One of the most agonizing script-writing shortcuts is to have a character go 180 degrees from one scene to the next, in one moment being full of love and affection and understanding, and then for whatever reason refusing to talk to the main character, rushing out rudely and refusing any explanation from the main character, in the most unreasonable way. You're not supposed to wonder why this person would do this, you're just supposed to feel the hurt and rejection. If you like these kinds of scenes, buy this movie. Everything about this movie is predictable, tries to be deep and meaningful, and proceeds on the assumption that you've never seen a movie before. An utter failure.
Review of Danny Deckchair
