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Shazam! (2019)
8/10
DCEU At Its Most Promising
27 March 2019
Shazam! is directed by David F. Sanberg (Lights Out, Annabelle: Creation), written by Henry Gayden (Earth to Echo) and stars Zachary Levi as Billy Batson/Shazam.

The film follows 14-year-old Billy Batson, an orphan boy who keeps running from foster homes. When he gets adopted by a couple who share a home with many foster kids, Billy is soon granted magical, wizard powers, and discovers that when he says the wizard's name, Shazam, he turns into an adult male with super-hero like abilities.

The DCEU isn't much of a franchise at this point. Aquaman was so separated from other films in the franchise, it's essentially its own thing. Shazam! follows suit. While there are references to Superman, Batman, and other Justice League heroes throughout, the film isn't concerned with connecting dots or setting up a franchise. It tries to be its own thing.

The strongest aspect of this film by far is Zachary Levi. A ravingly underrated actor, Levi brings this film the energy, charm, and humor it needs. He plays the role of a teenage boy stuck in a man's body not only well, but eerily convincingly so. Jack Dylan Grazer, who plays Billy's foster brother Freddy, is also great. Neurotic and hilarious, he helps further convince you of this film's ridiculous premise.

Asher Angel, who plays young Billy Batson, got the short end of the stick here, as he's given a character who hides his emotions. So while he still feels like Billy, he's the less entertaining half of Billy. Nonetheless, he delivers a great performance, and the film lands because of him.

The rest of the cast is alright, with some weak performances and a decent one from Mark Strong.

The script is another strength here. It balances humor and drama, horror and light-heartedness, and character and spectacle better than any DCEU film so far. I cared about these characters. I understood their motivations and their desires.

The film is a character piece more than a super-hero film, though. The story isn't about a boy who turns into an adult super-hero battling evil, it's about a boy learning to grow up and accept the things he's ignored his whole life. Billy must realize he must pursue what he needs, not what he wants, and he comes to understand that everything he believed to be true is wrong. It's fantastic, and it's what makes the entire third act land.

This movie is self-aware. It carries a plethora of tongue-in-cheek references, and never forgets to make you laugh. The humor is natural, fresh, and never undermines the dramatic tension of the film.

Sanberg's direction is strong here. There are definitely some horror-tinged sequences. I'll have to see it a second time to really analyze how this film was shot, but if I remember correctly, it rarely goes large. The movie doesn't try to be a spectacle, and instead simmers down and remains small unlike it's hero.

The score is great. The soundtrack is amazing. I had some genuine laughs. While the film is definitely one set piece too long, and could have been tightened down in its third act, I don't have many complaints outside of that.

It also brings its own spin to the super-hero genre. This is definitely a family super-hero film. I would argue it's even more of a family super-hero film than The Incredibles. And aside from some mild language and a couple scary scenes (it earns it's PG-13 rating), it's one of the more wholesome super-hero movies to come along in a while.

I loved this film. Everybody here knocked it out of the park. It has heart and humor and a great message. Hands down the best DCEU film. I can't wait to see what they do with the future movies.

So far, it's my favorite film of the year.

B+
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Dunkirk (2017)
8/10
Brutal and Memorable
23 July 2017
DUNKIRK review

Dunkirk follows three stories – one that takes place on the land, one that takes place on the sea, and one that takes place in the air. Each story revolves around the evacuation of Dunkirk during World War 2.

I'm not a fan of war movies. I know, sue me. It's probably because I've never seen a really good one. I also wasn't a fan of Christopher Nolan's last directorial effort Interstellar. Though he's easily my favorite director, with films such as The Prestige, The Dark Knight Trilogy and Inception, my excitement for this film was virtually nonexistent. I had low expectations.

The film clocks in at a brisk 1 hour and 46 minutes, boasting Nolan's shortest run time for a film in recent memory. Due to the short amount of time you're in your seat, the film moves quickly. If it had been any longer, it would have suffered.

It's hard to say what Dunkirk is about, because the film doesn't feature a main protagonist, and definitely doesn't follow the classic Hollywood structure we're so used to. The dialogue is minimal, and at most times indiscernible. It's told with a non- linear structure and never really explains exactly what's going on. All of this hurts the film but helps the film at the same time.

Despite its downfalls, any audience member can tell how good Christopher Nolan is. He has full control of this film. Nothing is out of place. Everything is where it should be. Hoyte van Hoytema is quickly proving himself to be one of the best cinematographers to date. And Hans Zimmer delivers a chilling score that blends so well with the movie, you'll forget it's there.

If this movie doesn't win an Academy Award in any category relating to sound mixing, then something is wrong with Hollywood. The movie is so loud at times that you have to cover your ears, yet can immediately drop to absolute silence without feeling unnatural.

The performances are rich, though I couldn't tell you a single character's name. The movie isn't about people, it's about war. Having grown up in America, I knew nothing about the evacuation of Dunkirk. It was educational. And like any war movie should do, it helped me gain more appreciation for the men and women who serve all countries. Of course, Cillian Murphy and Tom Hardy must be mentioned and given a shout of excellence.

