Babysitter Wanted starts off like pretty much every other babysitter in peril film you've probably already seen: a pretty, virginal high-school student takes a child-minding job in a remote house in the boondocks, where she experiences creepy noises, power outages, and mysterious phone-calls, before eventually being attacked by person or persons unknown. In short, it's about as formulaic as a horror film can get.
If you begin to bemoan this film's predictability, though, you're playing right into the hands of its makers, whose seemingly uninspired set-up exists only to catch the viewer off guard with one hell of a curve-ball halfway through: just as the film couldn't get any more predictable, writer/director Jonas Barnes pulls the metaphorical rug from under his viewers feet with an audacious plot development that has to be seen to be believed.
With his illusion of banality well and truly shattered, Barnes is finally free to explore new territory, but despite the introduction of some welcome black humour, a few well conceived moments of tension and a spot of surprisingly gruesome gore, the film never fully capitalises on its rather bonkers mid-point revelation. If only the madness had escalated exponentially from that point on rather than just kicking up a gear and staying there, I'm sure we'd have had another bona fide horror classic on our hands—after all, nothing succeeds like excess!
If you begin to bemoan this film's predictability, though, you're playing right into the hands of its makers, whose seemingly uninspired set-up exists only to catch the viewer off guard with one hell of a curve-ball halfway through: just as the film couldn't get any more predictable, writer/director Jonas Barnes pulls the metaphorical rug from under his viewers feet with an audacious plot development that has to be seen to be believed.
With his illusion of banality well and truly shattered, Barnes is finally free to explore new territory, but despite the introduction of some welcome black humour, a few well conceived moments of tension and a spot of surprisingly gruesome gore, the film never fully capitalises on its rather bonkers mid-point revelation. If only the madness had escalated exponentially from that point on rather than just kicking up a gear and staying there, I'm sure we'd have had another bona fide horror classic on our hands—after all, nothing succeeds like excess!