I was amazed how a long, fairly slow film like this could capture and keep my attention all the way through.....but it did. This is really a quality film, as those who have seen it for years, will attest. It's so well done, in all phases, that when the two-and-a-half hours are up, you just marvel and what you've witnessed.
Anyone who has tried to live a perfect life, to please God and never offend Him with sins of any nature, knows it is impossible. It is a noble pursuit, but an exercise in futility that can lead to utter frustration. That is the dilemma we witness here in this film through the life of a well-meaning and sweet-as-can-be Belgian lady: "Gabrielle van der Mal" who is renamed "Sister Luke" after completing her training as a nun in the 1930s. Audrey Hepburn is superb as this woman, who has the greatest of spiritual intentions and a heart not only for God but to be a great nurse and follow in her father's footsteps, a famous physician in his country.
Can't she be both? The answer, of course, is "yes," but that's not the answer she receives periodically at the convent, or interprets because she's so tough on herself, and it causes great inner conflict.
Hepburn doesn't have tons of dialog in here and doesn't require it. The different looks on her face during this long story, especially when there is disappointment, are priceless. They are so subtle, but so telling. I am one who would vote for this film as Audrey's best performance, which is saying a lot.
Anyone who has tried to live a perfect life, to please God and never offend Him with sins of any nature, knows it is impossible. It is a noble pursuit, but an exercise in futility that can lead to utter frustration. That is the dilemma we witness here in this film through the life of a well-meaning and sweet-as-can-be Belgian lady: "Gabrielle van der Mal" who is renamed "Sister Luke" after completing her training as a nun in the 1930s. Audrey Hepburn is superb as this woman, who has the greatest of spiritual intentions and a heart not only for God but to be a great nurse and follow in her father's footsteps, a famous physician in his country.
Can't she be both? The answer, of course, is "yes," but that's not the answer she receives periodically at the convent, or interprets because she's so tough on herself, and it causes great inner conflict.
Hepburn doesn't have tons of dialog in here and doesn't require it. The different looks on her face during this long story, especially when there is disappointment, are priceless. They are so subtle, but so telling. I am one who would vote for this film as Audrey's best performance, which is saying a lot.