Nolan is a brave director. Anybody could tell you that. He trusts his audience to be smart. While most summer blockbuster films tell you exactly what's going on at all times, Nolan expects you to pay attention. A lot of his movies require active viewing, which is what sets them so far aside from other films. Dunkirk, like I mentioned before, is told non-linearly. Everything happens out of order. Some scenes are repeated up to three times. He leaves it up to you, as the viewer, to keep track of our three coinciding story lines and understand how they all relate to one another.

Because of the lack of a protagonist, the movie's emotional beats are nearly absent, save for the resolution of the story. It's not necessarily a bad thing for this movie, though it would absolutely fail in any other Hollywood film released this year. Again, Dunkirk is impossible to explain because it is so different from anything else.

The film earns its PG-13 but definitely doesn't push it. The movie gets you to wince and jump, yet it doesn't feel the need to show buckets of blood pouring from wounds. Aside from a couple F-words, which don't stand out due to the English accents and quiet dialogue, it's appropriate for most people.

It's not my favorite Nolan movie, not even close, but that's to be taken lightly. Like I mentioned before, I don't love war films. Dunkirk is a feat. It's well-crafted, beautifully executed and proves that Christopher Nolan can accomplish anything.

8.3/10
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8/10
An Improvement, but Still Stumbles
13 January 2017
The second episode benefits simply because it comes after the first. The tone is established, we've already spent an hour with the characters and the plot can finally start to really move forward.

The Baudelaire children are much more grounded in this episode, with their skill sets coming into play (as they will throughout the rest of the series). Count Olaf is less out of place, and he gains control of the world that he'll stalk the children through for the remaining episodes to come.

All the tropes are set up, the running gags. The "death" of the Baudelaire's parents is explored a little more heavily, and, with it, the main goal of the series. We as an audience now have something hopeful (though Lemony Snicket will tell you it's not so) to look forward to.

Though Olaf's house is a disgustingly gorgeous set piece, it will be nice to move on. It took a couple of hours, but I'm now fully interested to see the rest of this world. I'm sure with the next episodes that the story will find its pace, and I'll suddenly find myself racing through these episodes at a break-neck speed.
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7/10
Spectacular
22 March 2016
I will admit this up front, I was skeptical of this film going in. Ever since it started production, I have doubted it. From the title to the casting to the score, I judged every single thing.

I had the opportunity to attend a pre-screening earlier tonight. My review won't contain spoilers.

This film is not what I expected at all. From the trailers, it looked like it was going to a be massive CGI mess. And even though it heavily relied on CGI, it was not a mess. The opposite, actually. One of the strongest super-hero films produced.

I'll begin with the negatives:

CGI usually doesn't bother me, but the final battle in this film was a little overdone. So much destruction and mayhem that it pulled me out of the story for a few seconds. I was not convinced that Wonder Woman or even Superman could survive the damage Doomsday was causing.

And . . . that's it. Honestly my only complaint about the film.

Now for the positives:

I'll begin with the cast.

Jesse Eisenberg/Lex Luthor - Let's just say that Eisenberg drives this film. His psychotic attitude isn't overdone, and honestly, I found myself kinda liking the guy throughout the film. He's funny. His timing is brilliant. And he has some of the most chilling lines in the film. This is one of the biggest surprises I experienced.

Henry Cavill/Superman played Clark Kent perfectly. The emotions that Superman faces throughout this film are extreme, and yet Cavill doesn't overplay them. He doesn't use tears to show you he's upset. It's in the way he stands, in the way his face moves, in the way he looks at the world. There are two scenes that really blew me away with his acting. One time when he's in physical pain, and the second time when he's in emotional pain.

Amy Adams/Lois Lane did really well. Some of the lines she was given were a little cheesy, but she pulled it off. Surprisingly, I really connected with her character.

Gal Gadot/Wonder Woman - Holy crap. Fabulous. That's all.

Ben Affleck/Batman - He's a very different Batman and a very different Bruce Wayne than any we've seen before. He was definitely the casting choice I was most skeptical of, but Affleck pulls it off. More than once, he got me to hate Superman even when knowing Superman's side of things. This film focuses a lot on Batman. It's almost a Batman solo film, really, but that's besides the point. Affleck gets you to hate Superman when you know that Superman only means well. It's amazing and what makes this whole film work.

As for Cyborg, The Flash and Aquaman, well, their introductions are executed perfectly. It wasn't forced at all, and it doesn't bog down or overwhelm the rest of the film. Batman v Superman is a perfect, and I mean a *perfect*, setup for the Justice League films.

The Story - The trailers don't show you most of what the actual story is. I was blown away beginning with the opening scene. This is a deeply emotional story. There's a scene in this film between Batman and Superman that's the most powerful and emotional exchange I've ever witnessed in a superhero film before. It focuses a lot on Superman's and Batman's tragedies (but again, does not bog down the story). And there's a moment where both of their tragedies come together, and ultimately, I believe, it's what's going to be driving their friendship and teamwork for the rest of the DCEU.

The film's resolution is well done. Again, a smooth setup for the Justice League.

And the cliffhanger, though a little bit expected, is exciting.

Overall, the film probably deserves a 7/10 or an 8/10, but I'll give it a perfect 10, because never have I seen Batman and Superman portrayed so humanely. It's the first Superman film that I've loved, and a perfect and fresh execution of Batman as well.

