You might not get the dog you want, but you always get the dog you need. That old dog-lover’s adage applies peculiarly well to Chinese director Guan Hu’s “Black Dog.” A far smaller-scale project than his recent blockbusters “The Eight Hundred” and “The Sacrifice,” Guan’s latest — an Un Certain Regard standout at Cannes this year — nonetheless has the grandly cinematic vision to lend an intimate tale a gloriously epic, allegorical edge.
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
- 5/21/2024
- by Jessica Kiang
- Variety Film + TV
Oscar winner Ryusuke Hamaguchi’s formalist arthouse drama Evil Does Not Exist won the best film prize Sunday night at the Asia Film Awards in Hong Kong.
The Japanese film industry had a big night overall at the 17th edition of the awards ceremony, which was hosted this year in Hong Kong’s gleaming new Xiqu Centre, part of the city’s $2.7 billion West Kowloon Cultural District development. Japanese festival favorite Hirokazu Kore-eda won best director for his mystery drama Monster, while the great Koji Yakusho took best actor for Wim Wender’s moving minimalist drama Perfect Days. Hamaguchi’s chief collaborator on Evil Does Not Exist, Eiko Ishibashi, won best music and the Kaiju critical and commercial sensation Godzilla Minus One claimed both best visual effects and best sound.
In many ways, it was Zhang Yimou’s night, however. The venerated Chinese director took the stage twice, once to...
The Japanese film industry had a big night overall at the 17th edition of the awards ceremony, which was hosted this year in Hong Kong’s gleaming new Xiqu Centre, part of the city’s $2.7 billion West Kowloon Cultural District development. Japanese festival favorite Hirokazu Kore-eda won best director for his mystery drama Monster, while the great Koji Yakusho took best actor for Wim Wender’s moving minimalist drama Perfect Days. Hamaguchi’s chief collaborator on Evil Does Not Exist, Eiko Ishibashi, won best music and the Kaiju critical and commercial sensation Godzilla Minus One claimed both best visual effects and best sound.
In many ways, it was Zhang Yimou’s night, however. The venerated Chinese director took the stage twice, once to...
- 3/10/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Hamaguchi Ryusuke’s “Evil Does Not Exist,” was Sunday evening named as the best picture at the Asian Film Awards.
The 17th edition of the prizes was held at the Xiqu Centre, part of the West Kowloon Cultural District in Hong Kong.
While “Evil Does Not Exist” and Korean blockbuster “12.12: The Day” had dominated the nominations with six each, including those in the best film category, the prizes on Sunday were much more evenly distributed. No title collected more than two prizes.
Outside, crowds failed to be muted by the March drizzle, though VIP guests were given escorts with purple umbrellas.
Filmmaker and industry attendance was also robust. Those spotted on the red carpet and pre-event cocktails included: Lee Yong Kwan (former chair of the Busan film festival), Tom Yoda, Udine festival heads Sabrina Baracetti and Thomas Bertacche, Anthony Chen, Stanley Kwan, Rina Damayanti, Hong Kong distributor Winnie Tsang,...
The 17th edition of the prizes was held at the Xiqu Centre, part of the West Kowloon Cultural District in Hong Kong.
While “Evil Does Not Exist” and Korean blockbuster “12.12: The Day” had dominated the nominations with six each, including those in the best film category, the prizes on Sunday were much more evenly distributed. No title collected more than two prizes.
Outside, crowds failed to be muted by the March drizzle, though VIP guests were given escorts with purple umbrellas.
Filmmaker and industry attendance was also robust. Those spotted on the red carpet and pre-event cocktails included: Lee Yong Kwan (former chair of the Busan film festival), Tom Yoda, Udine festival heads Sabrina Baracetti and Thomas Bertacche, Anthony Chen, Stanley Kwan, Rina Damayanti, Hong Kong distributor Winnie Tsang,...
- 3/10/2024
- by Patrick Frater and Naman Ramachandran
- Variety Film + TV
Brussels-based company Best Friend Forever (“Banel & Adama”) has acquired international rights to “Shambhala,” the first Nepalese film to premiere in competition at the Berlinale or any other top film festival.
Directed by Min Bahadur Bham, “Shambhala” is also the first South Asian film to be selected in Berlinale’s competition lineup after three decades. Bham is best known for his feature debut, “Kalo Pothi,” which won a prize at Venice Critics’ Week in 2015. The helmer previously directed “Bansulli,” which was Nepal’s first selection at the Venice Film Festival in 2012.
“Shambhala” is set in a Himalayan polyandrous village in Nepal, where a newly married and pregnant woman, Pema, tries to make the best of her new life. But soon, her husband Tashi vanishes, prompting her to embark on a journey into the wilderness to find him, accompanied by her monk.
The film shot in the world’s highest settlement, located...
Directed by Min Bahadur Bham, “Shambhala” is also the first South Asian film to be selected in Berlinale’s competition lineup after three decades. Bham is best known for his feature debut, “Kalo Pothi,” which won a prize at Venice Critics’ Week in 2015. The helmer previously directed “Bansulli,” which was Nepal’s first selection at the Venice Film Festival in 2012.
“Shambhala” is set in a Himalayan polyandrous village in Nepal, where a newly married and pregnant woman, Pema, tries to make the best of her new life. But soon, her husband Tashi vanishes, prompting her to embark on a journey into the wilderness to find him, accompanied by her monk.
The film shot in the world’s highest settlement, located...
