After several years of crudely made, crudely funny films such as PINK FLAMINGOS, director John Waters graduated to a somewhat more sophisticated style, and POLYESTER has a comparatively (note the word: comparatively) subtle script, cinematography that doesn't shake, sets and props that don't actually look like they were salvaged from the local junkyard, and even a mainstream star: 1950s matinée idol Tab Hunter.
The story concerns the extremely dysfunctional Fishpaw family. Husband Elmer is in the porno movie business; daughter Lu-Lu is a mindless teenage slut with a nasty boyfriend; son Dexter is wanted by the law for a sexual fixation that leads him to stomp women's feet! And then there is the mother, poor Francine, extra large and utterly at sea, hoping against hope for middle class respectability in the midst of it all.
Tab Hunter (who is even more of a stud here than in his earlier pretty-boy days) romancing female-impersonator Divine is a major draw, and there is enough hilarity--ranging from a nun-enforced hayride for single pregnant women during a rainstorm to a black gospel singer who hijacks a bus to chase down a juvenile delinquent--to keep the show rolling, and the satirical edge is often quite effective.
Even so, POLYESTER lacks the same shock appeal that made Water's earlier work so entertaining--and it is a tremendous pity that we can't experience the film in its original "ODORAMA." Recommended, but primarily for Waters fans interested in seeing him in his transitional phase.
Gary F. Taylor, aka GFT, Amazon Reviewer
The story concerns the extremely dysfunctional Fishpaw family. Husband Elmer is in the porno movie business; daughter Lu-Lu is a mindless teenage slut with a nasty boyfriend; son Dexter is wanted by the law for a sexual fixation that leads him to stomp women's feet! And then there is the mother, poor Francine, extra large and utterly at sea, hoping against hope for middle class respectability in the midst of it all.
Tab Hunter (who is even more of a stud here than in his earlier pretty-boy days) romancing female-impersonator Divine is a major draw, and there is enough hilarity--ranging from a nun-enforced hayride for single pregnant women during a rainstorm to a black gospel singer who hijacks a bus to chase down a juvenile delinquent--to keep the show rolling, and the satirical edge is often quite effective.
Even so, POLYESTER lacks the same shock appeal that made Water's earlier work so entertaining--and it is a tremendous pity that we can't experience the film in its original "ODORAMA." Recommended, but primarily for Waters fans interested in seeing him in his transitional phase.
Gary F. Taylor, aka GFT, Amazon Reviewer