Enthralling, action-packed, emotional, suspenseful, deep and a little bit ridiculous, Batman v Superman: Dawn of Justice is the ultimate super-hero film.
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The Walking Dead: No Sanctuary (2014)
Season 5, Episode 1
10/10
The Best Episode
13 October 2014
Warning: Spoilers
This was, in my opinion, the best episode so far of The Walking Dead. The wait for this premiere has felt like a long one, but the episode picks up just where it left off and makes you feel as if you never even quit watching the show.

This review will be quick and short, just like the episode felt.

The writers didn't waste their time dragging out this Terminus thing. They're in and they're out, leaving fire, blood and death in their wake. Refusing to focus on the cannibalism of the Terminus group was a wise choice. Even the producers of The Walking Dead know we, the viewers, can only handle so much. The short scenes of cannibalism were enough to make you queasy.

Each episode they find a new way to kill a zombie that tops the last. This time? Zombies on fire. Can't beat that.

The best part, though, about this episode is the few short minutes when the group finally reunites. Tears are shed and hugs are given, and it's right then that I realized how emotionally attached to these characters I've become.

I used to pity them, but as the series has progressed, I've come to love them.

Overall, 10/10. If the writers keep it up like this for the rest of the next 15 episodes, we may just have one incredible season on our hands.

-Jackson
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9/10
Dawn of a New Kind of Filmmaking
12 July 2014
Warning: Spoilers
I've long been awaiting this sequel to 2011's Rise of the Planet of the Apes, which means my expectations have been building for three years. To say the least, I had very high expectations. I was weary going in to this film. The change in director, cast and tone made me nervous. Reeves and the writers were asking us to follow Caesar, our favorite ape, which isn't hard to do, but not writing in familiar human characters was a risky move. This sequel almost doesn't feel like a sequel, it almost feels like a reboot.

The first 15 minutes of the film is entirely about the apes. You do not see a single human in the first 15 or so minutes. This was a brilliant move. It introduced us into this entirely new world, one we weren't yet familiar yet.

We meet, yet again, Caesar, who is now the leader of 300 or so apes, married to a sick, pregnant ape; and father to his confused, reckless and emotional son Blue Eyes. Then there's his loyal followers, his right hand men, and those who follow because he is the strongest ape.

And then we are introduced to the movie's main villain: Koba. A multi-dimensional, hate- filled, anger driven villain who's resentment towards humans eventually leads him to his defeat. Koba truly does love his kind. He wants them to be safe. And that's his original motive in fighting the humans. But his motive shifts later in the film when his narcissism and inferiority are fueled by Caesar's disagreement, driving him into a blinding anger and irresistible thirst for being in control.

Shortly afterwards, we are introduced to our main human cast. There's Dreyfus, leader/dictator of the small band of humans, who's role is big but screen time is small. Told simply through emotion and no words, the past 10 years have ended in nothing but tragedy for this man. The implied death of his family inspires Dreyfus to lead and protect his people, and eventually forces him, in the end, to topple the tower and inform the military of the ape's existence.

Carver is the first human to appear on screen. The shot he fires that injures Ash is arguably the beginning of the war. In my opinion, if Koba and Carver's characters had never existed, peace would have been achievable (at least temporarily), but their constant disobedience, unreliability and dishonesty were the largest catalysts in the inevitable war between ape and man.

It doesn't take long for Malcolm to establish himself as our main man. Jason Clarke performs the role perfectly and delivers a character strong enough to carry the film through it's entire 130 minutes.

Just like its predecessor, do not go into the theater expecting an action film. It is not. It's a sci-fi, a drama. Moments where a director would throw in action, Reeves instead hands us a thought-provoking, character-improving scenes that make this film as great as it is.

I don't want to give too much away, but the film isn't about war, the film is about loss and survival and hope and the difficulty in maintaining peace. It's about how we, as humans, need someone to blame for our losses. We strive for revenge though it is and always will be our destruction.

The CGI in this film was better than it was in Rise. I felt as if what I was seeing on screen actually was real. The sound mixing was superb. And the entire film itself is what I'd like to call a masterpiece.

Dawn of the Planet of the Apes will not only revolutionize motion-capture CGI in films, but hopefully it will inspire other writers and directors to realize that there is a balance between action and character development. That, when working together, they can produce something magnificent. Just as Caesar believed would happen if humans and apes had only been willing to sort out their differences.

Superb!
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9/10
Incredible
12 June 2014
I picked up my future wife for a simple dinner and a movie date. We hadn't picked out a movie yet as we had decided to choose at the theater. Upon arriving, we saw that How To Train Your Dragon 2 was selling it's 8:00-10:00 Thursday night showings. I'd completely forgotten it was coming out Friday, so both of us, ecstatic, decided on that movie.

I went in expecting a great film.

I came out blown away.

I can honestly say I've never seen a sequel better than it's predecessor, but How To Train Your Dragon 2 does nothing but improve and top the first one.

The music was the best I've heard in a very long time. The story introduced so many things that was simply another piece of master storytelling. The relationships in the movie, especially Toothless' and Hiccup's, were written to their absolute strongest.

After all the films I've seen, all the shows I've watched, all the books I've read, I have never come across a friendship stronger than Hiccup's and Toothless'. The way they write that relationship is just . . . it's never been done before.