- 1/24/2024
- by Elsa Keslassy
- Variety Film + TV
The 20th edition of the Glasgow Film Festival reveals an exciting programme featuring premieres, special events and screenings of some classics.
Running from February 28th to March 10th the UK premiere of Rose Glass’ Love Lies Bleeding opens the festival. Closing gala is Janey – a touching documentary on Scottish Comedian, Janey Godley, about her life, career and terminal cancer diagnosis.
There are no less than eleven world and international premieres including Bucky F*ing Dent from David Duchovny adapting and his own novel which he also directs. Feature debuts at the festival include Glasgow director Ciaran Lyons’ Tummy Monster as well as The Old Man and The Land from Nicholas Parish.
The festival will feature a double dose of Ewan McGregor in UK premiere of Bleeding Love, starring alongside his daughter Clara McGregor, and also Mother.
A guarantee each Gff is great variety and this year is no different with...
Running from February 28th to March 10th the UK premiere of Rose Glass’ Love Lies Bleeding opens the festival. Closing gala is Janey – a touching documentary on Scottish Comedian, Janey Godley, about her life, career and terminal cancer diagnosis.
There are no less than eleven world and international premieres including Bucky F*ing Dent from David Duchovny adapting and his own novel which he also directs. Feature debuts at the festival include Glasgow director Ciaran Lyons’ Tummy Monster as well as The Old Man and The Land from Nicholas Parish.
The festival will feature a double dose of Ewan McGregor in UK premiere of Bleeding Love, starring alongside his daughter Clara McGregor, and also Mother.
A guarantee each Gff is great variety and this year is no different with...
- 1/24/2024
- by Thomas Alexander
- HeyUGuys.co.uk
A total of 35 films from 24 countries and regions have been shortlisted to compete for 16 awards at this year's Asian Film Awards.
Renowned Japanese director Kurosawa Kiyoshi will serve as the Jury President for this year's Awards. As the first Japanese director to hold this position, Kurosawa Kiyoshi is deeply honored. He will lead the Jury and over 200 Voting Members in selecting the winners for this year's Asian Film Awards.
The winners of other Afa awards, including the Lifetime Achievement Award, Excellence in Asian Cinema Award, Afa Next Generation Award, and Rising Star Award, will be announced later.
The 17th Asian Film Awards Nomination List
Best Film
12.12: The Day (South Korea)
Evil Does Not Exist (Japan)
Paradise
Perfect Days (Japan)
Snow Leopard (Mainland China)
Best Director
Kim Sung-soo | 12.12: The Day (South Korea)
Gu Xiaogang | Dwelling by the West Lake (Mainland China)
Hamaguchi Ryusuke | Evil Does Not Exist (Japan)
Kore-eda Hirokazu...
Renowned Japanese director Kurosawa Kiyoshi will serve as the Jury President for this year's Awards. As the first Japanese director to hold this position, Kurosawa Kiyoshi is deeply honored. He will lead the Jury and over 200 Voting Members in selecting the winners for this year's Asian Film Awards.
The winners of other Afa awards, including the Lifetime Achievement Award, Excellence in Asian Cinema Award, Afa Next Generation Award, and Rising Star Award, will be announced later.
The 17th Asian Film Awards Nomination List
Best Film
12.12: The Day (South Korea)
Evil Does Not Exist (Japan)
Paradise
Perfect Days (Japan)
Snow Leopard (Mainland China)
Best Director
Kim Sung-soo | 12.12: The Day (South Korea)
Gu Xiaogang | Dwelling by the West Lake (Mainland China)
Hamaguchi Ryusuke | Evil Does Not Exist (Japan)
Kore-eda Hirokazu...
- 1/12/2024
- by Adriana Rosati
- AsianMoviePulse
‘Snow Leopard’, ‘Paradise’, ‘The Goldfinger’ and ‘Godzilla Minus One’ also land multiple nods.
South Korean box office hit 12.12: The Day and Ryusuke Hamaguchi’s Evil Does Not Exist lead the nominations for the 17th Asian Film Awards, with six nods each including best film.
Also up for best film is Prasanna Vithanage’s Paradise from Sri Lanka-India, Wim Wenders Perfect Days from Japan and Chinese feature Snow Leopard by the late Pema Tseden.
Scroll down for full list of nominations
The winners will be announced at a ceremony in Hong Kong on March 10 and will be decided by a...
South Korean box office hit 12.12: The Day and Ryusuke Hamaguchi’s Evil Does Not Exist lead the nominations for the 17th Asian Film Awards, with six nods each including best film.
Also up for best film is Prasanna Vithanage’s Paradise from Sri Lanka-India, Wim Wenders Perfect Days from Japan and Chinese feature Snow Leopard by the late Pema Tseden.
Scroll down for full list of nominations
The winners will be announced at a ceremony in Hong Kong on March 10 and will be decided by a...
- 1/12/2024
- by Michael Rosser
- ScreenDaily
Japanese filmmaker Ryusuke Hamaguchi’s latest feature, Evil Does Not Exist, and the period action pic 12.12: The Day, from Korea, lead the nominations at this year’s Asian Film Awards.
Both films received six nominations, including Best Film and Best Director. Directed by Kim Sung-soo, whose credits include Asura: The City Of Madness and The Flu, 12.12: The Day is set against the backdrop of the real-life military coup of 1979, which resulted in an eight-year military junta in South Korea. The cast includes Hwang Jung-min (The Wailing), Jung Woo-sung (Asura: The City Of Madness), and Lee Sung-min (The Spy Gone North). Released on November 22, the film sailed past the 12 million admissions mark at the Korean box office over the Christmas holiday period, becoming the highest-grossing film of 2023 in the market.
