A GoGoGo Films and Agat Films production sold by mk2 Films, Patrick and Hugo Sobelman’s documentary will enjoy its world premiere in the Berlinale Special line-up. The first feature film directed by seasoned French producer Patrick Sobelman, but also by his son Hugo Sobelman, the documentary Golda Maria will be showcased to fantastic effect, given that it’s set to be unveiled in the Berlinale Special section of the 70th Berlin International Film Festival (running 20 February – 1 March).Back in 1994, Patrick Sobelman recorded his grandmother’s life story. Over two decades later, with his son Hugo, they have given form to Golda’s story in a loving portrait which not only unveils family secrets but is also the testimony of a brave and...
Haugesund, Norway — Iceland’s “A White, White Day,” Denmark’s “Queen of Hearts” and Norway’s “Blind Spot” are among the five films that will compete for this year’s Nordic Council Film Prize, a prestigious film award aimed at promoting Nordic co-operation and environmental initiatives.
Sweden’s “Reconstructing Utøya” and Finland’s “Aurora” help round out the list, which was announced on Tuesday evening, during the opening of the New Nordic Films market at the Haugesund Film Festival.
Given on a permanent basis since 2005, the award includes a cash prize of Dkk 350,000 and will be attributed on October 29 as part of the Nordic Council Autumn Session in Stockholm. Previous winners include Joachim Trier’s “Louder than Bombs,” Benedikt Erlingsson’s “Of Horses and Men,” Thomas Vinterberg’s “The Hunt,” Dagur Kari’s “Virgin Mountain,” Pernilla August’s “Beyond” and Lars von Trier’s “Antichrist,” among others.
In order to qualify,...
Sweden’s “Reconstructing Utøya” and Finland’s “Aurora” help round out the list, which was announced on Tuesday evening, during the opening of the New Nordic Films market at the Haugesund Film Festival.
Given on a permanent basis since 2005, the award includes a cash prize of Dkk 350,000 and will be attributed on October 29 as part of the Nordic Council Autumn Session in Stockholm. Previous winners include Joachim Trier’s “Louder than Bombs,” Benedikt Erlingsson’s “Of Horses and Men,” Thomas Vinterberg’s “The Hunt,” Dagur Kari’s “Virgin Mountain,” Pernilla August’s “Beyond” and Lars von Trier’s “Antichrist,” among others.
In order to qualify,...
- 8/20/2019
- by Ben Croll
- Variety Film + TV
The $52,750 prize will be shared equally among the screenwriter, director, and producer.
The five nominees for the Nordic Council Film Prize 2019 have been unveiled at the Haugesund International Film Festival in Norway today (August 20).
The $52,750 prize will be shared equally among the screenwriter, director, and producer.
The nominees are:
Aurora (Finland), Miia Tervo (director/script), Max Malka (producer) Blind Spot (Norway), Tuva Novotny (director/script), Elisabeth Kvithyll (producer) Queen Of Hearts (Denmark), May el-Toukhy (director/script), Maren Louise Käehne (script), Caroline Blanco, René Ezra (producers) Reconstructing Utøya (Sweden), Carl Javér (director/script), Fredrik Lange (script/producer) A White, White Day...
The five nominees for the Nordic Council Film Prize 2019 have been unveiled at the Haugesund International Film Festival in Norway today (August 20).
The $52,750 prize will be shared equally among the screenwriter, director, and producer.
The nominees are:
Aurora (Finland), Miia Tervo (director/script), Max Malka (producer) Blind Spot (Norway), Tuva Novotny (director/script), Elisabeth Kvithyll (producer) Queen Of Hearts (Denmark), May el-Toukhy (director/script), Maren Louise Käehne (script), Caroline Blanco, René Ezra (producers) Reconstructing Utøya (Sweden), Carl Javér (director/script), Fredrik Lange (script/producer) A White, White Day...
- 8/20/2019
- by Wendy Mitchell
- ScreenDaily
Haugesund, Norway — Hans Petter Moland’s sweeping literary adaptation “Out Stealing Horses” put in a dominant showing at Norway’s Amanda Awards on Saturday night, placing first with a collected five awards, including best Norwegian film.
Celebrating its 35th edition this year, the Norwegian industry’s top film prize helped kick off the Haugesund Film Festival and was broadcast live on national TV.
