I can't help myself: I greatly respect Dick Maas. He directed three self-penned movies to Dutch box office success in the 80s, all three fast-paced, original stories permeated with a typical Dutch brand of humor. You could make a case that Maas is the Low Countries' equivalent to Luc Besson or Quentin Tarantino, even if his work doesn't come close to a quarter of their production values - or their international recognition.
With its faux-English title, touristy Amsterdam settings and serial killer/hardboiled cop storyline, "Amsterdamned" (1988) was made with an eye on international success. As always, Maas' direction is instinctively entertaining, doesn't waste time and doesn't mind sacrificing logic for pace and shock value. It results in trashy 80s fare. Personally? I love it. Don't expect "Seven" or "The Silence of the Lambs", but enjoy the lewd sex scenes, speedboat chases and blood stains. Time will fly; Maas and lead Huub Stapel know what they're doing.
But does "Amsterdamned" work for an international audience? Only if you're prepared to appreciate the irreverent, self-deprecating sense of humor as part of the movie's charm. Maas' shtick as a writer/director is so fundamentally Dutch that his international ambitions were probably doomed from the start. But let's give the man his due: he wrote his own stuff, put his own money on the line and drew big crowds to the theaters, creating popular culture at a time when other Dutch directors were busy adapting 19th-century novels.
With its faux-English title, touristy Amsterdam settings and serial killer/hardboiled cop storyline, "Amsterdamned" (1988) was made with an eye on international success. As always, Maas' direction is instinctively entertaining, doesn't waste time and doesn't mind sacrificing logic for pace and shock value. It results in trashy 80s fare. Personally? I love it. Don't expect "Seven" or "The Silence of the Lambs", but enjoy the lewd sex scenes, speedboat chases and blood stains. Time will fly; Maas and lead Huub Stapel know what they're doing.
But does "Amsterdamned" work for an international audience? Only if you're prepared to appreciate the irreverent, self-deprecating sense of humor as part of the movie's charm. Maas' shtick as a writer/director is so fundamentally Dutch that his international ambitions were probably doomed from the start. But let's give the man his due: he wrote his own stuff, put his own money on the line and drew big crowds to the theaters, creating popular culture at a time when other Dutch directors were busy adapting 19th-century novels.