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8/10
Great!
23 April 2006
Warning: Spoilers
The world of competitive spelling bees has always been a hard subject to dramatize. It is undoubtedly a fascinating subject to behold, one which requires large amounts of both intelligence and strategy. But the fact of the matter is that audiences aren't drawn to them. Most would rather venture out to see an inspirational football drama rather than watch children spell for two hours. This is why the subject has been so rarely covered in film. Two recent examples, the documentary Spellbound and the drama Bee Season, have tried to connect with the average viewer - both receiving mediocre box office returns. Hopefully this trend will cease with the release of Akeelah And The Bee, written and directed by newcomer Doug Atchison. This tale of a young girl winning against all odds is one of the year's biggest gems - a heartfelt and moving film about the champion in us all.

The story follows young Akeelah Anderson (Keke Palmer), a shy 11-year old seventh grader who people think of as undeniably average. Her mother Tanya (Angela Bassett) barely notices she is there, her classmates dislike her and her teachers find her incredibly unambitious. She is only able to find solace with her caring older brother Devon (Lee Thompson Young) and best friend Georgia (Sahara Garey). But everything changes one fateful day when Akeelah unexpectedly wins her school's spelling bee. Located in a rough neighborhood in South Los Angeles, her principal (Curtis Armstrong) sees this as an opportunity for some positive publicity for the struggling school. Because of this, he enlists the help of famed teacher Dr. Joshua Larabee (Laurence Fishburne) to help Akeelah with her studies.

At first Akeelah is stubborn, lacking the motivation to work hard enough to move to the next level. But as the months pass, her bond with Larabee grows along with her ambition. As she moves through the regionals and then the state bee - she soon finds herself heading to Washington, D.C. to compete in the national spelling bee. With her entire neighborhood behind her, Akeelah must decide if she has what it takes to win.

This film has received much advanced publicity for some of its credentials. It is the first film to be co-distributed by Starbucks Entertainment, a new division of the famed coffeehouse. It is also well-known because Atchison received the prestigious Nicholl Fellowship to put this film in production. This award, given by the AMPAS, is presented to new screenwriters who display much promise. Upon seeing the film, it is evident why Atchison received this award. Akeelah And The Bee greatly benefits from the excellent script, which takes careful time to develop the characters - allowing you to become very attached to them by the end of the film. It also shows the true intensity of the actual competition, including a nail-biting final act as intense as any sports film. Atchison also succeeds in terms of direction, using many interesting shots throughout the running time. The film moves at a fast pace but never feels rushed - keeping the audience completely engrossed in the story.

The cast on display here is made up of talented veterans and promising new talent. Laurence Fishburne is great as Larabee, delivering one of his finest performances to date. His character has many layers to his persona, first appearing aloof and haughty but later revealing himself as a caring and sympathetic man with a dark past. Fishburne dives into this role and makes the character completely believable. Angela Bassett is also strong here as Tanya, and tackles each scene with charisma and strength. But the real heart and soul of the picture, and the reason that it is such a success, is Keke Palmer's breakout performance. The multi-layered performance is sure to be one of the year's best - and it is easily the strongest performance by a child actor since Haley Joel Osment's famed turn in The Sixth Sense. She fills the role with lots of energy, but also displays strong dramatic chops and excels in her dramatic scenes - creating a lovable and completely adorable character. Anyone who doesn't fall in love with Palmer as Akeelah must have a heart of stone.

Overall, this is easily the best family film of the year so far and one of the strongest inspirational tales in years. While it may have some unavoidable clichés, Akeelah And The Bee succeeds due to a strong script and excellent performances, especially from standout Keke Palmer. There's only one word that comes to mind when summing up this film as a whole: G-r-e-a-t! 8/10 (A-)
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London (I) (2005)
8/10
Very good film
12 February 2006
Directed by newcomer Hunter Richards, London is a complex tale of a man scorned by a traumatic breakup. Jessica Biel plays the title character, a savvy sophisticated woman who was the love of Syd's (Chris Evans) life. Since she left him, he has become a complete wreck. He now spends his days drinking and snorting cocaine. Six months later, he finds out through a random phone call that London is moving to Los Angeles. The worst part is that her friend Becca (Isla Fisher) is throwing a going away party - one that he isn't invited to. Determined to get London back, Syd decides to crash the party along with his unsuspecting dealer Bateman (Jason Statham), a banker who sells drugs on the side. When they get there, they eventually wind up in the bathroom. They snort huge amounts of coke and talk about life and love as Syd attempts to get up his nerve and talk to London. Along the way we are introduced to a number of eccentric characters, such as feisty bartender Mallory (Joy Bryant) and high-school student Maya (Kelli Garner). Each one plays a part in Syd's tripped-out journey of self discovery.

Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.

Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.

The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).

Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.

Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.

8/10 (B+)
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9/10
The best film of its type since THE RING
12 August 2005
Caroline Ellis (Kate Hudson) is a nurse living in New Orleans who is ready for a change in her life. Fed up with her job at a local hospital, she decides to quit and search for a better job - one with a more personal relationship between patient and caretaker. She finds that job working in Terrabone Parrish, a swampy and desolate area an hour outside of town. Violet Devereaux (Gena Rowlands) and her lawyer Luke (Peter Sarsgaard) recruit Caroline for the job of taking care of Ben (John Hurt), Violet's husband who recently suffered a stroke that paralyzed him. With nothing left for her in New Orleans except for her best friend Jill (Joy Bryant), Caroline picks up and moves in with the old couple.

After a few days there she begins to notice something strange going on. Ben seems terrified of something in the house and Violet seems to be a woman with many secrets. She also discovers a hidden room upstairs in the attic, containing many strange and disturbing things. Violet is very protective of the rooms in the house and has specific rules of living - mainly the fact that there should be no mirrors in the house. Searching for more information, Caroline must unravel the mystery of the house and its owner before it is too late.

After the success of the smash hit films THE RING and THE SIXTH SENSE, the ghost story genre pretty much exploded, with several new films appearing each year with some supernatural element to their stories. THE SKELETON KEY is one of many released this year, but it shouldn't be compared to them. It takes the haunted house premise and adds a fresh spin to it, incorporating voodoo and witchcraft into the story.

Kate Hudson is amazing as Caroline, giving one of her finest performances to date. As the lead, she is sympathetic and likable - delivering a portrayal with lots of depth and emotion. The supporting cast is also excellent. Gena Rowlands is convincingly creepy as Violet, a woman with a dark past. John Hurt has no dialogue but still delivers a great performance - making you really feel for his character. Peter Sarsgaard and Joy Bryant are both solid as the friend and the lawyer, respectively.

The visual style of the film is also fantastic and makes it even more enjoyable. Director Iain Softley really gives the film a great look and atmosphere, giving Louisiana a sense of haunting beauty. He doesn't rely on quick edits or lame scares to keep the audience interested, this is a film that builds and builds until it reaches the finale.

Ehren Kruger does a fantastic job with the screenplay. No stranger to the horror genre, Kruger has also written the screenplays for THE RING and SCREAM 3, among others, and he knows how to create memorable characters. This film is no exception. He also comes up with one of the most surprising and shocking endings in recent memory - one that rivals THE SIXTH SENSE in terms of originality. I can't stress this point enough - DO NOT let someone ruin the ending of this film for you. I was tempted to look but thankfully I didn't, and it made the film a much better experience.

Overall, THE SKELETON KEY is the best film of its type since THE RING, without question. It relies on atmosphere and dread rather than boo scares and keeps the audience interested from its compelling beginning to its shocking end. Highly recommended and easily one of the best films of the year so far.

9/10 (A)
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Rings (2005 Video)
Great!
12 March 2005
After purchasing the collector's edition for The Ring, one of my all-time favorite films, I immediately popped in the bonus disc to check out the new features. I was treated to a bunch of cool new supplements including lots of cast interviews, trailers and much more. But the real main attraction of the disc was a short film entitled "Rings", which serves as a prelude to The Ring Two. I saved the best feature for last and eventually hit the play button.

"Rings" features Ryan Merriman as Jake, a high-schooler who becomes obsessed with the videotape and its strange new following. It seems as if the infamous videotape has become a cult following, with many people watching it, seeing how long they can stand to live after watching it and then finally passing it on to the next person, who does the same. They post their experiences online at a public website. People believe that it is a window that shows us either heaven or hell, and that the experience should be cherished and not feared. However, once Jake is introduced to the tape by one of these cults, he starts to unravel as he sees strange things and experiences horrors that no one should ever have to bear. The cult that supposedly had his back and his "tail" (meaning the person who he passes the tape on to) turn their backs on him, wanting to finally have a perspective on what happens on day seven. Also appearing in this short is Emily Van Camp, who plays Jake's classmate Emily. Both Merriman and Van Camp are featured in the upcoming sequel.