Moland’s generation-spanning outdoor drama very quickly took the lead at Saturday night’s ceremony, collecting additional awards for cinematography (Rasmus Videbæk), original music (Kaspar Kaae), best supporting actor (Bjørn Floberg), and best director.
The film premiered to strong notices at this year’s Berlin Film Festival, where cinematographer Rasmus Videbæk won the Silver Bear for Outstanding Artistic Contribution. In his Berlinale review, Variety critic Guy Lodge called the Amanda winner a “loving adaptation” and credited the film’s “lush visual storytelling against its characters’ desolate interiors.
Celebrating its 35th edition this year, the Norwegian industry’s top film prize helped kick off the Haugesund Film Festival and was broadcast live on national TV.
Moland’s generation-spanning outdoor drama very quickly took the lead at Saturday night’s ceremony, collecting additional awards for cinematography (Rasmus Videbæk), original music (Kaspar Kaae), best supporting actor (Bjørn Floberg), and best director.
The film premiered to strong notices at this year’s Berlin Film Festival, where cinematographer Rasmus Videbæk won the Silver Bear for Outstanding Artistic Contribution. In his Berlinale review, Variety critic Guy Lodge called the Amanda winner a “loving adaptation” and credited the film’s “lush visual storytelling against its characters’ desolate interiors.
- 8/17/2019
- by Ben Croll
- Variety Film + TV
The director turns to June 1940 with Lambert Wilson and Isabelle Carré in the roles of Charles and Yvonne de Gaulle. A Vertigo production sold by Snd. Final stretch for the filming of Libres, the third feature from Gabriel Le Bomin, revealed with Fragments of Antonin (nominated for the Best First Film César award in 2007) and who then directed The Adversary (2010) and Nos Patriotes (2017). Heading the cast are Lambert Wilson and Isabelle Carré in...
If you thought David Dunn, Bruce Willis’ character from M. Night Shyamalan’s “Unbreakable,” was a melancholy superhero, he’s the life of the party compared to Dominick, a Parisian introvert whose power to turn invisible has made him profoundly unhappy in the French drama “Blind Spot.” The third feature from directing duo Patrick Mario Bernard and Pierre Trividic (“The Other One”) is an absorbing, minor-key take on a superhero saga that stealthily works in plenty of ideas about identity and loss. If the French film industry wants to get into the superhero game, this slow-moving but rewarding character study, which premiered earlier this year at Cannes’ ultra-indie Acid sidebar, could help create a promising niche when it opens in France this October. It’s a risky pickup for North America, but the potentially provocative choice of a black actor to play an invisible man could lead to free think-piece...
- 6/27/2019
- by Mark Keizer
- Variety Film + TV
In most movies, having a superpower is a pretty cool thing. It allows you to realize your wildest dreams, save the universe from mass destruction or, simply enough, to be part of a multibillion dollar franchise now owned by The Walt Disney Company.
But in Patrick-Mario Bernard and Pierre Trividic’s very independent and very melancholic anti-superhero film, Blind Spot (L’Angle mort), about a French man born with the ability to render himself invisible, such a power only leads to loneliness, alienation and a feeling that one would have been better off without it.
It’s a refreshingly pessimistic take ...
But in Patrick-Mario Bernard and Pierre Trividic’s very independent and very melancholic anti-superhero film, Blind Spot (L’Angle mort), about a French man born with the ability to render himself invisible, such a power only leads to loneliness, alienation and a feeling that one would have been better off without it.
It’s a refreshingly pessimistic take ...
- 5/20/2019
- The Hollywood Reporter - Film + TV
In most movies, having a superpower is a pretty cool thing. It allows you to realize your wildest dreams, save the universe from mass destruction or, simply enough, to be part of a multibillion dollar franchise now owned by The Walt Disney Company.
But in Patrick-Mario Bernard and Pierre Trividic’s very independent and very melancholic anti-superhero film, Blind Spot (L’Angle mort), about a French man born with the ability to render himself invisible, such a power only leads to loneliness, alienation and a feeling that one would have been better off without it.
It’s a refreshingly pessimistic take ...
But in Patrick-Mario Bernard and Pierre Trividic’s very independent and very melancholic anti-superhero film, Blind Spot (L’Angle mort), about a French man born with the ability to render himself invisible, such a power only leads to loneliness, alienation and a feeling that one would have been better off without it.