The story itself is actually pretty simple and actually a really short story, but it's a story you could tell the writer fell in love with. And he brought this story to the best it can absolutely be. The villain was chilling, the characters' outcomes were emotional, and the climax will completely shake your soul.

I have no complaints. No complaints at all. There is nothing I would change about that film. Not a single thing.

I just really hope they saved the best for last, because I don't know how they're going to top it.
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How I Met Your Mother: Last Forever: Part Two (2014)
Season 9, Episode 24
10/10
The End
31 March 2014
Warning: Spoilers
And How I Met Your Mother comes to a close. This show is special to me because I discovered it on my own. One day I started watching it, and from that moment on I was hooked. I relate to this show in countless ways. I'm a romantic. Makes sense. I loved this episode. The scene right after the wedding when the Gang gets together one last time was perfect because they were saying good bye for some time. That scene was touching. The High Five to end all High Fives was hilarious. HIMYM managed to keep its humor through the entire episode while at the same time filling me with emotions unmatched by other television.

Characters: Barney: His transformation over the series was a writing feat. When he got married it was a too hard to believe. I was convinced it wouldn't work out. It didn't. He wasn't ready for it. He'll never be ready for it. But when he has a child in this last episode, and when he sees it for the first time and says "You are the love of my life. Everything I have and everything I am is yours." That moment was so powerful that I swear I won't see another moment in a story like that for a long time. He grew up. It took him longer than anyone else. But he finally grew up. Lilly: She stayed the same. She loved everyone and wanted them all to be together. But it just wasn't realistic. She was the glue to the Gang. Marshall: He manages to move to Rome, still become a judge, and eventually move on to bigger things. He's also got a wife he's loved his whole life, and at least three kids to keep him busy. This man . . . well, he's one happy man. Robin: She never truly did stop loving Ted. It was something she could hide from herself just as well as she could hide it from others. The pain of watching her ex-husband be happy, and her ex-lover be happy, and her friends be happily married - it was just too much. So she escaped. She left just as Ted planned to do. Ted: I could write a whole book about how amazing Ted's character is and how much he's changed me personally, but unfortunately this review is limited in it's amount of words, and I must minimize it to the best of my abilities. I love how the episode didn't begin with meeting the mother, nor end with meeting the mother. He met her more towards the middle. It was perfect. So perfect. They instantly realized how their lives had intertwined subtly over the years. And I'm pretty sure it was at that moment that they both knew it was something special. Lilly noticed it too. His endurance through love was the story that was told and something we went through with him, and the notion to that was well executed.

My favorite parts: The flashback to when Lilly made both Ted and Barney promise that the only way they could hook up with her is if they married her. That was genius on such a high level that I'm pretty sure the creators are prodigies. They both married her. And they made it work. The decision to divorce between Robin and Barney was coming. It never would have worked out. We all knew that. And yet it wasn't sad. The one thing I didn't like in this episode was how it took Ted so long to marry Tracy. That bothered me a little.

The end: The theory that the Mother was dead has been the most highly-debated theory amongst this show. I was convinced by it. The Time Traveller episode had me suspicious. But the episode where Ted tears up at the words of "What mother misses their daughter's wedding?" is what got me. I knew she would die. And I feared for the end. But they handled it so well and so tenderly that it was sad, but it wasn't soul-crushing depressing. When Ted is telling his kids of how he stood by her side through the rest of her life, I was crying at that point. When he mentioned how she got sick, it was hands down the best way to handle her death. Most people thought it would ruin the series, but you cannot tell me that you hated the finale because she died. I just won't believe you.

We knew the end of the series since the very beginning. Go back and watch the pilot and yep, there's the end. No one suspected it. I mean, people suspected he'd end up with Robin, but who would've thought that he'd bring her the blue french horn and hold it up to her, and she'd look out her window just as she did in the pilot, and then you'd just know.

All in all, this piece of television was strong, and kept true to its characters, and I really couldn't be happier with this conclusion. They didn't try to outdo themselves. They told the story they'd been planning to tell since the beginning. I'm sad that this is going to be my last review of How I Met Your Mother. But I'm glad it ended on a perfect note.

I never expected a credit sequence to be so emotional. My friends, this journey was legen wait-for-it dary. (I'm still pretty curious about where that pineapple came from.)
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The Walking Dead: A (2014)
Season 4, Episode 16
10/10
Simple Incredible
30 March 2014
Warning: Spoilers
I enjoy The Walking Dead. I don't think I can name one episode that I haven't liked. That being said, I enjoy the slow scenes, the character development scenes, and the romance scenes just as much as I enjoy the fighting and gore scenes. So there could be an episode dedicated entirely to character development with no zombies and I'd be okay with it. I'm just letting you know this before the review.

This season has been captivating. It lost me a bit with The Governor's episodes. I enjoyed them, they wed just kind of long. I was wondering how they'd be able to drag out the whole travel to Terminus thing for the last eight episodes, but I believe they managed it pretty well.

Rick has been my favorite. And the scene where he basically resembles a Walker is priceless. That scene was so shocking and so gut-wrenching that any hardcore Walking Dead fan couldn't help but cheer a bit inside. Rick isn't crazy, he's just willing.