Hamaguchi’s Evil Does Not Exist — which debuted out of Venice — follows Takumi and his daughter Hana, who live...
Both films received six nominations, including Best Film and Best Director. Directed by Kim Sung-soo, whose credits include Asura: The City Of Madness and The Flu, 12.12: The Day is set against the backdrop of the real-life military coup of 1979, which resulted in an eight-year military junta in South Korea. The cast includes Hwang Jung-min (The Wailing), Jung Woo-sung (Asura: The City Of Madness), and Lee Sung-min (The Spy Gone North). Released on November 22, the film sailed past the 12 million admissions mark at the Korean box office over the Christmas holiday period, becoming the highest-grossing film of 2023 in the market.
Hamaguchi’s Evil Does Not Exist — which debuted out of Venice — follows Takumi and his daughter Hana, who live...
- 1/12/2024
- by Zac Ntim
- Deadline Film + TV
Exclusive: New York-based arthouse distributor KimStim has acquired all North American rights to Wei Shujun’s Cannes Un Certain Regard title, Only The River Flows. Paris-based MK2 Films is handling international sales on the film.
The Chinese noir thriller has recently been a big hit at the Chinese box office, grossing $43M (RMB309.5M), an exceptional number for an independent film in that market.
Following its Cannes premiere, the film has screened in 33 international film festivals, including London (BFI), Busan, Chicago and Vancouver. It received its China premiere at Pingyo International Film Festival, where it won best film in the festival’s Fei Mu Awards.
Based on Yu Hua’s popular short novel Mistakes By The River, the film is set in a small town in 1990s China where the chief of police is heading an investigation after a woman’s body washes up in the local river.
Zhu Yilong,...
The Chinese noir thriller has recently been a big hit at the Chinese box office, grossing $43M (RMB309.5M), an exceptional number for an independent film in that market.
Following its Cannes premiere, the film has screened in 33 international film festivals, including London (BFI), Busan, Chicago and Vancouver. It received its China premiere at Pingyo International Film Festival, where it won best film in the festival’s Fei Mu Awards.
Based on Yu Hua’s popular short novel Mistakes By The River, the film is set in a small town in 1990s China where the chief of police is heading an investigation after a woman’s body washes up in the local river.
Zhu Yilong,...
- 12/14/2023
- by Liz Shackleton
- Deadline Film + TV
“The Marvels” narrowly missed the top spot at the mainland China box office on its opening weekend. And its debut was far short of its blockbuster predecessor.
Data from consultancy firm Artisan Gateway shows “The Marvels” earning RMB82.7 million or $11.5 million between Friday and Sunday in Chinese cinemas. Of that some $2 million or 17%, was earned in Imax theaters.
The film’s debut weekend haul was a fraction below the RMB84.2 million ($11.7 million) earned by Chinese film “Last Suspect” in its second weekend of release. Crime drama title, “Last Suspect” now has a cumulative of $51.5 million after ten days on release.
Figures for “The Marvels” compare badly with the $88.9 million earned by “Captain Marvel” when it opened in Chinese theaters in March 2019. Local ticketing service, Maoyan forecasts that “The Marvels” will have a career total of RMB152 million or $21 million in China. It opened poorly in other territories too.
Third place...
Data from consultancy firm Artisan Gateway shows “The Marvels” earning RMB82.7 million or $11.5 million between Friday and Sunday in Chinese cinemas. Of that some $2 million or 17%, was earned in Imax theaters.
The film’s debut weekend haul was a fraction below the RMB84.2 million ($11.7 million) earned by Chinese film “Last Suspect” in its second weekend of release. Crime drama title, “Last Suspect” now has a cumulative of $51.5 million after ten days on release.
Figures for “The Marvels” compare badly with the $88.9 million earned by “Captain Marvel” when it opened in Chinese theaters in March 2019. Local ticketing service, Maoyan forecasts that “The Marvels” will have a career total of RMB152 million or $21 million in China. It opened poorly in other territories too.
Third place...
- 11/13/2023
- by Patrick Frater
- Variety Film + TV
Another video game adaptation broke records this year as ‘Five Nights At Freddy’s’ gave Blumhouse its biggest global opening.
Worldwide box office October 27-29 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) 3-day (int’l) Territories 1. Five Nights At Freddy’s (Universal) $130.6m $130.6m $52.6m $52.6m 64 2. Killers Of The Flower Moon (Paramount) $24.2m $88.1m $15.2m $47.4m 66 3. Taylor Swift: The Eras Tour (various) $21.4m $203.0m $6.7m $53.7m 96 4. Trolls Band Together (Universal) $13.4m $36.1m $13.4m $36.1m 43 5. Paw Patrol: The Mighty Movie (Paramount) $11.9m $166.4m $9.7m $107.2m 68 6. Only The River Flows (various) $9.2m $21.7m $9.2m $21.7m 1 7. Exorcist: The Believer (Universal) $7.3m...