It’s a refreshingly pessimistic take ...
- 5/20/2019
- The Hollywood Reporter - Movie News
Chris Longo Mar 29, 2019
Innovative, and somewhat provocative, animation is at the forefront of Netflix's robot-themed anthology.
It’s the morning after Tim Miller’s latest project, the animated anthology series, Love, Death & Robots, debuted for a late-night Alamo Drafthouse crowd at SXSW, and the Deadpool director, despite having a big personality, admits he’s slightly bashful about doing interviews. He jokes that much of the press tour for Deadpool centered on Ryan Reynolds and his Merc with a Mouth, and he was happy to be relegated to the background. He is ostensibly the face of this project with no charismatic leads to defer to, but Miller seems more comfortable with pointing the spotlight at the medley of animators and storytellers he collaborated with to bring Robots to life.
Really it’s impossible for one man to have enough stamina to take credit for what’s been hyped in...
Innovative, and somewhat provocative, animation is at the forefront of Netflix's robot-themed anthology.
It’s the morning after Tim Miller’s latest project, the animated anthology series, Love, Death & Robots, debuted for a late-night Alamo Drafthouse crowd at SXSW, and the Deadpool director, despite having a big personality, admits he’s slightly bashful about doing interviews. He jokes that much of the press tour for Deadpool centered on Ryan Reynolds and his Merc with a Mouth, and he was happy to be relegated to the background. He is ostensibly the face of this project with no charismatic leads to defer to, but Miller seems more comfortable with pointing the spotlight at the medley of animators and storytellers he collaborated with to bring Robots to life.
Really it’s impossible for one man to have enough stamina to take credit for what’s been hyped in...
- 3/19/2019
- Den of Geek
Other winners include Transnistra, Lucky One, Season
May el-Toukhy’s Danish drama Queen Of Hearts has won Goteborg’s Dragon Award for Best Nordic Film.
The cash award of $110,000 (1m Sek) makes it the world’s most lucrative film prize. The prize is financed by Presenting partner Volvo Car Group alongsie Region Västra Götaland and the City Council of Gothenburg.
The jury included directors Adina Pintilie, Jyoti Mistry and Dominga Sotomayor, author Hanne-Vibeke Holst and Nick James, editor of Sight & Sound.
They said Queen Of Hearts “is a many-layered film that challenges our preconceptions about the moral ad sexual forces...
May el-Toukhy’s Danish drama Queen Of Hearts has won Goteborg’s Dragon Award for Best Nordic Film.
The cash award of $110,000 (1m Sek) makes it the world’s most lucrative film prize. The prize is financed by Presenting partner Volvo Car Group alongsie Region Västra Götaland and the City Council of Gothenburg.
The jury included directors Adina Pintilie, Jyoti Mistry and Dominga Sotomayor, author Hanne-Vibeke Holst and Nick James, editor of Sight & Sound.
They said Queen Of Hearts “is a many-layered film that challenges our preconceptions about the moral ad sexual forces...
- 2/3/2019
- by Wendy Mitchell
- ScreenDaily
Goteborg — Danish helmer May el-Toukhy’s second feature, the provocative melodrama “Queen Of Hearts,” about a successful attorney starting an affair with her teenage step-son, came away the biggest winner at Sweden’s 42nd Göteborg Film Festival, scoring the generously endowed Best Nordic Film kudo. The film also received the Audience Award for Best Nordic Film and the star, Trine Dyrholm, nabbed the fest’s new award for Best Acting.
El-Toukhy’s feature earlier screened in the World Cinema competition of the Sundance Film Festival where Variety reviewer Guy Lodge wrote, “Trine Dyrholm is tremendous as an unlikely sexual predator in May el-Toukhy’s chilly, question mark-laden provocation.”
Swedish helmer Anna Eborn captured the Best Nordic Documentary title and a purse of approx. $12,585 for “Transnistra,” a remarkable look at youth, love and friendship in the breakaway republic Transnistra. It marks the second prestigious prize of the weekend for the film,...
El-Toukhy’s feature earlier screened in the World Cinema competition of the Sundance Film Festival where Variety reviewer Guy Lodge wrote, “Trine Dyrholm is tremendous as an unlikely sexual predator in May el-Toukhy’s chilly, question mark-laden provocation.”
