There is definitely a recipe nowadays, particularly from films from Asia, in order to screen in the western-european film festivals. The intensely art-house approach and the focus on the rights of minorities are among the most prevalent. At the same time, and particularly regarding Vietnamese cinema, the curio that was “Taste” seems to have added some elements in the same path, particularly in terms of composition and the mixture of reality with surrealism and the erotic. Minh Quy Truong includes all the aforementioned in his latest work, “Viet and Nam”, which recently had its premiere in Cannes. At the same time, however, the film is so much more. Let us take a closer look at it.
Viet and Nam is screening in Cannes International Film Festival
Nam and Viet are both young miners working 1,000 meters below ground in the mines of a small town that seems to earn its living from coal.
Viet and Nam is screening in Cannes International Film Festival
Nam and Viet are both young miners working 1,000 meters below ground in the mines of a small town that seems to earn its living from coal.
- 5/30/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Late 20th-century Vietnamese history casts a trancelike spell across Truong Minh Quy’s “Viet and Nam,” a thickly shadowed exploration – or should that be excavation? — of national trauma and its habit of living on, in spectral form, through subsequent generations. Given an edge of radical newness by its frank, grimily beautiful portrayal of gay lovemaking (seldom have the body-contouring properties of coal dust on sweat-slicked skin been more sensuously explored), still, the rhythms of Truong’s film are slow, and the curtains-drawn darkness of much of its 16mm imagery may induce a state of meandering, semi-directed sleepiness. But then perhaps Truong does not mean us to watch “Viet and Nam” so much as he wants us doze and dream our way in and out of it.
It is 2001 and Nam (Pham Thanh Hai) and Viet (Dao Duy Bao Dinh) — never distinctly identified as such within the film and given a...
It is 2001 and Nam (Pham Thanh Hai) and Viet (Dao Duy Bao Dinh) — never distinctly identified as such within the film and given a...
- 5/28/2024
- by Jessica Kiang
- Variety Film + TV
Ioncinema.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Though Cannes might be over, we still have unpublished reviews that will be released over the next month.
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
- 5/28/2024
- by Eric Lavallée
- IONCINEMA.com
Karlovy Vary International Film Festival has unveiled the official selection for its 58th edition, including new features by Mark Cousins, Noaz Deshe, Oleg Sentsov and Beata Parkanova.
The festival, which runs from June 28-July 6 in the Czech spa town, has selected 34 films for its official selection, which spans the main Crystal Globe Competition, the Proxima Competition and Special Screenings.
Scroll down for full selection
There are 11 world premieres and one international premiere in the Crystal Globe Competition. UK director Cousins world premieres A Sudden Glimpse To Deeper Things, a documentary portrait of British painter Wilhelmina Barns-Graham, a leading figure in...
The festival, which runs from June 28-July 6 in the Czech spa town, has selected 34 films for its official selection, which spans the main Crystal Globe Competition, the Proxima Competition and Special Screenings.
Scroll down for full selection
There are 11 world premieres and one international premiere in the Crystal Globe Competition. UK director Cousins world premieres A Sudden Glimpse To Deeper Things, a documentary portrait of British painter Wilhelmina Barns-Graham, a leading figure in...
- 5/28/2024
- ScreenDaily
Kodak, which had a momentous 2023 with more than 60 movies shot on film has gotten off to a promising start in 2024 with Luca Guadignino’s “Challengers” and Jane Shoenbrun’s “I Saw the TV Glow, which A24 released wide May 17. Upcoming releases include Jeff Nichols’ “The Bikeriders” and Robert Eggers’ “Nosferatu.”
Meanwhile, Kodak premiered 33 movies shot on film at Cannes. These included nine winners, including Sean Baker’s “Anora,” which earned the Palme d’Or prize, Matthew Rankin’s “Universal Language”, which took the first Directors’ Fortnight Audience Award, and “Grand Tour,” which grabbed Best Director for Miguel Gomes. In addition, Yorgos Lanthimos’ “Kinds of Kindness” earned Jesse Plemons Best Performance by an Actor, and “Armand” won the Caméra d’or Prize for director Halfdan Ullmann Tondel.
Also, 16mm film continues to prove its popularity and relevance, with 26 of the on-film titles at the festival choosing it as their capture medium.
Meanwhile, Kodak premiered 33 movies shot on film at Cannes. These included nine winners, including Sean Baker’s “Anora,” which earned the Palme d’Or prize, Matthew Rankin’s “Universal Language”, which took the first Directors’ Fortnight Audience Award, and “Grand Tour,” which grabbed Best Director for Miguel Gomes. In addition, Yorgos Lanthimos’ “Kinds of Kindness” earned Jesse Plemons Best Performance by an Actor, and “Armand” won the Caméra d’or Prize for director Halfdan Ullmann Tondel.
Also, 16mm film continues to prove its popularity and relevance, with 26 of the on-film titles at the festival choosing it as their capture medium.
