It's nice to see that some directors still believe that a great movie is subtle. No need to hit audiences over the head to get the point across. Think 'Howard's End.' Think 'Remains of the Day.' Think 'A Passage to India.' Wings of the Dove is in the same league. Helena Bonham-Carter is magnificent as she takes us from thinking of her in sympathetic terms, to beginning to have second thoughts about her character, to becoming aghast at the cold calculation of her plot. No one is good or evil here, merely human and full of beauty, pain, and unworthiness. I loved it. And most of all, it's a moving PICTURE. The night scenes in the gondola are some of the greatest cinematography ever. 'Titanic' didn't come close.