Swedish helmer Anna Eborn captured the Best Nordic Documentary title and a purse of approx. $12,585 for “Transnistra,” a remarkable look at youth, love and friendship in the breakaway republic Transnistra. It marks the second prestigious prize of the weekend for the film,...
- 2/2/2019
- by Alissa Simon
- Variety Film + TV
Early 2019 slate also includes Sundance selection ‘Midnight Traveler’.
Doc & Film International will kick-off sales on Belgian filmmaker Lucas Belvaux’s upcoming Algerian War legacy drama Des Hommes, co-starring Gérard Depardieu and Catherine Frot, at the Unifrance Rendez-vous with French Cinema in Paris next week (Jan 17-21).
Based on the eponymous novel of Laurent Mauvignier, Depardieu co-stars as the tortured, alcoholic figure of Feu-de-Bois, a brutish troublemaker haunted by a tough childhood and the horrors he saw as a young French soldier in Algeria during the country’s 1954-62 independence war.
The story unfolds some 40 years later in remote Burgundy region...
Doc & Film International will kick-off sales on Belgian filmmaker Lucas Belvaux’s upcoming Algerian War legacy drama Des Hommes, co-starring Gérard Depardieu and Catherine Frot, at the Unifrance Rendez-vous with French Cinema in Paris next week (Jan 17-21).
Based on the eponymous novel of Laurent Mauvignier, Depardieu co-stars as the tortured, alcoholic figure of Feu-de-Bois, a brutish troublemaker haunted by a tough childhood and the horrors he saw as a young French soldier in Algeria during the country’s 1954-62 independence war.
The story unfolds some 40 years later in remote Burgundy region...
- 1/10/2019
- by Melanie Goodfellow
- ScreenDaily
Early 2019 slate also includes Sundance selection ‘Midnight Traveler’.
Doc & Film International will kick-off sales on Belgian filmmaker Lucas Belvaux’s upcoming Algerian War legacy drama Des Hommes, co-starring Gérard Depardieu and Catherine Frot, at the Unifrance Rendez-vous with French Cinema in Paris next week (Jan 17-21).
Based on the eponymous novel of Laurent Mauvignier, Depardieu co-stars as the tortured, alcoholic figure of Feu-de-Bois, a brutish troublemaker haunted by a tough childhood and the horrors he saw as a young French soldier in Algeria during the country’s 1954-62 independence war.
The story unfolds some 40 years later in remote Burgundy region...
Doc & Film International will kick-off sales on Belgian filmmaker Lucas Belvaux’s upcoming Algerian War legacy drama Des Hommes, co-starring Gérard Depardieu and Catherine Frot, at the Unifrance Rendez-vous with French Cinema in Paris next week (Jan 17-21).
Based on the eponymous novel of Laurent Mauvignier, Depardieu co-stars as the tortured, alcoholic figure of Feu-de-Bois, a brutish troublemaker haunted by a tough childhood and the horrors he saw as a young French soldier in Algeria during the country’s 1954-62 independence war.
The story unfolds some 40 years later in remote Burgundy region...
- 1/10/2019
- by Melanie Goodfellow
- ScreenDaily
The 42nd edition of the Goteborg Film Festival will open on a light note with Miia Tervo’s romantic comedy “Aurora,” which marks the Finnish director’s feature debut. Also set to compete in the Nordic and Audentia sections, “Aurora” marks Tervo’s follow up to her critically acclaimed documentary short, “Lumikko,” which was nominated at the European Film Awards in 2010.
The festival will close with “Swoon,” a fantasy-filled love story directed by Stein and Mårlind, the pair behind hit drama series “The Bridge,” “Midnight Sun” and “Shelter” with Julianne Moore. “Swoon” follows the impossible romance between Ninni and John, the young heirs of two rival families who own neighboring amusement parks.
Along with the launch of the Dragon Award for best acting, the Goteborg Film Festival will also host the Audentia Award, a prize created by Eurimages to honor the best female-directed film of the year. The Audentia Award...
The festival will close with “Swoon,” a fantasy-filled love story directed by Stein and Mårlind, the pair behind hit drama series “The Bridge,” “Midnight Sun” and “Shelter” with Julianne Moore. “Swoon” follows the impossible romance between Ninni and John, the young heirs of two rival families who own neighboring amusement parks.
