_Il Conformista_, directed by Bertolucci, contains some of the most original shots ever put on film as well as a story that makes you think about the importance of loyalty.
Jean-Louis Trintignant plays Marcello Clerici, a man scarred by a homosexual encounter in his youth. Attempting to regain a normal life by trying to fit into the Italian Fascist State, he is required to betray and kill his favorite "liberal" college professor. This is what compels us to keep watching--can Clerici go through with this ultimate betrayal? If he does, what are the consequences?
The best parts of the film, though, are the uniquely chosen and symbolic shots. One that stands out in my mind is a scene where Marcello is caught in the middle of a swirling dance by his wife, his professors wife, and the patrons of a nightclub/restaurant. This symbolizes his inability to fit in with any aspects of his life. Bertolucci continues his knack for symbolism throughout the film without spoiling the flow of the story. In all, a must-see for people interested in how films can visually convey how a character is feeling.
Jean-Louis Trintignant plays Marcello Clerici, a man scarred by a homosexual encounter in his youth. Attempting to regain a normal life by trying to fit into the Italian Fascist State, he is required to betray and kill his favorite "liberal" college professor. This is what compels us to keep watching--can Clerici go through with this ultimate betrayal? If he does, what are the consequences?
The best parts of the film, though, are the uniquely chosen and symbolic shots. One that stands out in my mind is a scene where Marcello is caught in the middle of a swirling dance by his wife, his professors wife, and the patrons of a nightclub/restaurant. This symbolizes his inability to fit in with any aspects of his life. Bertolucci continues his knack for symbolism throughout the film without spoiling the flow of the story. In all, a must-see for people interested in how films can visually convey how a character is feeling.