They wrapped up enough of the plot to leave us satisfied, but left enough for more of us to return to the season 5 premiere. The last line of the episode also aroused a cheer amongst the fans. "They're screwing with the wrong people." It's like we've been sitting here, watching this show for 4 seasons, saying, "These people are freaking awesome!" And the whole cast of characters have never really come out and said it, and I love how Rick acknowledged it. I love how Rick finally realized that they can't be reckoned with. That if anyone is going to survive until the end, it'll be them.

The element that intrigued me the most in this episode was Terminus. It was supposed to be nothing we expected, and it kind of . . . wasn't. It's suspicious but of course it's not safe. We still have zero answers about this place, but what I'm gathering from it is that it's some sort of research facility. That's just a guess though. Other than that, my only guess is a slaughterhouse.

Let's not forget that Carol and Tyreese are still out there. Those two are basically the only group's hope for escaping trouble in season 5. And Beth. But I'm still unsure whether she was kidnapped or just drove away. It's likely she's gone though. I wasn't sure how they could top the Governor as a villain, but these Terminus guys, well they seem like they'll do the job.

I also LOVE how no major characters were killed off in this episode. So many guesses were thrown out about who'd die in the finale, and everyone thought they guessed right, but the writers once again fooled us. No one dies. And somehow that seemed perfect for the finale of season 4.

All in all, I'm pumped for season 5, and I'm 100% positive I won't be disappointed.
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How I Met Your Mother: The End of the Aisle (2014)
Season 9, Episode 22
10/10
Chilling
24 March 2014
This episode hit all its marks. Possibly one of the most well-written episodes this show has experienced.

With this episode they didn't just portray love, they portrayed love correctly. They were honest with the fact that vows aren't kept, and love and life changes. I adore how they handled Marshall and Lilly in this episode. It was so honest and so bittersweet.

A recurring theme I found during this episode was that the characters would show up at just the right time to hear something or see someone that they needed to hear or see. I don't want to spoil the show. But Barney finally learned it. His character finally became the character he needed to become in order to be married. It was all due to his lessons learned from Marshall and Lilly.

I won't spoil anything, all I have to say is that this episode was extremely touching. All the way from the new vows, to the only vow, to the letting go, to the ring bear, to the twists and turns, to the sealing kiss, to the humor and, of course, to the final slap.

I don't have much else to say in this review. I could rave on and on about this episode. How the creators have handled this season in such a delicate and incredible way. It's amazing. A lot of people gave the first half of this season a lot of crap. I stuck it out. I knew it'd be worth it. And it was. This episode wrapped up so many plot lines. It left me perfectly satisfied.

Ted's speech on love - now that was perfect. "Love is the best thing we do."

I'm a huge romantic. I always have been. I'm emotionally touched by a lot of things - this show is included. I dream of my wedding day all the time and I constantly imagine the outcome of my love life. I'm a writer, and I write romance books. I don't know why I'm such a romantic, but I am. And that's why I connect with this show so well. I relate to Ted. I mean, I hope I don't end up 35 and basically alone, but I relate to him in the hopeless romantic sense.

Love is the best thing we do, my friends. There's a lot of hate in this world, and there's a lot of anger and animosity but it doesn't matter. There's love. Love is all that matters. I don't have to explain this to you. As Ted said, "It doesn't have to make sense to make sense."

Without love, guys, we'd be nothing. Without these quests for the other half of ourselves, without the wedding days and the first kisses and the honeymoons, without the vows and the proposals and the falling in love, our purpose in life would be nothing.

Of course, we aspire to achieve and succeed and chase our dreams, but I think the biggest dream of all is to fall in love with one who reciprocates. There's a Greek myth or something out there that there were these beings too powerful to be one person, so they were separated into two people and placed on separate parts of the earth in order to find each other. These people were called soul mates.

My friends, go looking for that soul mate. It's daunting, it's not promising, but without it we'd be for naught.

Without love, we'd be nothing.

Because love is the best thing we do.
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How I Met Your Mother: Gary Blauman (2014)
Season 9, Episode 21
9/10
Using All Their Tricks
17 March 2014
How I Met Your Mother has known to be quite an emotional comedy. I've watched every episode, and most of them even twice, and there have been many, many times where it's gotten more than just laughs out of me. Sometimes it's made me happy, sad, and scared. Sometimes it's filled my heart up. And I don't really know how to describe that emotion, but it just fills my heart up and leaves me feeling warm.

More than once it's made me cry.

People criticize this final season and I see why, but I've enjoyed it all. I've enjoyed this show in its entirety. And I wouldn't change a thing.

Since the legendary episode "How Your Mother Met Me", this show has rallied up nearly every type of emotion in me. I've cried probably in every episode, my hearts been filled up, I've laughed, I've been sad. It's scared me. And for those of you who follow these forums you'll understand what episode I'm talking about. When Ted chokes up. Yeah, that *scared* me. This comedy show has scared me because it's managed to create these characters that I've grown to love.

This show . . . this show is incredible. All of its nine seasons are amazing. Most people think of it as a romance, even I think of it as a romance, and sure it's a love story. But it's not just one. It's multiple love stories. And this show isn't only a love story, no. It's about friends and family and following your dreams.

I was hesitant, as many others were, about this episode. Why bring back Gary Blauman? Most viewers don't even remember who he is. Even I had to look him up as a refresher. But that's just another slightly brilliant thing about this season. It's moments before the wedding, and someone that they all had an experience with shows up, and I guess what I'm trying to say is that everybody comes into your life for a reason. This show proved it. Gary Blauman didn't play even a slightly big part in any of the character's lives, but he played a part, and any part is important.