Along with the launch of the Dragon Award for best acting, the Goteborg Film Festival will also host the Audentia Award, a prize created by Eurimages to honor the best female-directed film of the year. The Audentia Award...
- 1/8/2019
- by Elsa Keslassy
- Variety Film + TV
A film about the invisible manifestation of pain and sufferance, a good title substitute for Annihilation actress-turned-filmmaker Tuva Novotny‘s debut would be along the notion of bracing for impact. Norwegian actress Pia Tjelta (Eva Sørhaug’s 90 Minutes) becomes the poster person for the entire cycle of complete shock and incomprehension in Blind Spot – a marvel to watch in terms of its visual strategy, but incisively impactful due to how within the layers of bleakness there is a place of renewal. Selected for the Toronto International Film Festival’s Discovery section, the film would travel to San Sebastien for competition, I was curious about how style influenced performance (this was photographed by Jens Assur’s Ravens cinematographer Jonas Alarik) and of course the collaboration between the pair.…...
- 12/19/2018
- by Eric Lavallée
- IONCINEMA.com
There are moments of life-and-death crisis in which time simultaneously stops and stretches, becomes both immaterial and absolutely of the essence, and few spaces do more to blur it than a hospital — where lives end, begin and are drastically altered in seconds that pass like centuries. In her wrenching debut feature “Blind Spot,” Norwegian actress-turned-filmmaker Tuva Novotny nails that panicked, indefinably elastic form of time, making expert use of a potentially gimmicky technical device to do so. Shot in real time in a single, appropriately exhausting take, Novotny’s film follows a family plunged into a severe emotional hellscape when a seemingly well-adjusted teenage girl jumps from a fourth-storey window, forcing them (and us) to unpack an inexplicable tragedy with nary a spare moment to breathe.
Narratively speaking, what happens in “Blind Spot” might have filled a single arc of an “ER” episode back in the day. What makes the...
Narratively speaking, what happens in “Blind Spot” might have filled a single arc of an “ER” episode back in the day. What makes the...
- 10/3/2018
- by Guy Lodge
- Variety Film + TV
The film is about a troubled teenage girl and her parents.
After its world premiere in Toronto and best actress prize in San Sebastian, Tuva Novotny’s debut feature Blind Spot has now picked up the New Talent Grand Pix, with a cash prize worth $7,000, at Cph Pix in Copenhagen.
Novotny, a Swedish actress living in Denmark, directed her first feature in Norway. Shot in one real-time take, the story follows a troubled teenage girl and her parents responding to a crisis.
The jury was comprised of Tatiana Leite (Brazil), Joachim Lafosse (Belgium) and Jesper Ganslandt (Sweden).
The jury praised Novotny and Blind Spot,...
After its world premiere in Toronto and best actress prize in San Sebastian, Tuva Novotny’s debut feature Blind Spot has now picked up the New Talent Grand Pix, with a cash prize worth $7,000, at Cph Pix in Copenhagen.
Novotny, a Swedish actress living in Denmark, directed her first feature in Norway. Shot in one real-time take, the story follows a troubled teenage girl and her parents responding to a crisis.
The jury was comprised of Tatiana Leite (Brazil), Joachim Lafosse (Belgium) and Jesper Ganslandt (Sweden).
The jury praised Novotny and Blind Spot,...
- 10/3/2018
- by Wendy Mitchell
- ScreenDaily
Between Two Waters Photo: Courtesy of San Sebastian Film Festival Isaki Lacuesta's Between Two Waters (Entre Dos Aguas) took home the top prize Golden Shell at San Sebastian Film Festival last night. The film - which catches up with brothers who first appeared in his The Legend Of Time (La Leyenda Del Tiempo) - marks the second time the Spanish has won the accolade, after lifting the prize in 2011 for The Double Steps (Los Pasos Dobles).
It was also a good night for Benjamin Nashiat, whose scathing and stylish look at corruption in Argentina on the brink of the 1975 coup won best director, best actor for Dario Gardinetti and best cinematography for Pedro Sotero. Pia Tjelta won the best actress award for her fully committed performance as a mother in shock and hysterics for almost the entire runtime of Norwegian drama Blind Spot, which is a particularly impressive performance...