This short does a great job of linking the two "Ring" films together. It is shot in a different style that works very well for it, making it both creepy and visually appealing. The script is well-done as is the direction by Jonathan Liebsman. The acting is fine as well. And just in case you were curious, Samara does make an appearance here. And just because this film is short doesn't mean it isn't scary. There are several creepy moments that echo the first film and many jump scares as well. The atmosphere also adds to the intensity.

Overall, "Rings" is an excellent short film. It makes me anticipate the sequel even more than I once was, and was surprisingly very well-made. It was interesting, entertaining and scary as hell. Plus it ends with a cliffhanger that makes waiting for the sequel even more unbearable.

This new DVD set is a must-buy for fans of the first film, as well as those who are anticipating the sequel. Get it now before the sequel comes out. You won't be disappointed.

8/10 (A-)
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Love Actually (2003)
10/10
A truly wonderful film
24 December 2004
From the trailers, this looked as if it would be cute, but not astounding. It seemed romantic but not original. But ultimately it seemed like a rehash of the past Working Title romantic comedies we have come to expect year after year. With this in mind, as well as the thought of the astounding cast, which includes at least 20 well-known actors in either leading roles or cameos, I went to see LOVE ACTUALLY, expecting to see a nice and easygoing romantic comedy. I was wrong about it. Instead of just being good, it was fantastic, and exceeded all of my expectations. This movie is so romantic, so clever, so funny, and so utterly sweet that it could truly be described as the perfect romantic comedy. And to boot, it has a storyline that is sure to make you feel good about the upcoming holiday season.

LOVE ACTUALLY tells a truly original tale of several love stories that occur on the streets of Britain during the five weeks leading up until Christmas. It would take too long to describe all, but there are several that receive more attention than others. For example, one involves the Prime Minister (Hugh Grant) and his adorable and sweet secretary Natalie (Martine McCutcheon). Others include a married couple (Emma Thompson and Alan Rickman) discovering marriage problems, a hidden love between a newlywed (Keira Knightley) and her groom's best friend (Andrew Lincoln), a blossoming love between two people (Colin Firth and Lucia Monz) who don't even speak the same language, an aged rock star (Bill Nighy) hoping for a comeback while realizing what is important in life, a father desperately trying to help his 10-year old son reveal himself to the love of his life and many more. The movie is so filled with love and heart that you will almost be overwhelmed. It truly is a film that shows you what love is all about.

The cast is astounding. Hugh Grant once again proves he is a talented rom-com lead, and he really is likable here. Martine McCutcheon is adorable in her first major film role, playing a very sweet character the audience immediately recognizes. Colin Firth and Lucia Monz both steal the show, providing great chemistry and sweet, adorable and touching scenes. Their love story was one of my favorite parts of the film and I felt like cheering at the end when they finally got together. Emma Thompson is ASTOUNDING here as the wife who discovers her husband's planned infidelities. I'm shocked she didn't receive an Oscar nomination for her work here. In one truly heartbreaking scene, she makes the audience cry with her as she makes the discovery. Alan Rickman isn't very likable, but he gives a decent performance. Liam Neeson is very good as the troubled stepfather who wants his stepson (Thomas Sangster) to tell the love of his life how he feels. The scene where the son finally does tell the girl is one of the film's most memorable sequences. Keira Knightley is great here, showing emotional range and adding depth to her character. Laura Linney gives a cute performance as a woman pining for her co-worker. All the other actors do a great job, especially Bill Nighy, who steals the show with a lot of hilarious scenes throughout the film.

Director Richard Curtis has crafted a true work of art, from the astounding cast to the wonderful and beautifully written screenplay. He has truly proved himself to me as one of the most talented men working in film today. He brings a distinct and bright vision to the film, and this really adds to the heart and soul of it. Another thing that works here is the music. The musical score in this film is fantastic. It didn't stick out to me during the first viewing, but really got to me after that. It's sweeping and romantic, and really conveys the emotion being played out on screen. I'm shocked and dismayed that composer Craig Armstrong didn't receive an Oscar nomination for his work here.

LOVE ACTUALLY is a fantastic romance, but in addition it is also one of the most joyous and heartwarming Christmas films I have ever seen, possibly the best one. No film has ever made me anticipate and realize the importance of a holiday more than this one.

In closing, LOVE ACTUALLY is truly perfect. A perfect romantic comedy, a perfect Christmas film and a perfect cast of characters. It's a wonderful holiday experience that is one of my all-time favorites, and I look forward to watching it numerous times throughout my life, especially on Christmas 10/10 (A+)
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