Directed by
John Maclean |
Writing Credits
John Maclean | ... | (written by) |
Cast (in credits order)
Produced by
Katherine Butler | ... | executive producer |
Iain Canning | ... | producer |
Michael Fassbender | ... | executive producer |
Rachel Gardner | ... | producer |
Zygi Kamasa | ... | executive producer |
Angela Littlejohn | ... | line producer |
Conor McCaughan | ... | producer |
Gerardine O'Flynn | ... | associate producer |
Emile Sherman | ... | producer |
Music by
Jed Kurzel | ||
Bryan Michael Mills |
Cinematography by
Robbie Ryan |
Editing by
Roland Gallois | ||
Jon Gregory |
Casting By
Nikki Barrett | ||
Tina Cleary | ||
Kahleen Crawford | ||
Miranda Rivers |
Production Design by
Kim Sinclair |
Art Direction by
Sarah Finlay | ... | (UK) |
Ken Turner |
Set Decoration by
Amber Richards |
Costume Design by
Kirsty Cameron |
Makeup Department
Georgia Lockhart-Adams | ... | key makeup artist |
Amy McLennan | ... | makeup artist |
Roger Murray | ... | prosthetic manufacture |
Rachelle O'Donnell | ... | makeup artist |
Dannelle Satherley | ... | hair designer / makeup designer |
Production Management
Desray Armstrong | ... | production manager |
Emma Zee | ... | post-production supervisor |
Second Unit Director or Assistant Director
Ant Davies | ... | third assistant director |
Bruno Du Bois | ... | second second assistant director |
Mark Fenn | ... | first assistant director: UK Unit |
Jamie Hamer | ... | second assistant director: UK Unit |
Greig Liddell | ... | third assistant director |
Axel Paton | ... | first assistant director |
Rachael Rowe | ... | second assistant director |
Art Department
Mark Brownlie | ... | carpenter |
Ruby Fitzgerald | ... | art assistant |
Robin Jones | ... | art department assistant |
Neil Kirkland | ... | construction manager |
Tasha Lang | ... | property master |
Sue Mercer | ... | graphic designer |
Ben Milsom | ... | stand-by props |
Alexandra Turner Watts | ... | set dresser (as Alexandra Turner) |
Michael White | ... | head greens |
Sound Department
Hugo Adams | ... | foley editor |
Paul Carter | ... | re-recording mixer / sound designer / supervising sound editor |
Doug Cooper | ... | re-recording mixer |
Romain Drouillon | ... | French dubbing mixer |
Corrin Ellingford | ... | boom operator |
Richard Flynn | ... | sound mixer |
Max Hilliard | ... | sound mix technician |
James Hyde | ... | adr mixer / mix assistant |
Gavin Marshall | ... | boom operator: UK |
Jan Meyerdierks | ... | dubbing recordist (german version) |
Gavin Rose | ... | dialogue editor |
Dario Swade | ... | foley editor |
Ivor Talbot | ... | sound mixer: UK |
Andy Welker | ... | adr mixer |
Special Effects by
Karl Chisholm | ... | special effects technician |
Perry Costello | ... | special effects supervisor |
Iain Hutton | ... | special effects technician |
Steve Ingram | ... | special effects supervisor |
Ross McCluskey | ... | workshop assistant |
Visual Effects by
Lucy Ainsworth-Taylor | ... | visual effects executive producer |
Angela Barson | ... | visual effects supervisor |
Stuart Bullen | ... | digital compositor: BlueBolt |
Tim Capper | ... | visual effects supervisor |
Rosemary Chester | ... | compositor |
Rupert Davies | ... | visual effects supervisor |
Michael Bruce Ellis | ... | main title designer |
Robin Hinch | ... | visual effects editor: BlueBolt |
Rafael Morant | ... | digital matte painter |
Rob Pizzey | ... | digital colourist |
Panos Theodoropoulos | ... | visual effects production assistant: BlueBolt |
Mark Webb | ... | visual effects production manager: BlueBolt |
Petko Zhivkov | ... | digital compositor |
Stunts
George Johnston | ... | fight arranger |
Wayne McCormack | ... | horse master |
Steve McQuillan | ... | stunt coordinator |
Camera and Electrical Department
Tim Allan | ... | first assistant camera |
Jo Bollinger | ... | gaffer |
Nat Brunt | ... | assistant camera |
Max Catterick | ... | best boy |
Andy Cole | ... | lighting director |
Chris 'Froggy' Cole | ... | trainee grip (as Chris Cole) |