It was also a good night for Benjamin Nashiat, whose scathing and stylish look at corruption in Argentina on the brink of the 1975 coup won best director, best actor for Dario Gardinetti and best cinematography for Pedro Sotero. Pia Tjelta won the best actress award for her fully committed performance as a mother in shock and hysterics for almost the entire runtime of Norwegian drama Blind Spot, which is a particularly impressive performance...
- 9/30/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Benjamín Naishtat wins best director Silver Shell for Rojo.
Spanish production Between Two Waters (Entre Dos Aguas) by Isaki Lacuesta has won the top award at the San Sebastián Film Festival, marking a second Golden Shell for the Spanish director who after claiming the top prize in 2011 for The Double Steps.
Between Two Waters tells the story of two Roman brothers who meet again after years apart, one having spent some time in prison, the other in the army.
The title is a Spanish expression that translates to “neither here nor there”, and is also the title of a classic...
Spanish production Between Two Waters (Entre Dos Aguas) by Isaki Lacuesta has won the top award at the San Sebastián Film Festival, marking a second Golden Shell for the Spanish director who after claiming the top prize in 2011 for The Double Steps.
Between Two Waters tells the story of two Roman brothers who meet again after years apart, one having spent some time in prison, the other in the army.
The title is a Spanish expression that translates to “neither here nor there”, and is also the title of a classic...
- 9/29/2018
- by Elisabet Cabeza
- ScreenDaily
San Sebastian — Isaki Lacuesta’s “Between Two Waters” won big at San Sebastian Saturday night, taking its top Golden Shell, the second time the Catalan director has won the award, after 2011’s “The Double Steps.”
Otherwise, the big winner of the night was Benjamin Naishtat’s covert violence thriller “Rojo,” which took director, actor (Dario Grandinetti) and cinematography (Pedro Sotero).
This year’s edition saw a a hugely-raised Hollywood star quotient, a half score or more of A-list talent hailing into town to tub-thump titles: Bradley Cooper (“A Star is Born”), Ryan Gosling (“First Man”), Alfonso Cuarón (“Roma”), Robert Pattinson (“High Life”), Chris Hemsworth (“Bad Times at the El Royale”), John C. Reilly (“The Sisters Brothers”).
As Venice becomes ever more an Oscar platform, movies will now hit San Sebastian three weeks later, often off Toronto, their stars in tow, to capitalize on and push their potential Academy Award glory.
Otherwise, the big winner of the night was Benjamin Naishtat’s covert violence thriller “Rojo,” which took director, actor (Dario Grandinetti) and cinematography (Pedro Sotero).
This year’s edition saw a a hugely-raised Hollywood star quotient, a half score or more of A-list talent hailing into town to tub-thump titles: Bradley Cooper (“A Star is Born”), Ryan Gosling (“First Man”), Alfonso Cuarón (“Roma”), Robert Pattinson (“High Life”), Chris Hemsworth (“Bad Times at the El Royale”), John C. Reilly (“The Sisters Brothers”).
As Venice becomes ever more an Oscar platform, movies will now hit San Sebastian three weeks later, often off Toronto, their stars in tow, to capitalize on and push their potential Academy Award glory.
- 9/29/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
With acting and filmmaking in her blood, is was perhaps only a matter of time when Tuva Novotny would make the move behind the camera. Last year, the actress took on supporting parts in Janus Metz’s Borg vs McEnroe and Alex Garland‘s Annihilation, while 2018 would see Novotny premiere Blind Spot at Tiff (Golden Shell comp title at San Sebastian) with her sophomore feature Britt-Marie Was Here (starring Pernilla August) not that far behind in terms of a release. Her gut-wrenching, unrelenting drama on how society often passes the buck is a technical marvel for its choreography and one take film aesthetic.…...
- 9/25/2018
- by Eric Lavallée
- IONCINEMA.com
With the advent of digital technology over the last decade or so, single-take movies have become easier to make — if not necessarily easy to make well. Films like Russian Ark or the recent Chinese auteur piece Long Day’s Journey Into Night (the second half of which features a breathtaking hourlong take) are prime examples of how the technique can be artfully used, while genre movies such as the German thriller Victoria or the horror flick The Silent House feel more gimmicky than accomplished.