Worldwide box office October 27-29 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) 3-day (int’l) Territories 1. Five Nights At Freddy’s (Universal) $130.6m $130.6m $52.6m $52.6m 64 2. Killers Of The Flower Moon (Paramount) $24.2m $88.1m $15.2m $47.4m 66 3. Taylor Swift: The Eras Tour (various) $21.4m $203.0m $6.7m $53.7m 96 4. Trolls Band Together (Universal) $13.4m $36.1m $13.4m $36.1m 43 5. Paw Patrol: The Mighty Movie (Paramount) $11.9m $166.4m $9.7m $107.2m 68 6. Only The River Flows (various) $9.2m $21.7m $9.2m $21.7m 1 7. Exorcist: The Believer (Universal) $7.3m...
- 10/30/2023
- by Charles Gant
- ScreenDaily
Chinese filmmaker Jia Zhangke is relieved that the festival he founded in the ancient walled city of Pingyao in China’s Shanxi province is back on track after a tricky few years during the pandemic.
Now in its seventh edition, Pingyao International Film Festival (Pyiff) takes place in a purpose built festival centre, with five screening rooms, exhibition halls and other facilities, inside the stunning Unesco world heritage site of Pingyao. Lin Xudong, a critic, academic and documentary filmmaker, is artistic director of the festival, with veteran festival director Marco Mueller as chief artistic consultant.
The festival managed to keep going through the pandemic era, last year shifting its dates from October to January, but the centre was often closed for months at a time due to China’s strict Covid regulations. “We had some difficult days – we had to shut down completely for 18 months in the middle of the...
Now in its seventh edition, Pingyao International Film Festival (Pyiff) takes place in a purpose built festival centre, with five screening rooms, exhibition halls and other facilities, inside the stunning Unesco world heritage site of Pingyao. Lin Xudong, a critic, academic and documentary filmmaker, is artistic director of the festival, with veteran festival director Marco Mueller as chief artistic consultant.
The festival managed to keep going through the pandemic era, last year shifting its dates from October to January, but the centre was often closed for months at a time due to China’s strict Covid regulations. “We had some difficult days – we had to shut down completely for 18 months in the middle of the...
- 10/25/2023
- by Liz Shackleton
- Deadline Film + TV
Martin Scorsese’s Killers Of The Flower Moon opened on $44m worldwide.
Worldwide box office October 20-22 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) 3-day (int’l) Territories 1. Killers Of The Flower Moon (Paramount)
$44m $44m $21m $21m 64 2. Taylor Swift: The Eras Tour (various) $41.5m $164.8m $10.5m $35m 36 3. Leo: Bloody Sweet (various) $31.2m $48.5m $29.1m $43.9m 29 4. Paw Patrol: The Mighty Movie (Paramount) $16.2m $148.4m $11.7m $92.3m 67 5. Trolls Band Together (Universal) $14.3m $16.0m $14.3m $16.0m 26 6. The Exorcist: Believer (Universal) $13.8m $107.6m $8.2m $53.4m 81 7. Only The River Flows (various) $12.5m $12.5m $12.5m $12.5m 1 8. Under The Light (various) $6.9m $173.1m...
Worldwide box office October 20-22 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) 3-day (int’l) Territories 1. Killers Of The Flower Moon (Paramount)
$44m $44m $21m $21m 64 2. Taylor Swift: The Eras Tour (various) $41.5m $164.8m $10.5m $35m 36 3. Leo: Bloody Sweet (various) $31.2m $48.5m $29.1m $43.9m 29 4. Paw Patrol: The Mighty Movie (Paramount) $16.2m $148.4m $11.7m $92.3m 67 5. Trolls Band Together (Universal) $14.3m $16.0m $14.3m $16.0m 26 6. The Exorcist: Believer (Universal) $13.8m $107.6m $8.2m $53.4m 81 7. Only The River Flows (various) $12.5m $12.5m $12.5m $12.5m 1 8. Under The Light (various) $6.9m $173.1m...
- 10/23/2023
- by Charles Gant
- ScreenDaily
“Only the River Flows,” a pitch-black crime noir from auteur Wei Shujun, comfortably topped the mainland China box office on a quietish weekend.
The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market.
The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan.
“Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China.
Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million.
The film, ostensibly a murder mystery, but one concerned more with atmosphere than linear plotting, earned $12.6 million (RMB90.8 million) in its opening three days, according to data from consultancy Artisan Gateway, or close to a third of the market.
The film had its premiere in Cannes where Variety gave it a rave review, calling it an “inventive riff on Asian-noir” and making comparisons with films by Park Chan-wook and Diao Yinan.
“Only the River Flows” has since played at a succession of festivals ever since, including New Zealand, BFI London, Vancouver, Adelaide and last week’s Pingyao event in China.
Falling to second place at the box office after three weeks on top was Zhang Yimou’s “Under the Light,” which earned $6.9 million for a four-weekend cumulative of $176 million.
- 10/23/2023
- by Patrick Frater
- Variety Film + TV
Geng Zihan has just won Best Director in the Fei Mu Awards of Pingyao International Film Festival for her debut feature, A Song Sung Blue, a coming-of-age tale set in Harbin in northeast China.
The film, which premiered in Directors Fortnight at this year’s Cannes film festival, is produced by Jane Zheng with backing from Liang Jing and Guan Hu’s Seventh Art Pictures. Zheng’s producing credits include Lulu Wang’s The Farewell, starring Awkwafina, and Cathy Yan’s Dead Pigs.
Written by Liu Yining, the story revolves around a teenage girl, Liu Xian, who is left with her father for the summer when her mother gets a job in Africa. While her father is more interested in his relationship with the receptionist at his photography studio, Liu Xian strikes up a friendship with the receptionist’s daughter, Mingmei – a glamorous older girl who is training to be...
