The concept seems simple but interesting. A asylum stricken young man Alex seems to be able to transform into a maniacal vicious creature with the ability of becoming non corporeal. He is in the asylum due to becoming non responsive after the brutal murder of his parents, something which his monstrous alter ego could be responsible for. The creature has laid dormant for years until a doctor revives old memories for Alex. The killings become more violent when his biological sister Teri comes for a visit(she was adopted after the parents were murdered).
This film starts out okay (i'm talking the first couple of minutes), but quickly suffers a downward spiral. If this were a student film for a school project, it would rate well. But it isn't, so it doesn't. Obviously this film had bugger all budget, but i have seen better films on a shoe string budget. Supporting actors seem to be people giving it there best shot, but most of them don't make the grade. The music score is b grade but acceptably so. Includes some horror clichés, like horny teenagers breaking into the asylum for a cheap scare. Word of advise, if you take your date into an asylum and she strips saying she's always wanted to have sex in one, she is most likely nuts herself so i'd steer clear.
The point of view shot coming up behind the main character to try and trick the viewer into thinking the killer is behind them. Usually filmmakers do this shot after the killer is loose, not before. The creature is poor and is quite obviously a guy in a costume. If the mouth moved when it talked, it might redeem it a little. But it didn't, so it doesn't. There is some blood and guts for gore hounds, but not great views of it as it will become obvious that they are animal parts from the butcher shop or corn syrup mixed with red food dye. Best performances go to the lead detective played by Marvin Bernard and asylum ward caretaker Sid Ellis. The asylum manager played by Ellen Sandweiss completely overacts and would have expected more from someone who seems to have the most acting experience in the whole movie (she was in the first Evil Dead). Alex's sister played by Sally Pressman is adequate.
This film starts out okay (i'm talking the first couple of minutes), but quickly suffers a downward spiral. If this were a student film for a school project, it would rate well. But it isn't, so it doesn't. Obviously this film had bugger all budget, but i have seen better films on a shoe string budget. Supporting actors seem to be people giving it there best shot, but most of them don't make the grade. The music score is b grade but acceptably so. Includes some horror clichés, like horny teenagers breaking into the asylum for a cheap scare. Word of advise, if you take your date into an asylum and she strips saying she's always wanted to have sex in one, she is most likely nuts herself so i'd steer clear.
The point of view shot coming up behind the main character to try and trick the viewer into thinking the killer is behind them. Usually filmmakers do this shot after the killer is loose, not before. The creature is poor and is quite obviously a guy in a costume. If the mouth moved when it talked, it might redeem it a little. But it didn't, so it doesn't. There is some blood and guts for gore hounds, but not great views of it as it will become obvious that they are animal parts from the butcher shop or corn syrup mixed with red food dye. Best performances go to the lead detective played by Marvin Bernard and asylum ward caretaker Sid Ellis. The asylum manager played by Ellen Sandweiss completely overacts and would have expected more from someone who seems to have the most acting experience in the whole movie (she was in the first Evil Dead). Alex's sister played by Sally Pressman is adequate.