Review of Roots

Roots (1977)
10/10
The 'War & Peace' Of Television
9 January 2009
Warning: Spoilers
When the American mini-series 'Roots' debuted on B.B.C.-1 in 1978, I was pretty cynical. Here we go again, I thought, yet another overblown soap opera, 'Rich Man, Poor Man' Mark Two. I do not know what compelled me to tune in for the first instalment, but am so glad I did, else I would have then missed one of the greatest series of all time.

Based on the book by Alex Haley, the story begins with his ancestor Kunta Kinte ( LeVar Burton ) disobeying his father's advice by venturing beyond the perimeters of his African village to find wood with which to make a drum for his baby brother. He is caught by slave traders, who ship him back to the United States in the most appalling conditions imaginable to begin a new life as a slave called 'Toby'. The scene where Kunta is incarcerated in chains and screams at the top of his lungs is one of the most harrowing ever broadcast, and shocks still.

Making repeated escape attempts, Kunta has part of his foot chopped off. Years pass, and he marries another slave named Bell ( Madge Sinclair ), and they have a daughter called Kizzy ( Leslie Uggams ). She is taught to read and write by the spoilt daughter of her owner, a fact that ultimately leads to her being sold off to the disgusting Tom Moore ( Chuck Connors ), a man who thinks nothing of having sex with his female slaves.

I will leave the synopsis here. 'Roots' is an epic that spans decades, taking in major historical events such as the American Civil War, and although grim for most of the time ends on a note of optimism for the future. It brought history to life in a way no book could ever hope to do. My knowledge of the shameful age of slavery was increased a thousandfold. With race riots having been in the news only a few years earlier, it made me think: "my God, no wonder the blacks hate us.".

It took stick from some quarters over historical accuracy. While it is true that the African village seen at the start of the series was like something out of an old 'Tarzan' movie the sense that a monstrous injustice had been committed was there. Yes, Haley took liberties ( it is called 'artistic licence' ), but did not invent slavery. He did not need to because it actually happened. If nitpickers want to remain blinkered to the evils of history, that's fine by me. As long as they do not expect everyone else in the world to think the same way.

John Amos as the adult 'Kunta', Lou Gossett Jr as 'Fiddler', Leslie Uggams as 'Kizzy', and, in particular, Ben Vereen as 'Chicken George' were brilliant, and the show not only was viewed by the highest audience in American history ( at that time ), but also won countless awards, including the prestigious Peabody ( which Bill O'Reilly later claimed to have won! ).

I doubt it but hope Enoch Powell ( and those cretins who marched in support of his extreme views ) was among the millions who saw it in Britain.

Interestingly, 1978 was also the year in which 'The Black & White Minstrel Show' ( a singing/dancing variety show starring white performers in minstrel make-up ) ended after a twenty-year run. After 'Roots', those hand-waving 'yassuh, boss!' stereotypes were no longer welcome on our screens.

Though repeated several times, 'Roots' has not been seen here for years, but thankfully is on D.V.D. It should be compulsive viewing in all schools.
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