I don't know what I have more contempt for: this movie or the people who lionize it. It's by far one of the worst movies of all time. Not because it's acting is bad, the music ques obvious, the story completely ludicrous; but because none of this was intentional. I read how people think Dante's a genius for his camp and retro references and lame excuses like it's meant to be bad.
But unlike post modernist gems, like the demo film in "Dodge Ball" or Austin Powers, this film takes itself entirely seriously. There's no wink, wink, nudge, nudge saying that it's meant to be that way. If you don't believe me, listen to Dante in the interviews. He really thinks his work is visionary when it's actually, recycled clichés not done well. Critics and fans have been seduced by decent music and great production design and cinematography. At the core is bad acting playing out a play school story.
At least the films he so much extols from the 70's and 80's, had a certain level of craft that DT clearly lacks. Spooky lighting, framing and production design cannot in of itself create genuine tension and suspense that the films from 70's had. Don't Look Now, Audrey Rose, The Thing all had wonderfully crafted plots, with good actors and were told in a way that made your insides churn and your bladder weak.
DT's sense of pace and plot are remedial at best. A hammer in the head is a nice way to whack someone but in of itself it's just like saying "boo" when someone comes around a corner. A little shock. But with no build up, it leaves you cold with no lasting experience.
All of SP's kills are staged like this. No build up. As Hitchcock said, it's not the surprise but everything leading up to it. And for God's sake, learn to stage violence or get a decent stunt coordinator and editor. 500,000.00 maybe peanuts to Hollywood but no reason to have kills that kids pretending to play WWF in their back yard can out do.
Further testament to a lousy story is that he cannot seem to cast good actors, in any of his films. Not like they have to be famous but they're loads of unknowns who can act circles around DT's hall of fame lineup. I believe he avoids them because skilled actors will expose his crap stories and his inability to direct them. Bad actors are like cattle - they're all too happy to be alive on a set. In fact, the key to low budget horror is casting good actors.
I believe his fans, like most gore heads are social misfits who can only find a sense of belonging by hailing tripe like SP. You know, the kid who thinks it's cool to like really bad movies. There's a reason none of films get theatrical.
But unlike post modernist gems, like the demo film in "Dodge Ball" or Austin Powers, this film takes itself entirely seriously. There's no wink, wink, nudge, nudge saying that it's meant to be that way. If you don't believe me, listen to Dante in the interviews. He really thinks his work is visionary when it's actually, recycled clichés not done well. Critics and fans have been seduced by decent music and great production design and cinematography. At the core is bad acting playing out a play school story.
At least the films he so much extols from the 70's and 80's, had a certain level of craft that DT clearly lacks. Spooky lighting, framing and production design cannot in of itself create genuine tension and suspense that the films from 70's had. Don't Look Now, Audrey Rose, The Thing all had wonderfully crafted plots, with good actors and were told in a way that made your insides churn and your bladder weak.
DT's sense of pace and plot are remedial at best. A hammer in the head is a nice way to whack someone but in of itself it's just like saying "boo" when someone comes around a corner. A little shock. But with no build up, it leaves you cold with no lasting experience.
All of SP's kills are staged like this. No build up. As Hitchcock said, it's not the surprise but everything leading up to it. And for God's sake, learn to stage violence or get a decent stunt coordinator and editor. 500,000.00 maybe peanuts to Hollywood but no reason to have kills that kids pretending to play WWF in their back yard can out do.
Further testament to a lousy story is that he cannot seem to cast good actors, in any of his films. Not like they have to be famous but they're loads of unknowns who can act circles around DT's hall of fame lineup. I believe he avoids them because skilled actors will expose his crap stories and his inability to direct them. Bad actors are like cattle - they're all too happy to be alive on a set. In fact, the key to low budget horror is casting good actors.
I believe his fans, like most gore heads are social misfits who can only find a sense of belonging by hailing tripe like SP. You know, the kid who thinks it's cool to like really bad movies. There's a reason none of films get theatrical.
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