The film, which premiered in Directors Fortnight at this year’s Cannes film festival, is produced by Jane Zheng with backing from Liang Jing and Guan Hu’s Seventh Art Pictures. Zheng’s producing credits include Lulu Wang’s The Farewell, starring Awkwafina, and Cathy Yan’s Dead Pigs.
Written by Liu Yining, the story revolves around a teenage girl, Liu Xian, who is left with her father for the summer when her mother gets a job in Africa. While her father is more interested in his relationship with the receptionist at his photography studio, Liu Xian strikes up a friendship with the receptionist’s daughter, Mingmei – a glamorous older girl who is training to be...
- 10/18/2023
- by Liz Shackleton
- Deadline Film + TV
Crouching Tiger Hidden Dragon East-West Award
Huang Jianxin
International Contribution to Chinese Cinema Award
Norman Wang
Fei Mu Awards
Fei Mu Awards: Best Film
“Only the River Flows” Dir. Wei Shujun.
Fei Mu Awards: Best Director
Geng Zihan for “A Song Sung Blue”
Film Review: A Song Sung Blue (2023) by Zihan Geng
Fei Mu Awards: Best Actress
Lyu Xingchen for “Carefree Days” (dir. Xu Lingling)
Fei Mu Awards: Best Actor
Zhang Yu for “Records Without Words” (dir. Li Lizhong)
Fei Mu Awards: Jury Award
“Dance Still” Dirs. Qin Muqiu, Zhan Hanqi
Fei Mu Awards: Special Mention (joint winners)
“The Night Rain South Township” Dir. Li Binbin.
“Undoing Time” Dir. Li Pu
Fei Mu Awards: Best Short Film
“Questions to Heaven” Dirs. Wenqi, Zheng Ziyi.
Roberto Rossellini Awards
Roberto Rossellini Awards: Best Film
“Inside the Yellow Cocoon Shell” Dir. Pham Thien An
Roberto Rossellini Awards: Best Director
Lkhagvadulam Purev-Ochir for “City of Wind...
Huang Jianxin
International Contribution to Chinese Cinema Award
Norman Wang
Fei Mu Awards
Fei Mu Awards: Best Film
“Only the River Flows” Dir. Wei Shujun.
Fei Mu Awards: Best Director
Geng Zihan for “A Song Sung Blue”
Film Review: A Song Sung Blue (2023) by Zihan Geng
Fei Mu Awards: Best Actress
Lyu Xingchen for “Carefree Days” (dir. Xu Lingling)
Fei Mu Awards: Best Actor
Zhang Yu for “Records Without Words” (dir. Li Lizhong)
Fei Mu Awards: Jury Award
“Dance Still” Dirs. Qin Muqiu, Zhan Hanqi
Fei Mu Awards: Special Mention (joint winners)
“The Night Rain South Township” Dir. Li Binbin.
“Undoing Time” Dir. Li Pu
Fei Mu Awards: Best Short Film
“Questions to Heaven” Dirs. Wenqi, Zheng Ziyi.
Roberto Rossellini Awards
Roberto Rossellini Awards: Best Film
“Inside the Yellow Cocoon Shell” Dir. Pham Thien An
Roberto Rossellini Awards: Best Director
Lkhagvadulam Purev-Ochir for “City of Wind...
- 10/17/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Two titles which debuted at Cannes this year were named as the major prize-winners at the seventh edition of the Pingyao International Film Festival in China.
Wei Shujun’s black comedy-thriller “Only the River Flows” won the festival’s Fei Mu prize for best Chinese film. “Inside the Yellow Cocoon Shell,” by Vietnamese feature film debutant Pham Thien An, won the Roberto Rossellini prize for best international film. The picture is a Vietnam, Singapore, France, Spain co-production and won Cannes’ Camera d’Or for best first film.
Other prizes went to Hong Kong-based Norman Wang, a veteran consultant, marketeer and festival scout, and to Huang Jianxin, a leading mainland Chinese director-screenwriter and producer whose directing career has ranged from satire to propaganda. He also produced Sun Zhou’s Gong Li- and Tony Leung-starring “Zhou Yu’s Train.”
The festival, originally conceived by Jia Zhangke and Marco Mueller, is held in the Unesco-heritage,...
Wei Shujun’s black comedy-thriller “Only the River Flows” won the festival’s Fei Mu prize for best Chinese film. “Inside the Yellow Cocoon Shell,” by Vietnamese feature film debutant Pham Thien An, won the Roberto Rossellini prize for best international film. The picture is a Vietnam, Singapore, France, Spain co-production and won Cannes’ Camera d’Or for best first film.
Other prizes went to Hong Kong-based Norman Wang, a veteran consultant, marketeer and festival scout, and to Huang Jianxin, a leading mainland Chinese director-screenwriter and producer whose directing career has ranged from satire to propaganda. He also produced Sun Zhou’s Gong Li- and Tony Leung-starring “Zhou Yu’s Train.”
The festival, originally conceived by Jia Zhangke and Marco Mueller, is held in the Unesco-heritage,...
- 10/17/2023
- by Patrick Frater
- Variety Film + TV
Wei Shujun’s Only The River Flows was presented with Best Film in the Fei Mu Awards at this year’s Pingyao International Film Festival (Pyiff), while Inside The Yellow Cocoon Shell, directed by Vietnam’s Pham Thien An, won Best Film in the festival’s Roberto Rossellini Awards.
