19th century freebooter O'Keefe (Lancaster) uses his wiles to set up copra trade in south seas despite native resistance and organized competition.
Lancaster was made for this kind of role. With his athletic frame, blinding grin, and iron jaw, he's a great adventurer. Later, he became a serious actor, but I always preferred the grinning swashbuckler ever up to some kind of daring-do, as he is here.
This is one of his lesser known action films and I'm not sure why. At times the shifting loyalties are hard to follow, so it's not the simple action narrative of good guys versus bad. Still, the story's based on fact, and I like the insight into how the Europeans try to turn the simple native economy into a commodity producing one (copra). In that regard, I really like the ending that seems surprisingly contemporary in its respectful politics. As a result, the story may be complex, but there's also considerable substance.
Meanwhile, I'm on my way to Yap to see if the green-eyed Dalabo (Rice) left any female offspring. Besides, the scenery there is spectacular, nicely captured by Warner's Technicolor department. Traditional Hollywood usually went to Catalina for its south seas background. Not here. Instead, Warner's popped for authentic Pacific locations-- probably to compete with newfangled TV. Then too, Lancaster's big, native ceremony is elaborately colorful and unusual, especially the costuming. At the same time, he gets to do some of his effortless acrobatics and come up grinning.
In my book, it all adds up to an entertaining package and well worth tuning in.
Lancaster was made for this kind of role. With his athletic frame, blinding grin, and iron jaw, he's a great adventurer. Later, he became a serious actor, but I always preferred the grinning swashbuckler ever up to some kind of daring-do, as he is here.
This is one of his lesser known action films and I'm not sure why. At times the shifting loyalties are hard to follow, so it's not the simple action narrative of good guys versus bad. Still, the story's based on fact, and I like the insight into how the Europeans try to turn the simple native economy into a commodity producing one (copra). In that regard, I really like the ending that seems surprisingly contemporary in its respectful politics. As a result, the story may be complex, but there's also considerable substance.
Meanwhile, I'm on my way to Yap to see if the green-eyed Dalabo (Rice) left any female offspring. Besides, the scenery there is spectacular, nicely captured by Warner's Technicolor department. Traditional Hollywood usually went to Catalina for its south seas background. Not here. Instead, Warner's popped for authentic Pacific locations-- probably to compete with newfangled TV. Then too, Lancaster's big, native ceremony is elaborately colorful and unusual, especially the costuming. At the same time, he gets to do some of his effortless acrobatics and come up grinning.
In my book, it all adds up to an entertaining package and well worth tuning in.