Review of Bullitt

Bullitt (1968)
3/10
The slowest pace in the history of American cinema?
16 November 2005
I wonder if "Bullitt" has the slowest pace in the history of American cinema. Of course, "Bullitt" is a legendary movie and it was a tremendous hit when released. In my opinion, that was mainly due to Steve McQueen, who right in those years had exploded as a major superstar. I do not deny that the movie was rather innovative for the late 1960s. The cinematography is fine and the locations in the San Francisco area are accurately shot. The whole cast works well, and the stars Steve McQueen and Robert Vaughn give remarkable performances. The story is interesting, although not much exciting.

But the pace of the movie is so incredibly slow... All the various scenes and episodes are excruciatingly lengthy, notably those of the surgeries at the hospital. However, the best instance of snail-pace is a scene at the airport in the finale. The airplane arrives at the terminal. The whole maneuver of the aircraft is shown in full details... Then, finally, the passengers slowly start to get off the airplane. Bullitt-McQueen silently stares looking for the bad guy. People slowly get off... Bullitt stares... People get off... Bullitt stares... I say, this single scene lasts longer than the whole Apaches' attack in Ford's "Stagecoach"!

The story is not intricate, but the movie is so slow that one finds it difficult to follow... Bullitt gets off the taxi, taking all the due time; then he calmly walks toward the parking area; he opens the door of a car; after a while, he shuts the door of the car; he broods over something for another long while (there's no hurry!); finally he starts the engine, another long operation... In the meantime, the viewer has forgotten what the heck the guy was doing for the purposes of his investigation.

All along the movie, the behavior of the policeman Bullitt is highly unprofessional. But then, to make a number of idiocies just for the sake of disobeying the authorities, that was considered cool in the late 1960s (and also now, at least in the movies). Actually, Bullitt's deeds at the end of the film are not just unprofessional. In the real life, they would cost him several years in jail. And what is the point of beautiful Jacqueline Bisset? Her character seems stuck to the movie, just to show that Bullitt-McQueen is sexually active. Did anyone doubt it? And who cares, anyway?

Of course, the film contains the over-celebrated car-chase. Certainly innovative for that time, but ultimately disappointing, in my opinion.

I've always thought that the bore of Altman's "Thieves like us" couldn't be surpassed. I was wrong. "Bullitt" is the most boring action-crime movie I have ever seen.
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