Review of Darling

Darling (1965)
9/10
Existentialist froth but compelling none the less!
12 January 2003
Julie Christie gives a raw, jagged performance as Diana Scott, a free-wheeling model/actress/whatever whose bedhopping exploits among the upper British classes cause her own self-destruction.

Quick zooms, freeze frames, and stop-motion effects aside, Darling holds up just as well as the other international hit about immoral behavior among the rich and semi-famous (La Dolce Vita) and makes a nice beginning for director John Schlesinger's adult trilogy. (Midnight Cowboy and Sunday Bloody Sunday followed.)

The film is a fascinating time capsule and Christie's wonderfully expressive eyes, the handsome Dirk Bogarde's masterful underplaying, and Laurence Harvey's cold sexuality make Darling a swinging '60's classic that still packs a cynical punch and is yet another example of a fine lost film that's almost unavailable in any format. DVD please?
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