56
Metascore
9 reviews · Provided by Metacritic.com
- 83Original-CinKim HughesOriginal-CinKim HughesSpinster adds up to more than the sum of its parts, even if its primary takeaway — a woman doesn’t need a man to be happy and/or successful, yada yada — is hardly ground-breaking.
- 75Chicago Sun-TimesRichard RoeperChicago Sun-TimesRichard RoeperSpinster isn’t a particularly visually arresting film, nor is it bursting with memorable and colorful supporting players. It’s simply an effective vehicle for Chelsea Peretti to expand upon her smart/cynical persona to include some genuine heart and likability as well.
- 63RogerEbert.comMatt FagerholmRogerEbert.comMatt FagerholmIf anything, the picture is a touch too benign for its own good, though it does earn enough laughs to warrant a recommendation, at least in its first third.
- 60The Hollywood ReporterLeslie FelperinThe Hollywood ReporterLeslie FelperinIt’s as inoffensive and pleasant as a primetime sitcom, although a bit more bite — and interest in food, given the heroine’s profession — might have added some plausibility and verisimilitude.
- 58IndieWireKate ErblandIndieWireKate ErblandThe film’s inherent messiness and unpredictability eventually settles into more expected charms, but Spinster is at its most appealing when leaning into the very ideas it seemed hellbent on rejecting early on.
- 50Movie NationRoger MooreMovie NationRoger MooreIt’s easy enough to sit through, but the entire affair is more deflating than heartening.
- 50The Globe and Mail (Toronto)Barry HertzThe Globe and Mail (Toronto)Barry HertzWhile Spinster works well enough as a showcase for Peretti’s talents, Dorfman never matches the power of her star. With a bare-bones production design and most of its scenes blocked in a pedestrian manner, Spinster looks like a TV show that simply goes on too long.
- 30Wall Street JournalJohn AndersonWall Street JournalJohn AndersonWhat’s increasingly bewildering and perversely curious is how unpleasant Spinster is, in almost every regard: The lighting is atrocious, the framing is erratic and Ms. Peretti’s comedy, which is generally about demolishing the banalities that constitute most human interaction, may well have the audience saying, “Well, of course Gaby’s alone. She’s intolerable.”