Alexia Anders arrives at the BnB where she reserved a room for a three-day weekend. The host, Chuck, welcomes her and shows her around the house which includes a private bathroom with a shower and tub, and his "best red blanket" on the bed. Alexia is delighted with the facilities, but when she finds out that she misunderstood the single-night rate as the cost for three nights, she asks if they can make a deal. Chuck is reluctant to deal, but accedes when Alexia explains that her only alternative is a hostel.
Because Chuck is such a nice guy, Alexia offers to express her gratitude with "a little bean cap," which confuses Chuck and the audience. She explains further, "maybe a little rock the mike," further confusing everyone. When she tried again with "yawning the worm," she demonstrated what she means by sticking her tongue in her cheek and waving her hand suggestively in front of her face. This time Chuck and the audience are left with little room for misunderstanding. With many exclamations of "Oh, my goodness," Chuck explains that he was not expecting this. (He's the only one who was not expecting it, and he's not very convincing.)
When Alexia unlimbers Chuck, she demonstrated that Linda Lovelace is not the only one with no gag reflex. This is one of Alexia's earliest movies, if not her first, and she is already adept at this activity. (She is 22 years old. One can only speculate about her personal life.) From her knees, she does her best to thank Chuck for his kindness. The camera angles are well done and Alexia looks gorgeous as she Lovelaces Chuck. Chuck, on the other hand, acts as if this is an everyday occurrence. He seems to endure Alexia's gratitude rather than enjoy it.
After many minutes of gratitude expression, Chuck asks if he might lie down while she continues her activities. It's not clear whether he's tired or bored, but he's not enthusiastic. In a further effort to get his attention, Alexia offers to remove her clothes in an alluring fashion. Politely but still without little fervor, Chuck thanks her for her offer.
As Alexia removes her clothes, Chuck tries to express some delight at the assets she reveals, but his feigned passion is unconvincing to everybody. When Alexia exposes her 34C glands, Chuck handles then like he's n a supermarket checking produce. He tries some quips but they are no more convincing than his acting, which is a shame because Alexia is gorgeous and her glands deserve to be admired and fondled. When she drops her panties, Chuck is no more enthusiastic in admiring that which deserves admiration.
Alexia sits on the bed, spreads her hind legs and displays all of her assets. She is gorgeous, but Chuck seems to have seen it all before and is only mildly interested. Alexia strokes herself and moans and wiggles, she squeezes and pokes, all in an attempt to get Chuck interested but to no avail. Finally Chuck gets with the program and does a little manual probing and some mild admiring while Alexia continues to try to get his attention by moaning, squealing and gasping. Even this early in her career she knows that she is the star of the show and does her best to keep the audience's interest aroused.
At this point, the editing could be smoother. From lying on her back with her limbs in the air and Chuck's fingers probing her gynecologically, Alexia is suddenly on her knees again staring at Chuck's flagging interest. He asks that she do her Lovelace impression again to prepare him for his next effort. Alexia, as always, is willing to accommodate him. After thirty seconds or stimulation, Chuck is ready for his next job. Alexia returns to the bed, spreads her legs and does her best to express her appreciation. With his feet planted firmly on the floor, Chuck, who is doing a great job working the camera, rises to the occasion and tells her, without words, she is welcome.
Alexia does a fine job of displaying her features while Chuck is filming her gratitude. She is a sight to behold and does a creditable job convincing the audience she is enjoying herself. Chuck keeps the audience interested by changing camera angles and getting as much action in the shot as he can. However, after many minutes of pistoning, the audience can be forgiven for being concerned about the lubrication situation. Alexia, ever the trouper, doesn't miss a jiggles Chuck welcomes her to California. Alexia does her best to keep the audience interested by repeatedly glancing at the camera. She never fails to keep the viewer interested.
Another bad editing cut has Alexia servicing Chuck orally while he lies on the bed, fondling one of her glands with on hand while working the camera with the other. Chuck's camera work is good enough to allow for his less than wholehearted acting.
When Chuck is ready again, Alexia demonstrates her equine interests by mounting Chuck like a Colorado cowgirl. She and Chuck do a good job of displaying her in the best way possible, leaving nothing to the imagination. After riding him long enough to round up a sizable herd, Chuck needs to be orally stimulated again to prepare him for her next ride. She mounts him Dudley Do-Right-style, facing his feet, giving Chuck and the audience a great view of her final asset. For some reason Chuck thinks this asset needs further probing. It's distracting because Alexia keeps trying to get him to stop.