That happens to me every now and then. I'll run into someone I maybe talked to at a party, but I remember them.

I don't know what I'm trying to say with this review, what point I'm trying to get across, but people are important, and this episode told us the stories of all the minor characters that we've forgotten about, but realized that we still cared about them.

This show is brilliant. It's romantic. It's plain amazing. And this episode brought me to tears. The scene that Ted and the Mother share in the end - that filled my heart. This entire episode did.

Bays and Thomas have spent 200 episodes creating these characters and this show, and they've been doing it with an end in sight. They knew from the beginning what they wanted us to feel in these last few episodes.

And boy is it working. They're using all their tricks.

I can't wait to see what the next three episodes have in store.
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How I Met Your Mother: Daisy (2014)
Season 9, Episode 20
10/10
It's Powerful
10 March 2014
This show began as a surprising comedy that's retained high viewings and exceptional reviews since it's debut nearly 10 years ago.

Over the years there have been some powerful seasons, some powerful episodes. "Three Days of Snow" and the finale of season 4. "The Time Traveller" was also another infamous episode that managed to bring many of its viewers to tears.

Though season 9 started out a little bit rough, I held out hope that the writers would pull it together and give us the final season we deserve.

And sure enough they have.

This episode continues the streak of powerful, emotional episodes. I've never had a show conjure so much emotion inside of me. From the beginning we're told it's Ted's love story, but it's not Ted's love story. It's Marshall's and Lilly's and Barney's and Robin's love story as well, and boy have they managed to tell them in a way no other show has managed to do before.

The entirety of this episode was absolutely incredible. Marshall and Lilly's experience during this episode was moving, and Robin's realization at the end is terrifying.

Overall, this show is amazing, and it tells love stories how they really are.

Freaking superb. I do not want this show to end.
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How I Met Your Mother: How Your Mother Met Me (2014)
Season 9, Episode 16
10/10
Ingenious
27 January 2014
I've been excited for this episode ever since it was announced. We'd finally get some insight on the Mother's life, and find out who she truly is.

This episode, I felt, lacked in comedy, but not in a bad way at all. It was so focused on the story and the character of the Mother that they forgot they were writing for a comedy. This is how I also felt about the majority of the last season of The Office.

I've been unsure about the Mother this entire season, but this episode depleted all doubts about her. She's beautiful and hilarious and so down-to-earth. I love how for once they didn't portray love as this easy-to-come-by thing, how they showed that when you truly fall in love, it's not an easy thing to get over.

This episode did well in tying together Ted and the Mother's lives, how, in a sense, they both affected one another, but yet never even knew of each other's existence.

Season 9 has had some negative reviews and received some doubts, but I knew that if I waited it out patiently, it'd be worth it, and look at these past two episodes, both are filled with raw emotion and incredible story-telling.

I've heard rumors about a spin-off called How I Met Your Father. Despite the fact that they kind of just summarized what the whole series would be, I wouldn't mind watching a series focusing around the Mother.

I wouldn't mind it at all.

Well done, HIMYM. Keep it up.

-Jackson
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Delivery Man (2013)
7/10
Heartfelt, Emotional, and Comedic
23 November 2013
This is probably one of the best movies I've seen. Okay, disagree with me, but hear me out first. I've never understood the desire for children. I don't know why people have kids. And nobody, not even my own parents, have been able to explain to me why. But this film inspired me to become a father one day.

I laughed. It brought me tears three times. I walked away from that movie feeling satisfied, warm, and with a whole new outlook on life. Don't go into this movie expecting the comedy or the drama or the story of the year, because you're not going to get that. What you are going to get is an enjoyable film that will make you smile. And that's truly all that matters. This film is full of love and what it means, and I left loving this film and loving and understanding the desire to have children.

-Jackson
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Breaking Bad: Felina (2013)
Season 5, Episode 16
10/10
A Quiet, Satisfying Finale
29 September 2013
Warning: Spoilers
I'm an avid fan of Breaking Bad, and have been for quite some time. My expectations for the finale were through the roof. I sat down with my dad to watch it and . . .

. . . it was perfect. My dad commented on the slow pace of the episode, and I loved that, because Breaking Bad is all about a slow pace with a great payoff.

There were many great moments in this episode, but one of the greatest by far was when he finally admitted to Skyler, "I did it for myself". Walter has been saying the entire series that he did it for the family, he did it for the family, he did it for the family, but he only said that to hide his true reason. He loved doing it. He was good at it. He'd always wanted to be good at something and he finally was.

He got his goodbye to Skyler, his goodbye to Holly, and a last look at the son who hates him but the son he'll love forever. He gave his family Hank's body, which showed he really truly did care.

And then he poisoned Lydia. And congratulations to all those who guessed how he'd do it. You were right.

I was talking with my friend at work about the one thing we absolutely wanted to happen in the finale, and we both agreed on Todd dying. Walt's brilliant gun setup knocked out all of the Nazis but two, Jack and Todd. Jesse got to kill Todd, which was perfect, and Walt killed Jack.

