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MarkDain
Reviews
The Reckless Moment (1949)
Carried along on the hem of a fleece
Having first seen this gem on weekend matinee Tv many years ago, it was a welcome opportunity for a large screen viewing recently. I had most remembered the way in which Joan Bennett's coats were deployed, reflecting both the tempo and mood of each scene and this reminder did not disappoint. The billowing vents, an upturned collar and a tightly-fitted variation all work superbly as Joan Bennett steps into and out of cars, runs down steps or faces the hard-nosed characters who pepper this quiet post war non-noir caper.
But this is not all. Interaction between the characters is extremely well done, particularly as each one has some relationship with Bennett and it is easy to believe that these would continue beyond the confines of the movie. The uncredited contribution of the family's black maid/housekeeper reflects some of the hidden agenda and the doubt and frustration that temporarily threatens the happy home. Wonderfully played by Frances Williams along with James Mason's strong, although worried character Joan Bennett's coat tails were never better supported.
The Weak and the Wicked (1954)
Super cameos and humour
Although there was probably some serious intent behind the film's premise e.g. the open prison system, social comment on post-war England as class barriers are breaking down which are interspersed throughout, it is the gentle humour that lifts it above the mediocre. Superb cameos from the great Athene Seyler and Sybil Thorndike playing two friends who plot to 'do in' an elderly admirer is made a great deal of by the director. The central story involving Glynis Johns is well told and each of the film's subsequent yarns make for a light but thoroughly enjoyable whole.
Trilogy of Terror (1975)
It really is scary the second time!
Like justabout everyone else here, I was scared out of my tiny mind when I first saw the third of the trilogy aged about 10.
Finally managed to see it again a couple of days ago, and I was amazed at how good this segment is all these years later. The tension is built up pretty much along formulaic horror movie lines, but it still manages to instill a feeling of impending terror. The special effects aren't really up to much, but that doesn't matter - the look on Karen Black's face throughout says it all.
Unlike 20 years ago, I did manage to get to sleep after watching this, but that's only due to being older and (slightly) wiser, and shouldn't take anything away from this superb short story.
The Women (1939)
One of the greatest films ever made!
It's not exaggerating to say this is one of the wittiest, smartest and glamorous films ever made. Almost every line is an absolute gem, and every time you watch it, you hear another brilliant comment that you missed before.
Crawford was in her wickedest prime. It could be said she's a tiny bit too old for the part, but it doesn't matter due to her force of presence. Shearer was absolute perfection as the slightly self-righteous overly dramatic heroine who finally turns into a fighter. I still get goose pimples when she does the "... two years to grow claws, mother. JUNGLE red!" line. As for Russell - she's an absolute scream in her fast-talking, slapstick role.
None of the three leads steal the film from the others, as the time which they are on-screen together is limited. The supporting cast is just as fantastic - all the way down to Hedda Hopper's brief appearance at the denouement, up to Paulette Goddard, and, of course, the Countess deLave ("Oh, la publicite, la publicite!")
In terms of comedy, it is unequaled, in my opinion (except perhaps for Some Like it Hot, which is very different)
No remake could do it justice - let's please not have one!