Another bad cut and Chuck is riding her in the canine fashion while continuing to try to probe her last asset with a finger. In short order, Chuck anoints Alexia's asset with his essence. They both seem pleased with their deal.
Because Chuck is such a nice guy, Alexia offers to express her gratitude with "a little bean cap," which confuses Chuck and the audience. She explains further, "maybe a little rock the mike," further confusing everyone. When she tried again with "yawning the worm," she demonstrated what she means by sticking her tongue in her cheek and waving her hand suggestively in front of her face. This time Chuck and the audience are left with little room for misunderstanding. With many exclamations of "Oh, my goodness," Chuck explains that he was not expecting this. (He's the only one who was not expecting it, and he's not very convincing.)
When Alexia unlimbers Chuck, she demonstrated that Linda Lovelace is not the only one with no gag reflex. This is one of Alexia's earliest movies, if not her first, and she is already adept at this activity. (She is 22 years old. One can only speculate about her personal life.) From her knees, she does her best to thank Chuck for his kindness. The camera angles are well done and Alexia looks gorgeous as she Lovelaces Chuck. Chuck, on the other hand, acts as if this is an everyday occurrence. He seems to endure Alexia's gratitude rather than enjoy it.
After many minutes of gratitude expression, Chuck asks if he might lie down while she continues her activities. It's not clear whether he's tired or bored, but he's not enthusiastic. In a further effort to get his attention, Alexia offers to remove her clothes in an alluring fashion. Politely but still without little fervor, Chuck thanks her for her offer.
As Alexia removes her clothes, Chuck tries to express some delight at the assets she reveals, but his feigned passion is unconvincing to everybody. When Alexia exposes her 34C glands, Chuck handles then like he's n a supermarket checking produce. He tries some quips but they are no more convincing than his acting, which is a shame because Alexia is gorgeous and her glands deserve to be admired and fondled. When she drops her panties, Chuck is no more enthusiastic in admiring that which deserves admiration.
Alexia sits on the bed, spreads her hind legs and displays all of her assets. She is gorgeous, but Chuck seems to have seen it all before and is only mildly interested. Alexia strokes herself and moans and wiggles, she squeezes and pokes, all in an attempt to get Chuck interested but to no avail. Finally Chuck gets with the program and does a little manual probing and some mild admiring while Alexia continues to try to get his attention by moaning, squealing and gasping. Even this early in her career she knows that she is the star of the show and does her best to keep the audience's interest aroused.
At this point, the editing could be smoother. From lying on her back with her limbs in the air and Chuck's fingers probing her gynecologically, Alexia is suddenly on her knees again staring at Chuck's flagging interest. He asks that she do her Lovelace impression again to prepare him for his next effort. Alexia, as always, is willing to accommodate him. After thirty seconds or stimulation, Chuck is ready for his next job. Alexia returns to the bed, spreads her legs and does her best to express her appreciation. With his feet planted firmly on the floor, Chuck, who is doing a great job working the camera, rises to the occasion and tells her, without words, she is welcome.
Alexia does a fine job of displaying her features while Chuck is filming her gratitude. She is a sight to behold and does a creditable job convincing the audience she is enjoying herself. Chuck keeps the audience interested by changing camera angles and getting as much action in the shot as he can. However, after many minutes of pistoning, the audience can be forgiven for being concerned about the lubrication situation. Alexia, ever the trouper, doesn't miss a jiggles Chuck welcomes her to California. Alexia does her best to keep the audience interested by repeatedly glancing at the camera. She never fails to keep the viewer interested.
Another bad editing cut has Alexia servicing Chuck orally while he lies on the bed, fondling one of her glands with on hand while working the camera with the other. Chuck's camera work is good enough to allow for his less than wholehearted acting.
When Chuck is ready again, Alexia demonstrates her equine interests by mounting Chuck like a Colorado cowgirl. She and Chuck do a good job of displaying her in the best way possible, leaving nothing to the imagination. After riding him long enough to round up a sizable herd, Chuck needs to be orally stimulated again to prepare him for her next ride. She mounts him Dudley Do-Right-style, facing his feet, giving Chuck and the audience a great view of her final asset. For some reason Chuck thinks this asset needs further probing. It's distracting because Alexia keeps trying to get him to stop.
Another bad cut and Chuck is riding her in the canine fashion while continuing to try to probe her last asset with a finger. In short order, Chuck anoints Alexia's asset with his essence. They both seem pleased with their deal.
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