I read Joseph Heller's "Catch-22" at school of my own volition after watching the movie, and at the time, neither made sense. Having now seen the film subsequently, I appreciate it a lot more but you really need to pay attention such are the subtle scene interchanges, characters that fade in and out of shot mid dialogue and the underlying narrative can at times be hard work to follow. But if you can remain focused, you should be rewarded.
It's intriguing watching Arkin battle the myriad of crack-pots with whom he comes into contact, all the stars of brass coming and going like revolving doors, each of them displaying a manic neuroticism that in turn makes Yossarian look decidedly stable. Perkins, Voight and Benjamin to me appeared all subtle variations of the same personality, whereas Grodin was the standout point of difference, displaying trademark ambivalence. Surprisingly expansive cast also includes Martin Balsam, Orson Welles, Art Garfunkel and Buck Henry. The ladies' roles (Mrs Benjamin - Paula Prentiss, and Collin Wilcox) are minor and little more than bit parts.
There's a couple of scenes that will resonate, not least of all Yossarian's recurring vision in the cockpit of a stricken fighter, or the sight of the lusty (and starkers) nurse swimming toward him from the pontoon, but it's still an effort to absorb the copious two hours of dialogue. Perhaps more conducive to a few viewings over time to fully appreciate the layers. Made at the same time as "MASH" and "Suppose They Gave a Way and Nobody Came" which were of very similar ilk if you enjoyed "Catch-22".
It's intriguing watching Arkin battle the myriad of crack-pots with whom he comes into contact, all the stars of brass coming and going like revolving doors, each of them displaying a manic neuroticism that in turn makes Yossarian look decidedly stable. Perkins, Voight and Benjamin to me appeared all subtle variations of the same personality, whereas Grodin was the standout point of difference, displaying trademark ambivalence. Surprisingly expansive cast also includes Martin Balsam, Orson Welles, Art Garfunkel and Buck Henry. The ladies' roles (Mrs Benjamin - Paula Prentiss, and Collin Wilcox) are minor and little more than bit parts.
There's a couple of scenes that will resonate, not least of all Yossarian's recurring vision in the cockpit of a stricken fighter, or the sight of the lusty (and starkers) nurse swimming toward him from the pontoon, but it's still an effort to absorb the copious two hours of dialogue. Perhaps more conducive to a few viewings over time to fully appreciate the layers. Made at the same time as "MASH" and "Suppose They Gave a Way and Nobody Came" which were of very similar ilk if you enjoyed "Catch-22".