- 5/27/2024
- by Bill Desowitz
- Indiewire
The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker’s Anora taking home the Palme d’Or. While our coverage will continue with a few more reviews this week––and far beyond as we provide updates on the journey of these selections––we’ve asked our contributors on the ground to share favorites.
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
1. Grand Tour (Miguel Gomes)
2. All We Imagine As Light (Payal Kapadia)
3. Misericordia (Alain Guiraudie)
4. Anora (Sean Baker)
5. Eephus (Carson Lund)
6. Viet And Nam (Trương Minh Quý)
7. Christmas Eve In Miller’s Point (Tyler Taormina)
8. Black Dog (Guan Hu)
9. Megalopolis (Francis Ford Coppola)
10. Good One (India Donaldson)
Read all of Leonardo’s reviews here.
Luke Hicks (@lou_hicks)
1. Anora (Sean Baker)
2. Caught by the Tides (Jia Zhangke)
3. Oh, Canada (Paul Schrader)
4. Viet and Nam (Trương Minh Quý)
5. The Seed of the Sacred Fig...
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
1. Grand Tour (Miguel Gomes)
2. All We Imagine As Light (Payal Kapadia)
3. Misericordia (Alain Guiraudie)
4. Anora (Sean Baker)
5. Eephus (Carson Lund)
6. Viet And Nam (Trương Minh Quý)
7. Christmas Eve In Miller’s Point (Tyler Taormina)
8. Black Dog (Guan Hu)
9. Megalopolis (Francis Ford Coppola)
10. Good One (India Donaldson)
Read all of Leonardo’s reviews here.
Luke Hicks (@lou_hicks)
1. Anora (Sean Baker)
2. Caught by the Tides (Jia Zhangke)
3. Oh, Canada (Paul Schrader)
4. Viet and Nam (Trương Minh Quý)
5. The Seed of the Sacred Fig...
- 5/27/2024
- by The Film Stage
- The Film Stage
Young Vietnamese director Truong Minh Quy made a splash at the Cannes Film Festival with his Un Certain Regard film “Viet and Nam,” which debuted on Wednesday.
His story, a contemporary-ish romance between two young miners, traces the memories and dreams of a nation. It is sensuous, atmospheric, formal, but humane, and mixes moments of longueur with surprising jolts of humor and joy.
Truong Minh Quy spoke to Variety about the film’s origins, his unusual choice of shooting on Super 16mm film stock, and of swallowing his pride (for now) and accepting that the film cannot be shown in his native Vietnam.
What are the origins of this, your third, film? And how long did it take to come to fruition?
I checked, it started in January of 2020. Just a few months after I moved to France to study. And right after I finished my feature documentary, ‘The Treehouse....
His story, a contemporary-ish romance between two young miners, traces the memories and dreams of a nation. It is sensuous, atmospheric, formal, but humane, and mixes moments of longueur with surprising jolts of humor and joy.
Truong Minh Quy spoke to Variety about the film’s origins, his unusual choice of shooting on Super 16mm film stock, and of swallowing his pride (for now) and accepting that the film cannot be shown in his native Vietnam.
What are the origins of this, your third, film? And how long did it take to come to fruition?
I checked, it started in January of 2020. Just a few months after I moved to France to study. And right after I finished my feature documentary, ‘The Treehouse....
- 5/23/2024
- by Patrick Frater
- Variety Film + TV
The UK’s Gfm Animation is handling international sales on family animation HitPig, that features a starry voice cast including Jason Sudeikis in the titular role, alongside Lilly Singh, RuPaul, Hannah Gadsby and Rainn Wilson.
It’s based on Pulitzer Prize winning author Berkeley Breathed’s characters, with HitPig a rugged pig bounty hunter who makes his living catching escaped animals for big cash. His next target is a naïve, free-spirited elephant who has escaped the clutches of an evil showman. Soon, an unlikely partnership is forged.
Producers are Adam Nagle and Dave Rosenbaum of Aniventure, alongside CG animation by Cinesite.
It’s based on Pulitzer Prize winning author Berkeley Breathed’s characters, with HitPig a rugged pig bounty hunter who makes his living catching escaped animals for big cash. His next target is a naïve, free-spirited elephant who has escaped the clutches of an evil showman. Soon, an unlikely partnership is forged.
Producers are Adam Nagle and Dave Rosenbaum of Aniventure, alongside CG animation by Cinesite.
- 5/14/2024
- ScreenDaily
Vietnamese director Truong Minh Quy’s Viet And Nam, which is set to world premiere in Cannes’ Un Certain Regard, has been banned in Vietnam due to its “negative view” about the country and its people.
It is understood the queer characters are not a deciding factor for the ban as Vietnam has been more relaxed with LGBTQ+ characters and themes on screen in recent years.
Instead, the issues are the Vietnamese version of the film’s title (which means In The Heart Of The Earth) content, and theme, which portray “a gloomy, deadlocked, and negative view” about the country and people,...