Enter Blind Spot (Blindsone), the latest attempt at a single-take film and also the first feature by Norwegian actress-turned-director Tuva ...
Enter Blind Spot (Blindsone), the latest attempt at a single-take film and also the first feature by Norwegian actress-turned-director Tuva ...
- 9/12/2018
- The Hollywood Reporter - Film + TV
The boldness of Tuva Novotny to choose to make her directorial debut a one-shot film of harrowing emotion cannot be understated. Her Blind Spot takes us through the wringer as tragedy befalls a small, (seemingly) happy family without warning. These characters are distraught, confused, and falling to pieces as ambulances race and patience is tested before discovering new insights that may only provide more questions. And Novotny fearlessly traverses each new dramatic impulse, moving the camera from one to the other so we can be a fly on the wall for every revelation regardless of who onscreen is first to experience it. Love is on display in all its mysterious abstraction and unwavering power. But sometimes it’s not enough. Sometimes it clouds our vision from seeing devastating darkness.
Like love, this stylistic choice isn’t always enough either. For every unparalleled visual and sensory splendor a single-take experience conjures—we’re in the action,...
Like love, this stylistic choice isn’t always enough either. For every unparalleled visual and sensory splendor a single-take experience conjures—we’re in the action,...
- 9/8/2018
- by Jared Mobarak
- The Film Stage
The Toronto International Film Festival has added Brady Corbet’s drama “Vox Lux,” starring Natalie Portman and Jude Law, and Neil Jordan’s “Greta,” with Chloe Grace Moretz and Isabelle Huppert.
The festival also announced Tuesday a total of 46 titles in its Discovery program, which is devoted to up-and-coming filmmakers. The festival will screen 255 features and 88 shorts with 138 being world premieres, including “Greta.” The 43rd Toronto International Film Festival will begin on Sept. 6.
“Vox Lux” and “Greta” have been added to the Special Presentations program. “Vox Lux,” which will premiere at the Venice Film Festival, is a musical drama about a woman who achieves success after a tragic childhood. The film also stars Jennifer Ehle, Stacy Martin and Raffey Cassidy. “Greta” stars Moretz as a young woman in New York who befriends a widow, played by Huppert, who has sinister intentions.
The Discovery program includes Belgian director Lukas Dhont’s ‘Girl,...
The festival also announced Tuesday a total of 46 titles in its Discovery program, which is devoted to up-and-coming filmmakers. The festival will screen 255 features and 88 shorts with 138 being world premieres, including “Greta.” The 43rd Toronto International Film Festival will begin on Sept. 6.
“Vox Lux” and “Greta” have been added to the Special Presentations program. “Vox Lux,” which will premiere at the Venice Film Festival, is a musical drama about a woman who achieves success after a tragic childhood. The film also stars Jennifer Ehle, Stacy Martin and Raffey Cassidy. “Greta” stars Moretz as a young woman in New York who befriends a widow, played by Huppert, who has sinister intentions.
The Discovery program includes Belgian director Lukas Dhont’s ‘Girl,...
- 8/21/2018
- by Dave McNary
- Variety Film + TV
Brady Corbet’s “Vox Lux,” with Natalie Portman and Jude Law, and Neil Jordan’s “Greta,” with Chloe Grace Moretz and Isabelle Huppert, are among almost 50 films that have been added to the lineup of the 2018 Toronto International Film Festival, Tiff organizers announced on Tuesday.
The two films have been added to the Special Presentations program, with “Greta” having its world premiere at Tiff and “Vox Lux” its Canadian premiere.
“Greta” features Moretz as a young woman in New York who befriends a widow who turns out to have sinister intentions; “Vox Lux” is a musical drama that encompasses the life of a woman who achieves success after a tragic childhood.
Also Read: Natalie Portman Is an Aspiring Pop Star in First-Look at Brady Corbet's 'Vox Lux' (Photo)
Toronto also announced its Discovery program, which is devoted to up-and-coming filmmakers. The 46 films in the lineup come from 37 different countries,...
The two films have been added to the Special Presentations program, with “Greta” having its world premiere at Tiff and “Vox Lux” its Canadian premiere.
“Greta” features Moretz as a young woman in New York who befriends a widow who turns out to have sinister intentions; “Vox Lux” is a musical drama that encompasses the life of a woman who achieves success after a tragic childhood.
