The themes explored in The Children's Hour are far from dated, so i just can't conspire to other writers who feel this way.
Karen and Martha are best friends who share a home together, they also work at the same all Girls school. Mary Tilford is a spiteful little child, when she is caught out for a lie she is duly scolded. In retaliation she starts casting doubts about the nature of Karen & Martha's relationship, pretty soon the gossip spirals out of control and the ladies are faced with empty classrooms and strained relations at home. A court case is in the air, but just what will be the outcome with a society so quick to frown on something that they deem unnatural?, regardless of it being truth or fiction.
Coming as it did in 1961, The Children's Hour was something of a brave picture, possessing as it does, a plot strand about lesbianism. Yet the film is itself a remake of These Three from 1936, tho also penned by Lillian Hellman {William Wyler directing both pieces}, These Three was built around a heterosexual tryst. The force driving The Children's Hour on is its willingness to explore a then frowned upon topic, whilst simultaneously running a plot arc about the power of a devious tongue, the innocence of youth a cloak shielding bitter intentions. Audrey Hepburn is a wonderful piece of casting, her portrayal of Karen is very restrained, giving the character an aura of worth and gracefulness. James Garner plays Karen's beau, Dr. Joe Cardin, he's a crucial part of the story but Garner never really dominates the screen in the way you feel the character should, however in the face of the films best performance, it's probably understandable that Garner is hardly worth a second glance. That best performance comes from Shirley MacLaine, it's a towering acting job full of wrought emotion and steely determination, it's only during the films last quarter do you realise just how well MacLaine has layered Martha. MacLaine and Hepburn are very different in acting styles, and this makes The Children's Hour a character piece to savour in any decade. 8/10
Karen and Martha are best friends who share a home together, they also work at the same all Girls school. Mary Tilford is a spiteful little child, when she is caught out for a lie she is duly scolded. In retaliation she starts casting doubts about the nature of Karen & Martha's relationship, pretty soon the gossip spirals out of control and the ladies are faced with empty classrooms and strained relations at home. A court case is in the air, but just what will be the outcome with a society so quick to frown on something that they deem unnatural?, regardless of it being truth or fiction.
Coming as it did in 1961, The Children's Hour was something of a brave picture, possessing as it does, a plot strand about lesbianism. Yet the film is itself a remake of These Three from 1936, tho also penned by Lillian Hellman {William Wyler directing both pieces}, These Three was built around a heterosexual tryst. The force driving The Children's Hour on is its willingness to explore a then frowned upon topic, whilst simultaneously running a plot arc about the power of a devious tongue, the innocence of youth a cloak shielding bitter intentions. Audrey Hepburn is a wonderful piece of casting, her portrayal of Karen is very restrained, giving the character an aura of worth and gracefulness. James Garner plays Karen's beau, Dr. Joe Cardin, he's a crucial part of the story but Garner never really dominates the screen in the way you feel the character should, however in the face of the films best performance, it's probably understandable that Garner is hardly worth a second glance. That best performance comes from Shirley MacLaine, it's a towering acting job full of wrought emotion and steely determination, it's only during the films last quarter do you realise just how well MacLaine has layered Martha. MacLaine and Hepburn are very different in acting styles, and this makes The Children's Hour a character piece to savour in any decade. 8/10