But the moment where Walt kills Jack, isn't that the moment this whole series has sort of led up to? Not the killing Jack part, but what Jack said right before that.

"If you kill me now, you'll never know where your money is."

But Walt doesn't care. He no longer cares about the money he loved so much, he no longer cares about all of his hard work. He shoots Jack and ends any trace of him empire with it.

I love how Walt saved Jesse. It brought tears to my eyes to see that in the end, despite everything, he still cared about Jesse. And though lots of you may disagree, I think there was a small shred of Jesse that cared for Walt too.

Jesse getting free. Getting away. Driving off into the future hindered by no villains or drugs. Him laughing and smiling, finally, after all this time, finally free. You can't help but smile with him.

And then Walt, mortally wounded by not only his cancer, but by his own weapon (symbolism), takes one last walk through the lab he and Jesse designed. One last walk through his empire, before he places a bloodied hand on a piece of equipment, and collapses, dead.

I am not going to try and convince you that Breaking Bad is the greatest piece of television ever created. I'm not gonna shove it down your throats or get offended if you don't agree. In my own opinion, though, I do believe that Breaking Bad is the greatest fictional story ever told.

Because the writers somehow managed to turn a bored man and a stoner kid into legacies, one ruled by his desires for an empire, and one driven by the guilt that haunts him. They took a simple idea that no one believed would work - a 50 year old chemistry teacher is diagnosed with lung cancer, so he begins to cook meth to ensure his family's financial future, and make it into an incredible story with real characters, impossible situations, and a place where the love for family conquers in the end.

As an aspiring writer, I'd be lying if I didn't say Breaking Bad is the most inspiring thing I've ever watched. It hasn't only helped me in my talents and hobbies, but it's also helped me through my depression. That may sound weird. About a year ago I was diagnosed with depression, and for a while now, I've been on pills. Lately, my depression has gotten lots worse, and somehow Breaking Bad just . . . transported me. It helped me escape from my seemingly inescapable problems, and it has, oddly, made me happy again.

I don't know what it is about this show, guys. I can't tell you why I believe it's the greatest story ever told, or how it managed to pull me out of the most challenging slump in my life to date, or why I know I'll always love it. But I can tell you this:

Breaking Bad means a lot to me. Stories have always been an important part of my life, and Breaking Bad does not take away from that. I do not know how I'll ever repay Vince Gilligan and the writers and the cast. I never will be able to I guess, but if they somehow manage to read this, I just want to say thanks.

You people have created the world's highest rated TV drama of all time, and not only that, but you've created something that has made a huge difference in my life, and I'll never be able to thank you enough.

When I publish my first book, I will dedicate it to you guys, because there's no way I would have gotten there without this show.

This is the last review I'll write, but all bad things come to an end. ;)

R.I.P Walter White.

-Jackson
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Breaking Bad: Granite State (2013)
Season 5, Episode 15
9/10
Breaking Bad Sets a World Record
22 September 2013
Warning: Spoilers
I waited in full-blown anticipation all week long for this episode "Granite State". I was so excited. It was all I could talk about. I cut out pictures from a few EW issues ago of Breaking Bad and taped them on my walls, I read theories and watched some parts of episodes. I was obsessed with finding out what happens next.

I found out it came on at 7:00, so I waited and waited . . . and woke up at 7:30. Angry that I missed it, I waited until 9:30 to watch it, in which point I sat down in front of the TV with a bowl of ice cream, and watched television reach its finest point.

"Granite State" may not be the best episode of the series, it definitely is not as good as Ozymandius, but it was a necessary, highly- entertaining, emotionally-inducing, and character-evolving episode.

I'd read a theory that it was all coming back to Gray Matter. That Walt wouldn't only take down the Nazis, but would destroy the billion-dollar company that screwed him over years ago in his life. When Gretchen and Elliot appeared on the news and they mentioned Gray Matter, a grin stretched across my face. It was happening. This is what it was coming down to.

Vince Gilligan stated that the ending of Breaking Bad is somewhat of a victory for Walt. I couldn't really figure how until this episode. Maybe he finally receives (steals) the money he always deserved from the company he helped build at its inception.

So as Walt watched the news angrily, as the DEA tracked Walt to his secluded location in New Hamsphire, the theme song of Breaking Bad began playing, and it was a moment of cinematography that directors, producers, writers, and actors live to produce. It all ties together. Every last end of this enormously addicting thread finally ties together. As the final scene closes in on Walt's alcohol and tip, and we see the empty chair he had moments ago occupied, we don't know whether to laugh with incredibility, shout out with despair, or stare in absolute shock at the familiar credits that fade in and out of our vision, eventually leading into a teaser for the final episode of the greatest show that has ever aired on television.

One more week. (Oh yeah, and Guinness Book of World Records listed Breaking Bad as the highest rated TV show of all time.)

-Jackson
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9/10
A Sequel Better than its Predecessor
16 September 2013
Warning: Spoilers
I thoroughly enjoyed Insidious. The idea was interesting enough to keep me captivated, and it was just the right amount of frightening to be remembered. When I found out they were making a sequel, I was nothing short of excited. They had some more story to tell. I understood that. So yeah, I was pretty excited.

