he wasn't entirely aware of what he should be doing in order to create a Orwellian, dictatorship driven, anti utopian movie. It starts off extremely unpromising, as the environment is a patchwork of symbols that were not by any means used in place, not to mention the sound used for the movie was the most inappropriate thriller - like type of sound that they could possibly pick up from just any half - decent crime movie made by the same time.

If you manage to neglect the messed up environment that is a patchwork of this and that but never manages to make it up to the full picture that it should represent, there is no possible way you won't get extremely irritated by the computer - generated - Big brother - type of voice that brags nonsense that tries to sound as if it's brainwashing the listener. Beware that this is light-years behind 1984 - a movie, based on a great novel crafted to perfection - a dystopian masterpiece, that I can only praise.

After wanting to smash my sound system and after trying to adjust it well enough so the inadequate sound effects won't damage the proper functions of my nerves, I started thinking how this movie would have been a masterpiece if created by Pasolini. I remember how he managed to pull out the entire Theorema using the sound of a church bell, which by no means sounded anywhere that inappropriate as the sound effects found here.

Apart from that I do believe he would have done great job in implementing the political meaning into the movie. Godard failed in his attempt to be overly artsy in an environment that was probably chosen by himself - one that managed to fail his movie even more.

As a conclusion, with a little bit of sadness I should admit that at least the cover art looks somehow acceptable and pleasant, and that is why I bother to give one star to this hour and a half tape of lost meanings.
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