Jack Crayford | ... | lighting technician |
Kristin Davis | ... | digital imaging technician: UK |
Christian Gower | ... | digital imaging technician |
Dion Hartley | ... | key grip |
George Hennah | ... | focus puller |
Maurice Kapua | ... | best boy |
Jan Kleinheins | ... | grip |
Caleb MacDonald | ... | digital image technician |
Ruaraidh MacLeod | ... | camera trainee: Scottish Filming |
Ossie McLean | ... | steadicam operator |
Dusty Millar | ... | second assistant camera |
Joachim Philippe | ... | second assistant camera |
Eruera Sutherland | ... | lighting technician |
Parisa Taghizadeh | ... | still photographer |
Neal Wagstaff | ... | phantom camera technician |
Animation Department
Sinéad Cronin | ... | title animator |
Casting Department
Jodi Angstreich | ... | us casting |
Kim Ostroy | ... | us casting |
Laura Rosenthal | ... | us casting |
Costume and Wardrobe Department
Amy Craven | ... | costumer |
Daniel Cruden | ... | set costumer |
Johanna Garrad | ... | costume assistant |
Abigail Greenwood | ... | assistant costume designer |
Lucy Holloway | ... | costumer: costumes |
Ann Mockett | ... | pattern cutter |
Jaimee Poipoi | ... | wardrobe assistant |
Editorial Department
Maria Chamberlain | ... | digital intermediate assistant colourist |
Peter Collins | ... | data and workflow manager |
Georgina Cranmer | ... | data wrangler |
Sinéad Cronin | ... | digital on-line editor |
Rob Farris | ... | digital intermediate head of production |
Neil Harrison | ... | senior digital intermediate administrator |
Lawrence Hook | ... | digital film bureau |
John Maclean | ... | additional editor |
Patrick Malone | ... | digital intermediate head of department |
Gemma McKeon | ... | digital intermediate assistant producer |
Kerri Roggio | ... | first assistant editor |
Gabrielle Smith | ... | first assistant editor |
Daniel Tomlinson | ... | digital on-line editor |
Laurent Treherne | ... | digital film technical supervisor |
Diana Vasquez | ... | digital intermediate assistant colourist |
Location Management
David Walker | ... | location manager |
Music Department
Robert Ames | ... | solo viola |
Galya Bisengalieva | ... | solo violin |
Lucy Bright | ... | music supervisor |
Daisy Chute | ... | orchestrator |
London Contemporary Orchestra | ... | musicians: score performed by |
Matt Lovell | ... | music mixer |
Script and Continuity Department
Hayley Abbott | ... | script supervisor |
Kate Leys | ... | script editor |
Dolina Macfarlane | ... | additional script supervisor |
Transportation Department
Luke Frater | ... | driver |
Additional Crew
Wayne Allen | ... | Safety Officer (as Wayne Allan) |
Bozena Bienkowska | ... | animal handler |
Bonnie Blake | ... | production coordinator (as Bonnie Frires) |
Susan Breen | ... | Senior Development Editor: Film4 |
Katherine Bridle | ... | head of production and development: See-Saw Films |
Sasha Burrows | ... | business affairs: See-Saw Films |
Alice Clough | ... | business affairs: See-Saw Films |
Natalie Doherty | ... | production accountant |
Eve Gabereau | ... | distribution |
Dane Grant | ... | horse wrangler |
Jack Healy Guttmann | ... | Additional Assistant/Location Assistant |
Paul Hillier | ... | insurance: UK |
Sam Joly | ... | production executive: See-Saw Films (as Samantha Joly) |
Monique Kelly | ... | epk/behind the scenes |
Michael Lesslie | ... | additional dialogue |
Wayne McCormack | ... | horse master |
Christos Michaels | ... | legal services: production |
Simone Nicholson | ... | production executive: See-Saw Films |
Martin Poultney | ... | commercial director: Goldcrest Post Production |
Michael Robins | ... | production assistant |
Danielle Roffe | ... | voice and dialogue coach |
Adrian Stent | ... | Wrangler |
Eva Yates | ... | senior development editor: Film4 |
Layla Zhang | ... | group accountant: See-Saw Films |
Sam Joly | ... | production coordinator: Scotland unit (uncredited) |
Thanks
Amy Jackson | ... | with thanks |