Friday night, the movie's been out for about 24 hours. I've heard some negative reviews and some okay reviews, but I never take those to heart. I go in with an open mind and low expectations so I'm always surprised. I've spent over 100 dollars on movie tickets for various friends, a few jump in at the last minute, and I suddenly have a group of 13 people coming to this movie with me. We're all sitting on the same row, perfect seats thanks to pre-seating features. I sit next to my girl and my good buddy and the movie begins.

The first one, might I add, was jumpy, but not terrifying.

This movie was absolutely terrifying. Now I've heard others say it's not at all, but it scared me pretty badly. I screamed out loud three times, jumped out of my seat once, and you know, screamed some more.

I also found myself at two points during the movie on my feet cheering for a character. The theater joined me. I hadn't seen any crowd this into a film since the Harry Potters.

The first Insidious, I'll give it a 7 for an okay story, a thrill watch, and a memorable cast. But this one gets a nine, because it's terrifying and the story is so good.

The story is SO good. It explains stuff you didn't even think would be explained from the first one. It loops them together so it's more one giant film than two separate ones. I didn't want this movie to end. The thrill of it was incredible, and the story blew my mind.

Also, I give those people in the theater with me a 10/10. They were awesome.

If you were a fan of the first one, you'll thoroughly enjoy this, and you won't be disappointed. If you weren't a fan of the first one, I suggest you give this one a try. It's brilliant. Bloody brilliant.

-Jackson
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Breaking Bad: Ozymandias (2013)
Season 5, Episode 14
10/10
The Episode Where Walt Realizes He is Evil
16 September 2013
Warning: Spoilers
Breaking Bad - my favorite TV show of all time. It begins as any other TV show, intriguing, slightly funny, and entertaining. But as the series progress, we find the show taking a much different route from others. As a writer myself, I find it incredible that the writers of Breaking Bad have created these characters and this situation, and have spurred these incredible conflicts that television will remember forever.

This part of the review contains HUGE SPOILERS, so read with caution.

When last week's episode ended, I knew Hank was a goner. I knew he and Steve were gonna die, but I still had a little hope.

And of course that hope was crushed. It opens with Steve already dead, and then Hank gets a few last words in, no chance to say words that do him justice, and then he's shot in the head. Walt collapses, unable to scream, unable to cry, and then is petrified in shock and despair for the next while.

I don't want to give an entire overview of the episode, but this is truly the episode that the writers of the show have been waiting for - when everything finally falls apart for Walt - hence the title Ozymandias. When Skyler attacks him with the knife, and eventually Flynn tackles his father and protects his mother, and when Walt stands up and shouts, asking them what's wrong, that they're family. And then he looks at them, and he sees fear and hatred and betrayal staring back at him. And his voice croaks, and he says once more, "We're family." But at that point he realizes it's not true. At that point, he realizes that what he'd done to protect the family he cared about so much, has destroyed them. He realizes he no longer has a family.

That scene is, in my opinion, the most powerful scene in all of Breaking Bad. He realizes that he is evil, that he has, in a sense, killed Hank, that he's turned his own wife and son against him, that all the awful things he'd done, all the terrible, horrible things he'd done had finally caught up with him. And in this moment he comes to realize that he's changed, that he is now evil.

Ladies and Gentleman, Walt is finally the villain that Vince Gilligan had told us he'd become so many years ago.
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Breaking Bad: To'hajiilee (2013)
Season 5, Episode 13
10/10
Breaking Bad is the Best
8 September 2013
Warning: Spoilers
I'm a writer, and being a writer, I become very emotionally invested in stories and their characters, and so far in Breaking Bad, I haven't found myself very emotionally invested. Yes I care, yes I'm rooting for some characters, but I've never found myself really attached.

I've read some threads and reviews already on this episode and those who wrote them stated that this is the episode in Breaking Bad when you realize who you care for, who you're truly rooting for.

And that was no exception to me. When Hank called Marie, I knew without a doubt that Uncle Jack and his men were going to show up. I knew when Hank told Marie he loved her that he wasn't getting out of the desert. I knew Walt was gonna get away. And I didn't want to believe it, but it happened.

Jack and his men showed up, and it's the first time the show has used slow motion, and I started saying, "No, no, no. Please God, no." And then they opened fire, and yeah, I realized that I'm truly rooting for Hank, that I truly care about Hank and Steve and even Jesse, and a small part of me still cares for Walt, because he still cares about Hank. He still cares about Jesse.

And then the episode ended, and I'm pretty sure I swore out loud.

Anyway, I've never become so involved in a TV show to the point where I'm breathing hard and saying, "No, no, no" out loud. Well done Vince Gilligan and Team. You've truly done it.

Breaking Bad is arguably the greatest show of all time, because it takes an average man, and turns him into a lunatic sociopath obsessed with money and building a legend of himself. It takes a punk pothead kid and turns him into a guilt-ridden man driven by revenge. It takes a very 2-D character of a man, and turns him into the definition of good, turns him into an everyday, ordinary cop who becomes, in a small sense, a patriot filled with an unshakable feeling of betrayal and an unbound drive to take down the man who has ruined so many lives. It takes a mom and makes her into a trapped, paranoid woman who's goodness is eventually spoiled. It turns lies into death-and-life conflicts, hope into a black light, anticipation to an incomparable level, writing to the ability it's never been brought to before, and goodness to evil.

It takes television to an expectation that may never be met again.
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