An incredibly attractive bourgeois couple (Romy Schneider and Alain Delon) are luxuriating in an idyllic French villa when they receive a visit from an old friend of the husband and old flame of the wife (Maurice Ronet) who had actually first introduced them to each other. Their visitor is accompanied by his temptingly nubile 18-year-old illegitimate daughter (Jane Birkin). Infidelity, jealousy, and eventually murder ensue.
This film in some ways resembles the emerging Italian gialli thrillers(especially the early ones with Carrol Baker and/or Jean Sorel), but it is much more staid and psychological and less over-the-top than the Italian films. And of course, it also fit squarely in the tradition of French thrillers somewhere between "Diabolique" and Claude Chabrol. The three leads are very good, but Jane Birkin is pretty miscast--she was too old for this role and seemed to be trying to overcompensate by running and skipping around, acting more like a 12-year-old girl than an 18-year-old one (and the result, needless to say, is pretty bizarre). Birkin also tragically keeps her clothes on (although she does spend most of the movie modelling various bikinis), but the equally gorgeous Schneider more than makes up for it. Ironically however, the major flaw in this movie is that the four principals are all SO glamorous and beautiful that it's hard for us normal folk to relate or sympathize with them.Schneider and Birkin would appear together again with better results in "Love at the Top" (where the latter more than makes up for her regrettable lack of skin here).
I suspect this movie not only partially inspired the likes of Claude Chabrol, but also the very recent sexy French thriller with same name ("Swimming Pool" in the English-speaking world) in which Charlotte Rampling and Ludivine Sagnier seemed to be respectively channeling the erotic spirits of Schneider and Birkin. One thing's for sure, France has never looked more beautiful than it does here.
This film in some ways resembles the emerging Italian gialli thrillers(especially the early ones with Carrol Baker and/or Jean Sorel), but it is much more staid and psychological and less over-the-top than the Italian films. And of course, it also fit squarely in the tradition of French thrillers somewhere between "Diabolique" and Claude Chabrol. The three leads are very good, but Jane Birkin is pretty miscast--she was too old for this role and seemed to be trying to overcompensate by running and skipping around, acting more like a 12-year-old girl than an 18-year-old one (and the result, needless to say, is pretty bizarre). Birkin also tragically keeps her clothes on (although she does spend most of the movie modelling various bikinis), but the equally gorgeous Schneider more than makes up for it. Ironically however, the major flaw in this movie is that the four principals are all SO glamorous and beautiful that it's hard for us normal folk to relate or sympathize with them.Schneider and Birkin would appear together again with better results in "Love at the Top" (where the latter more than makes up for her regrettable lack of skin here).
I suspect this movie not only partially inspired the likes of Claude Chabrol, but also the very recent sexy French thriller with same name ("Swimming Pool" in the English-speaking world) in which Charlotte Rampling and Ludivine Sagnier seemed to be respectively channeling the erotic spirits of Schneider and Birkin. One thing's for sure, France has never looked more beautiful than it does here.