10/10
Architecture meets celluloid.
30 July 2001
What is most amazing about The Conformist is it's cinematography and angles.

Director Bertolucci and Cinematographer Storraro have created a masterpiece of form by using light, camera angles, and character positioning.

The architecture dwarfs the characters as they try to make sense of their existence during Italy's fascist period (1930's). They are placed theatrically at times creating a balance of space.

The Conformist is the most stunning film visually I have ever seen. Every scene is immaculate, kind of surreal, almost to rich for the senses to take in one viewing.

The story is somewhat difficult on the first viewing but one can figure the basic plot line. It is a story about repression and oppression, about nationality, political beliefs during a paradigm shift. It is about acceptance and avoidance. It is about playing it safe in a time of tension.

The final scene suggests what the main character might have become had he chose the truth. It is left up to us to judge him and realize that it is sort of a catch 22; either way, he would have ended up in that dark place where a fascist country would mentally place same sex love.

See this film to see the potential of the beauty of film.

Conform or not to Conform? That is the Question.
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