Basket Case 3: The Progeny continues in much the same vein as Pt 2, with loads of twisted humour, some very silly freaks, and plenty of truly demented scenes, including a terrific musical number from Granny Ruth (Annie Ross) and her 'unique individuals', the birth of twelve mutant babies, Duane (Kevin Van Hentenryck) being dominated by Opal (Tina Louise Hilbert), the hot slutty daughter of a local sheriff, and Belial being transformed into a half-machine/half monster cyborg by Little Hal (Jim O'Doherty), a monstrous multi-limbed genius.
In short, this movie is yet another bonkers effort from Frank Henenlotter that, although never reaching the level of brilliance displayed in his debut Basket Case or the marvellous Brain Damage, should appeal to those who enjoyed the director's previous outing for his deranged, separated Siamese twins. The comedy sometimes gets a tad puerile, and the childish behaviour of the freaks becomes irritating at times, but the level of insanity is way high, with a fair amount of inventive gore, and even some nudity courtesy of Playboy twins Carla and Carmen Morrell (who have the dubious pleasure of fondling Belial).
It might not be Henenlotter at his best, but I'd much rather watch an enjoyably daft, low budget piece of campy trash such as this than much of today's bland and predictable mainstream horror.
In short, this movie is yet another bonkers effort from Frank Henenlotter that, although never reaching the level of brilliance displayed in his debut Basket Case or the marvellous Brain Damage, should appeal to those who enjoyed the director's previous outing for his deranged, separated Siamese twins. The comedy sometimes gets a tad puerile, and the childish behaviour of the freaks becomes irritating at times, but the level of insanity is way high, with a fair amount of inventive gore, and even some nudity courtesy of Playboy twins Carla and Carmen Morrell (who have the dubious pleasure of fondling Belial).
It might not be Henenlotter at his best, but I'd much rather watch an enjoyably daft, low budget piece of campy trash such as this than much of today's bland and predictable mainstream horror.