The Fei Mu Awards recognise up-and-coming Chinese filmmakers selected in the festival’s Hidden Dragons section. The Roberto Rossellini Awards are presented to films in the Crouching Tigers section for emerging international filmmakers.
Both Only The River Flows and Inside The Yellow Cocoon Shell premiered at this year’s Cannes film festival, the former in Un Certain Regard and the latter in Directors Fortnight where it won the Camera d’Or.
Geng Zihan won Best Director in the Fei Mu Awards for A Song Sung Blue, which also premiered in Cannes Directors Fortnight. Luc Besson, who was in Pingyao with Dogman,...
The Fei Mu Awards recognise up-and-coming Chinese filmmakers selected in the festival’s Hidden Dragons section. The Roberto Rossellini Awards are presented to films in the Crouching Tigers section for emerging international filmmakers.
Both Only The River Flows and Inside The Yellow Cocoon Shell premiered at this year’s Cannes film festival, the former in Un Certain Regard and the latter in Directors Fortnight where it won the Camera d’Or.
Geng Zihan won Best Director in the Fei Mu Awards for A Song Sung Blue, which also premiered in Cannes Directors Fortnight. Luc Besson, who was in Pingyao with Dogman,...
- 10/16/2023
- by Liz Shackleton
- Deadline Film + TV
On the occasion of his presence at the Busan International Film Festival, Wei Shujun talks about adapting “Mistakes by the River” for “Only the River Flows” , shooting an art house crime film, individuality in China, the concept of kids being born with disabilities, the casting and the cinematography, what kind of a film he would shoot if he had unlimited resources, and other topics.
- 10/11/2023
- by Adriana Rosati
- AsianMoviePulse
China’s Pingyao International Film Festival has announced the line-up for its seventh edition (October 11-18), which will open with Wei Shujun’s Only The River Flows and close with the world premiere of Fei Yu’s Football On The Roof.
Wei’s 1990s-set noir thriller, which premiered in Un Certain Regard at this year’s Cannes film festival, is also one of 11 titles competing in Pingyao’s Hidden Dragons competition for emerging Chinese filmmakers. Football On The Roof tells the story of a female soccer team fighting against the odds in the remote mountains of Yunnan province.
The Hidden Dragons line-up also includes Geng Zihan’s A Song Sung Blue, which premiered in Cannes Directors Fortnight, along with world premieres including Hao Feihuan’s Records Without Words, Li Binbin’s The Night Rain South Township and Yang Pingdao’s A Romantic Fragment (see full line-up below).
Pingyao has also...
Wei’s 1990s-set noir thriller, which premiered in Un Certain Regard at this year’s Cannes film festival, is also one of 11 titles competing in Pingyao’s Hidden Dragons competition for emerging Chinese filmmakers. Football On The Roof tells the story of a female soccer team fighting against the odds in the remote mountains of Yunnan province.
The Hidden Dragons line-up also includes Geng Zihan’s A Song Sung Blue, which premiered in Cannes Directors Fortnight, along with world premieres including Hao Feihuan’s Records Without Words, Li Binbin’s The Night Rain South Township and Yang Pingdao’s A Romantic Fragment (see full line-up below).
Pingyao has also...
- 10/8/2023
- by Liz Shackleton
- Deadline Film + TV
Everyone is invited to the 67th BFI London Film Festival in partnership with American Express!
The BFI London Film Festival, founded in 1957, now at its 67th edition, is a renowned annual event that celebrates international and British cinema. It offers a diverse array of films, premieres, and engaging discussions, attracting filmmakers, industry professionals, and movie enthusiasts. This festival is a vital platform for promoting cinematic excellence and storytelling. Once again, this year's selection of Asian titles is rich and articulated.
Find all the Asian films and the Festival's trailer, here:
Cobweb
In this electric meta-comedy, The Good, the Bad, the Weird director Kim Jee-Woon captures the turbulence of South Korea's film industry in the 1970s.
Evil Does Not Exist
Drive My Car director Ryusuke Hamaguchi's new drama sees a community fighting to preserve its principles and the integrity of their natural world.
Self-Portrait: 47 Km 2020
The eleventh instalment in Zhang Mengqi...
The BFI London Film Festival, founded in 1957, now at its 67th edition, is a renowned annual event that celebrates international and British cinema. It offers a diverse array of films, premieres, and engaging discussions, attracting filmmakers, industry professionals, and movie enthusiasts. This festival is a vital platform for promoting cinematic excellence and storytelling. Once again, this year's selection of Asian titles is rich and articulated.
Find all the Asian films and the Festival's trailer, here:
Cobweb
In this electric meta-comedy, The Good, the Bad, the Weird director Kim Jee-Woon captures the turbulence of South Korea's film industry in the 1970s.
Evil Does Not Exist
Drive My Car director Ryusuke Hamaguchi's new drama sees a community fighting to preserve its principles and the integrity of their natural world.
Self-Portrait: 47 Km 2020
The eleventh instalment in Zhang Mengqi...
- 9/16/2023
- by Adriana Rosati
- AsianMoviePulse
Prior selections Close, Drive My Car, The Worst Person In The World all garnered international feature film Oscar submissions.
Aki Kaurismäki’s Cannes jury prize winner Fallen Leaves and Nuri Bilge Ceylan’s About Dry Grasses starring Cannes best actress winner Merve Dizdar – both Oscar submissions this year – are among the international line-up at the upcoming 59th Chicago International Film Festival (October 11–22).
