It starts just as a spaghetti western, but then comes a parody of spaghettis and samurai films with minimal use of dialogue and excessive extravaganza of imagery. While the scope of the film seems unbelievable, a little, simple story revolving some stupid stereotypes is going on. Starting with buying an imported gun, the premise recalls the emergence of modernism in traditional, moralist society as it happens in too many samurai ventures, but the concept is contrarily based on the consequences of reliance on such bad habits as greed and jealousy. Not as promising as his RAISE THE RED LANTERN and JU DUO, not inspiring as his LA VIE and HERO, Zhang Yimou's A WOMAN, A GUN AND A NOODLE SHOP is an eccentric experience by a cineaste assumed as a master: crazy, wild and frantic, but not trying to tell a story in the size of epic
Review of A Woman, a Gun and a Noodle Shop
