7/10
Breillat asks us to "watch the unwatchable" for a reason.
29 July 2010
Warning: Spoilers
There are some films you watch to get a message and this is one of the most surprising. The director sees a dichotomy in men's views of women which some women internalize. Paglia talks about the same thing, without focusing on the 'infernal' part that dominates this film.

What is similar in Paglia and Breillat's views is that men admire tidiness, completeness, finality; they see the world in an almost binary way. They see women as complicated by the potential to create life and abhor the mechanisms that support that creation. Paglia calls it the Apollonian vs Dionysian. Breillat doesn't use those terms, but might think of it as Apollonian vs Cthonian.

I personally don't have this view, but I've heard about it long enough to assume it's widespread among men.

Breillat relieves us men of the overgeneralization by using a sexually ambiguous character to act as the "watcher of the unwatchable." Our heroine is ambiguous, too, in that she wants the opposite of what she claims and has chosen a difficult path to get it.

I am conflicted in how to rate this film. It is simple on the surface, and deals with a lot of imagery that will be intolerable to some viewers (other reviews on IMDb reflect that). As the launching point of discussion between men and women, this film serves its purpose. But I do not see this as a film that a man and a woman should watch together, because their respective reactions may color and diminish the other's experience.
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