Alice Rohrwacher’s La Chimera and Kleber Mendonça Filho’s Pictures Of Ghosts are two other Cannes selections to feature in the roster, while Ryusuke Hamaguchi’s Evil Does Not Exist and Lina Soualem’s Bye Bye Tiberias both launched in Venice.
Aki Kaurismäki’s Cannes jury prize winner Fallen Leaves and Nuri Bilge Ceylan’s About Dry Grasses starring Cannes best actress winner Merve Dizdar – both Oscar submissions this year – are among the international line-up at the upcoming 59th Chicago International Film Festival (October 11–22).
Alice Rohrwacher’s La Chimera and Kleber Mendonça Filho’s Pictures Of Ghosts are two other Cannes selections to feature in the roster, while Ryusuke Hamaguchi’s Evil Does Not Exist and Lina Soualem’s Bye Bye Tiberias both launched in Venice.
- 9/14/2023
- by Jeremy Kay
- ScreenDaily
Berlin- and Paris-based Salaud Morisset, a leading short film production and distribution outfit, has acquired two feature films for world sales – one selected by Karlovy Vary Film Festival and the other by Locarno Film Festival – as the company accelerates into feature film sales and production.
Salaud Morisset has taken world sales rights on Cyril Aris’ feature documentary “Dancing on the Edge of a Volcano,” which premiered in the main competition at Karlovy Vary this week and received a Special Jury Mention, and Una Gunjak’s fiction feature “Excursion,” just announced as the opener of Locarno Film Festival’s Filmmakers of the Present section. Salaud Morisset, which is also a co-producer on “Excursion,” aims to continue fostering synergies between its production and sales operations as it commits to a full slate of feature projects.
“Dancing on the Edge of the Volcano”
Salaud Morisset will also continue handling selected shorts and represents...
Salaud Morisset has taken world sales rights on Cyril Aris’ feature documentary “Dancing on the Edge of a Volcano,” which premiered in the main competition at Karlovy Vary this week and received a Special Jury Mention, and Una Gunjak’s fiction feature “Excursion,” just announced as the opener of Locarno Film Festival’s Filmmakers of the Present section. Salaud Morisset, which is also a co-producer on “Excursion,” aims to continue fostering synergies between its production and sales operations as it commits to a full slate of feature projects.
“Dancing on the Edge of the Volcano”
Salaud Morisset will also continue handling selected shorts and represents...
- 7/9/2023
- by Leo Barraclough
- Variety Film + TV
As we have mentioned in the past, Chinese cinema has a knack of producing crime films that unfold in a distinct art house style, with titles like “Black Coal, Thin Ice”, “Mr Six”, and “Long Day's Journey into the Night” being among the first that come to mind. Cannes-favorite (all four of his movies have screened there) Wei Shujun returned in 2023 in the festival with, “Only the River Flows”, a movie that follows a similar approach.
“Only the River Flows” screened at Cannes Official poster – 76th edition © Photo © Jack Garofalo/Paris Match/Scoop – Création graphique © Hartland Villa
Adapted from the novella “Mistakes by the River” by the famous Chinese novelist Yu Hua, the almost entirely shot on 16mm film takes place in the small city of Banpo in China during the 90s. It is there that police detective Ma Zhe is tasked with finding the culprit of the murder of Granny Four,...
“Only the River Flows” screened at Cannes Official poster – 76th edition © Photo © Jack Garofalo/Paris Match/Scoop – Création graphique © Hartland Villa
Adapted from the novella “Mistakes by the River” by the famous Chinese novelist Yu Hua, the almost entirely shot on 16mm film takes place in the small city of Banpo in China during the 90s. It is there that police detective Ma Zhe is tasked with finding the culprit of the murder of Granny Four,...
- 7/4/2023
- by Panos Kotzathanasis
- AsianMoviePulse
This year's edition of Cannes film festival offered a number of high quality titles from Asia, both in competiton(s) and side bar programmes. One of the most awaited films was Takeshi Kitano's “Kubi” screened in Premiere section, in director's presence. Back to the samurai genre, 20 years after the critically acclaimed “Zatoichi” and with a period piece based on his own historic novel published in 2019, Kitano struggled to bring his characters close to the audience, but stayed faithful to the title by making many heads roll. “Kubi” (which was also the title of his novel) means “neck”, a beloved target of the samurai sword. This is allegedly the last film by “Beat”, if we take his statement before the festival kicked off seriously.
A year after his drama “Broker” brought Palme D'Or for Best Actor to Song Kang-ho, and five after he was awarded Palme D'Or for “Shoplifters”, Hirokazu Koreeda...
A year after his drama “Broker” brought Palme D'Or for Best Actor to Song Kang-ho, and five after he was awarded Palme D'Or for “Shoplifters”, Hirokazu Koreeda...
- 6/18/2023
- by AMP Group
- AsianMoviePulse
They say that third is a charm, but in the case of Wei Shujun, all four of his movies were blessed with the honor of being shown in different segments of Cannes' competition programs. In 2018, his short “On The Border” won the Special Jury Award, his feature debut “Striding Into The Wind” entered the Official Selection in 2020 followed by the sophomore drama “Ripples of Life” screened in Directors' Fortnight in 2021. At this year's 76th edition of Cannes Film Festival the audience had the opportunity to see his beautifully accomplished noir “Only The River Flows” in the Un Certain regard competition.