Also Read: Natalie Portman Is an Aspiring Pop Star in First-Look at Brady Corbet's 'Vox Lux' (Photo)
Toronto also announced its Discovery program, which is devoted to up-and-coming filmmakers. The 46 films in the lineup come from 37 different countries,...
- 8/21/2018
- by Steve Pond
- The Wrap
Brillante Mendoza’s “Alpha, the Right to Kill,” Felix Van Groeningen’s Brad Pitt-produced “Beautiful Boy,” Louis Garrel’s “A Faithful Man” and Peter Strickland’s “In Fabric” will compete for San Sebastian’s Golden Seashell, the Basque festival announced Friday.
Further new main competition titles unveiled take in Liu Jie’s “Baby” and Tuva Novotny’s debut “Blind Spot.”
The six titles join 12 already-announced competition contenders. San Sebastian has yet to unveil its closing film.
Festival’s official selection – which takes in competition and out-of-competition titles – opens Sept. 21 with Ricardo Darín and Mercedes Morán-starrer “An Unexpected Love.” Playing in competition, the film represents the directorial debut by Juan Vera, Argentine producer of titles by Pablo Trapero and Lucrecia Martel.
Felix Van Groeningen won the Panorama audience award at the 2013 Berlinale with “Alabama Monroe,” Oscar-nominated for best foreign language film. In “Beautiful Boy,” his English language debut, toplining Steve Carell and Timothée Chamalet,...
Further new main competition titles unveiled take in Liu Jie’s “Baby” and Tuva Novotny’s debut “Blind Spot.”
The six titles join 12 already-announced competition contenders. San Sebastian has yet to unveil its closing film.
Festival’s official selection – which takes in competition and out-of-competition titles – opens Sept. 21 with Ricardo Darín and Mercedes Morán-starrer “An Unexpected Love.” Playing in competition, the film represents the directorial debut by Juan Vera, Argentine producer of titles by Pablo Trapero and Lucrecia Martel.
Felix Van Groeningen won the Panorama audience award at the 2013 Berlinale with “Alabama Monroe,” Oscar-nominated for best foreign language film. In “Beautiful Boy,” his English language debut, toplining Steve Carell and Timothée Chamalet,...
- 8/17/2018
- by Emiliano De Pablos
- Variety Film + TV
The San Sebastian Film Festival on Friday added six titles, including Felix Van Groeningen’s Beautiful Boy and Tuva Novotny’s debut Blind Spot, to the list of candidates for the top prize in its competition lineup.
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
- 8/17/2018
- The Hollywood Reporter - Film + TV
The San Sebastian Film Festival on Friday added six titles, including Felix Van Groeningen’s Beautiful Boy and Tuva Novotny’s debut Blind Spot, to the list of candidates for the top prize in its competition lineup.
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
- 8/17/2018
- The Hollywood Reporter - Movie News
Produced by Hummelfilm, ‘Borg vs McEnroe’ star Sverrir Gudnason is amongst the cast.
Haugesund’s industry programme New Nordic Films will kick off with a screening of Camilla Strøm Henriksen’s Norwegian family drama Phoenix (Foniks), which was pitched as a work in progress at the event last year.
Gudny Hummelvoll produces for Hummelfilm, with a cast that features Ylva Bjørkaas Thedin, Casper Falck-Løvås, Maria Bonnevie and Sverrir Gudnason (Borg vs McEnroe).
New Nordic Films has also today confirmed the projects for Scandinavian Debut Pitch:
A Foot In The Grave (En amputasjon), dir Simon Tillaas (Nor) Daddy’s Girl, dir...
Haugesund’s industry programme New Nordic Films will kick off with a screening of Camilla Strøm Henriksen’s Norwegian family drama Phoenix (Foniks), which was pitched as a work in progress at the event last year.
Gudny Hummelvoll produces for Hummelfilm, with a cast that features Ylva Bjørkaas Thedin, Casper Falck-Løvås, Maria Bonnevie and Sverrir Gudnason (Borg vs McEnroe).
New Nordic Films has also today confirmed the projects for Scandinavian Debut Pitch:
A Foot In The Grave (En amputasjon), dir Simon Tillaas (Nor) Daddy’s Girl, dir...
- 7/27/2018
- by Wendy Mitchell
- ScreenDaily
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