At birth every child is bestowed with a mighty super power – the ability to wonder. To goggle in awe at the wide world before them. But wonder is an ability that dissipates with time, weakened by the Kryptonite grind of maturity, wasting through lack of use. Rather than relying upon YouTube clips, Instagram and annual jaunts abroad to sustain us, London’s Science Museum is offering an exciting 3D IMAX experience seemingly tailor-made to exercise our awe: Mysteries of the Unseen World.
With celebrated time-lapse cinematographer Louie Schwartzberg as our expert guide and the inimitable Forest Whitaker our narrator, this transportive educational exploration becomes a roller coaster ride. Dynamic filmmaking partners with cutting edge science to take us into alternate dimensions of time and scale Gene Roddenberry would applaud. And every last astonishing spectacle takes place right here on earth. The air we breath, the sound we make, the mini...
With celebrated time-lapse cinematographer Louie Schwartzberg as our expert guide and the inimitable Forest Whitaker our narrator, this transportive educational exploration becomes a roller coaster ride. Dynamic filmmaking partners with cutting edge science to take us into alternate dimensions of time and scale Gene Roddenberry would applaud. And every last astonishing spectacle takes place right here on earth. The air we breath, the sound we make, the mini...
- 9/12/2014
- by Emily Breen
- HeyUGuys.co.uk
Today was a busy day for some of the smaller guilds with the Visual Effects Society, the Cinema Audio Society, and the Makeup and Hairstylists Guilds all announcing their nominations for 2013.
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
First, we have the Ves, whose main category to look at is “Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture,” where we find Gravity and four other nominees that are just going to have to be happy with the fact that they got nominated. This is perhaps the easiest category to call in the entirety of awards season, and I don’t mean just here, but for the Oscar as well (Last year’s winner, Life of Pi, easily took this category before going on to claim the Oscar). It’s true that films like The Hobbit: The Desolation of Smaug and Star Trek Into Darkness had outstanding effects as well, but nothing even came close to the amazing,...
- 1/15/2014
- by Jeff Beck
- We Got This Covered
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