It is understood the queer characters are not a deciding factor for the ban as Vietnam has been more relaxed with LGBTQ+ characters and themes on screen in recent years.
Instead, the issues are the Vietnamese version of the film’s title (which means In The Heart Of The Earth) content, and theme, which portray “a gloomy, deadlocked, and negative view” about the country and people,...
- 5/14/2024
- ScreenDaily
Exclusive: Paris-based Nour Films has acquired French rights to Saudi director Tawfik Alzaidi’s first feature Norah ahead of its world premiere in the Cannes Film Festival’s Un Certain Regard.
The film will make history as the first ever Saudi feature to play in Cannes’ Official Selection just six years after Saudi Arabia announced the end of its 35-year cinema ban.
“Norah is an elegant film that combines age-old traditions with a desire for emancipation. This emancipation is achieved through art, learning and a desire greater than oneself. Tawfik Akzaidi has beautifully crafted a film that is both powerful and delicate,” said Nour Films’s co-founding director Patrick Sibourd.
The deal was brokered by Sebastien Chesneau under his Cercamon banner which clinched the international sales mandate for the film last week.
Cercamon and Nour previously collaborated on Vietnamese drama Inside the Yellow Cocoon Shell which premiered in Directors’ Fortnight...
The film will make history as the first ever Saudi feature to play in Cannes’ Official Selection just six years after Saudi Arabia announced the end of its 35-year cinema ban.
“Norah is an elegant film that combines age-old traditions with a desire for emancipation. This emancipation is achieved through art, learning and a desire greater than oneself. Tawfik Akzaidi has beautifully crafted a film that is both powerful and delicate,” said Nour Films’s co-founding director Patrick Sibourd.
The deal was brokered by Sebastien Chesneau under his Cercamon banner which clinched the international sales mandate for the film last week.
Cercamon and Nour previously collaborated on Vietnamese drama Inside the Yellow Cocoon Shell which premiered in Directors’ Fortnight...
- 5/13/2024
- by Melanie Goodfellow
- Deadline Film + TV
French sales agent Pyramide International has dropped a dark and subtle teaser for “Việt and Nam” a gay drama about two young miners who must complete a mission before fate pulls them apart.
Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22.
Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past.”
The film is the third feature by Trương Minh Quý, who previously made a splash by taking part in the 2012 edition...
Directed by Vietnamese auteur Trương Minh Quý, the film plays at the Cannes Film Festival in Un Certain Regard with its world premiere on May 22.
Per a synopsis from lead producer Epicmedia: “Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying in a far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past.”
The film is the third feature by Trương Minh Quý, who previously made a splash by taking part in the 2012 edition...
- 5/11/2024
- by Patrick Frater
- Variety Film + TV
Cyprien Vial’s Guadalope-set volcano drama Magma, and Sophie Deraspe’s Bergers, about a man and women who trades in their lives as an ad exec and a civil servant to become shepherds in rural France, head Pyramide International’s busy Cannes Market slate.
Marina Fois, Theo Christine and Mathieu Demy star in Magma, which is produced by Isabelle Madelaine’s Dharamsala and Emilie Tisné’s Darius Films. Fois plays a woman running the Guadeloupe Volcano Observatory who dreams of managing a major eruption and comes face to face with the unpredictable La Soufrière volcano. Shot in Guadeloupe, the film...
Marina Fois, Theo Christine and Mathieu Demy star in Magma, which is produced by Isabelle Madelaine’s Dharamsala and Emilie Tisné’s Darius Films. Fois plays a woman running the Guadeloupe Volcano Observatory who dreams of managing a major eruption and comes face to face with the unpredictable La Soufrière volcano. Shot in Guadeloupe, the film...
- 5/9/2024
- ScreenDaily
Sydney Film Festival (June 5-16) has unveiled the 12 titles that will play in competition at its 71st edition, including six features that are set to premiere at Cannes this month.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
- 5/7/2024
- ScreenDaily
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
Pyramide International has acquired world sales (excluding France), to the upcoming Cannes Un Certain Regard title “Việt and Nam” by Vietnamese auteur Trương Minh Quý. Shot on 16mm stock, the film is a drama about two young miners who must complete a mission before fate pulls them apart.
“In the depths of the underground coal mines, where danger awaits and darkness prevails, Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying somewhere deep within the earth, in the far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past,” reads a synopsis supplied by lead producer Epicmedia of The Philippines.
Trương Minh Quý made a splash by taking part...
“In the depths of the underground coal mines, where danger awaits and darkness prevails, Nam and Việt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as, lying somewhere deep within the earth, in the far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past,” reads a synopsis supplied by lead producer Epicmedia of The Philippines.
Trương Minh Quý made a splash by taking part...
- 4/11/2024
- by Patrick Frater and Naman Ramachandran
- Variety Film + TV
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