Review of Ben X

Movies about characters with disabilities usually focus on how the personal deficiencies were overcome, with everyone, especially the audience, feeling good in the end. This is not that kind of movie. Ben, the central character, is an autistic high school student subjected to repeated excruciating torments by his classmates. Everyday in school he gets slapped and pushed around while he cowers helplessly. Later he is subjected to a most traumatic assault by two of the meaner classmates, one cruel asault shown in the internet as a crowd of students cheer and jeer. Ben's divorced parents and the school authorities seem as helpless as Ben. As this goes on without respite I felt that Director Balthazar, (who wrote and directed this from his own novel), enjoyed Ben's suffering as much as his sadistic classmates. Somewhere along the movie I became convinced that Balthazar is submitting his own entry into the Torture Film Genre (Michael Haneke's "Funny Games" ('97), Mel Gibson's "The Passion of Christ"). Ben's consolation is playing his sword-and-sandal superhero video game, Archlord. This is used to tease the audience that at a certain point Ben will emulate his hero and fight back. He can never get himself to do it however. The only thing in that video game fantasy that becomes his salvation is the appearance of a young woman, Scarlite, who gives him the courage to act on his solution -- to die. It is this act that Balthazar uses to end the movie supposedly to shame Ben's tormentors and all the school authorities, into remorse over everything done to Ben. This retaliation that Balthazar cooked up, that these young brutes and thugs, these indifferent, uncaring and indifferent adults, can supposedly be shamed, I find not only naive but phony, artistically inane and dishonest. After showing us throughout the movie a group of irreparably thuggish youths and indifferent uncaring adults, Balthazar wants us to think that these people can be shamed into remorse and reforming. Balthazar's whole point seems to be that the only refuge the emotionally and mentally handicap can find is in the fantasy of video games, that the real world will always be cruel, even to the point of turning video -- the only world he can escape to -- into yet another torment. Balthazar probably forgot that the film world is bursting to its seams with Christ metaphors and Christ themes have long been exhausted, and any new attempt is artificial and shallow. Timmermans' performance, even if he looks older to be a high school student, is highly commendable. Ben's absorbing fear of the world outside his room and his video screen is perfectly encapsulated in the way he coils unto himself, the way he walks as though anticipating to fall or sink as he takes his next step, the contortions on his face as he walks through the gauntlet of students. The repeated shots from above when Ben gets out of his house looking like a creature coming out of a hole in the ground is a haunting image, implying his being not of this world. This is a well-photographed movie with a good script, very well acted by all, especially Timmermans and Verlinden, but the treatment of a disabled life really stinks.Tito Alquizola ##