Each of Wei Shujun works differs in topics and style, and it was intriguing to follow his artistic development over the years. In “Only The River Flows”, an intricate story about a detective who investigates a series of murders in times of significant political changes in China, viewers get challenged,...
Each of Wei Shujun works differs in topics and style, and it was intriguing to follow his artistic development over the years. In “Only The River Flows”, an intricate story about a detective who investigates a series of murders in times of significant political changes in China, viewers get challenged,...
- 6/10/2023
- by Marina D. Richter
- AsianMoviePulse
Text written on June 6, 2023 by Jean-Marc Thérouanne
Asia in the juries :
Franco-Afghan writer and director Atiq Rahimi was the only Asian member of the prestigious jury at the 76th Cannes Film Festival
Fench-Cambodian director Davy Chou was the only Asia-related member of the Un Certain Regard jury
Davy Chou
Shlomi Elkabetz was the only member of the short film jury and the Cinef with a connection to geographical Asia.
Asia in the selections:
Asia, from the Near to the Far East, was present with 31 features and 13 shorts in all the official and parallel sections of the 76th Cannes Film Festival.
In compétition :
– China: Youth (Spring) by Wang Bing
– Japan: Monster by Kore-eda Hirokazu,
Kim Dong-ho, Hirokazu Koreeda
– Turkey: About Dry Grasses by Nuri Bilge Ceylan,
and The Pot-au-feu by French-Vietnamese director Tran Anh Hung and Wim Wenders' Perfect Days, set in Japan.
Out of compétition :
– Korea: Cobweb by Kim Jee-won,...
Asia in the juries :
Franco-Afghan writer and director Atiq Rahimi was the only Asian member of the prestigious jury at the 76th Cannes Film Festival
Fench-Cambodian director Davy Chou was the only Asia-related member of the Un Certain Regard jury
Davy Chou
Shlomi Elkabetz was the only member of the short film jury and the Cinef with a connection to geographical Asia.
Asia in the selections:
Asia, from the Near to the Far East, was present with 31 features and 13 shorts in all the official and parallel sections of the 76th Cannes Film Festival.
In compétition :
– China: Youth (Spring) by Wang Bing
– Japan: Monster by Kore-eda Hirokazu,
Kim Dong-ho, Hirokazu Koreeda
– Turkey: About Dry Grasses by Nuri Bilge Ceylan,
and The Pot-au-feu by French-Vietnamese director Tran Anh Hung and Wim Wenders' Perfect Days, set in Japan.
Out of compétition :
– Korea: Cobweb by Kim Jee-won,...
- 6/7/2023
- by Panos Kotzathanasis
- AsianMoviePulse
It is the third feature from Chinese filmmaker Wei Shujun, and the sixth title Picturehouse has picked up from this year’s Cannes.
Picturehouse Entertainment has taken UK and Ireland rights for Wei Shujun’s Cannes Un Certain Regard title Only The River Flows, from Paris-based sales outfit mk2 films.
Set in 1990s, Banpo Town in rural China, a woman’s body is found by a river. The murderer’s identity seems obvious, but the chief of the criminal police, played by Zhu Yilong, starts to suspect otherwise.
It is based on Yu Hua’s short novel Mistakes By The River.
Picturehouse Entertainment has taken UK and Ireland rights for Wei Shujun’s Cannes Un Certain Regard title Only The River Flows, from Paris-based sales outfit mk2 films.
Set in 1990s, Banpo Town in rural China, a woman’s body is found by a river. The murderer’s identity seems obvious, but the chief of the criminal police, played by Zhu Yilong, starts to suspect otherwise.
It is based on Yu Hua’s short novel Mistakes By The River.
- 6/1/2023
- by Mona Tabbara
- ScreenDaily
The 76th edition of the Cannes Film Festival has now concluded, with Justine Triet’s Anatomy of a Fall taking home the top honors. While our coverage will continue with a few more reviews this week––and far beyond as we provide updates on the journey of these selections––we’ve asked our contributors on the ground to share favorites.
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
The Zone of Interest (Jonathan Glazer) Fallen Leaves (Aki Kaurismäki) Inside the Yellow Cocoon Shell (Pham Thien An) Killers of the Flower Moon (Martin Scorsese) The Sweet East (Sean Price Williams) Eureka (Lisandro Alonso) About Dry Grasses (Nuri Bilge Ceylan) Close Your Eyes (Víctor Erice) Un Prince (Pierre Creton) Kubi (Takeshi Kitano)
Luke Hicks (@lou_hicks)
The Zone of Interest (Jonathan Glazer) The Pot-au-Feu (Tran Anh Hung) Anatomy of a Fall (Justine Triet) Killers of the Flower Moon...
See their picks below, and explore all of our coverage here.
Leonardo Goi (@LeonardoGoi)
The Zone of Interest (Jonathan Glazer) Fallen Leaves (Aki Kaurismäki) Inside the Yellow Cocoon Shell (Pham Thien An) Killers of the Flower Moon (Martin Scorsese) The Sweet East (Sean Price Williams) Eureka (Lisandro Alonso) About Dry Grasses (Nuri Bilge Ceylan) Close Your Eyes (Víctor Erice) Un Prince (Pierre Creton) Kubi (Takeshi Kitano)
Luke Hicks (@lou_hicks)
The Zone of Interest (Jonathan Glazer) The Pot-au-Feu (Tran Anh Hung) Anatomy of a Fall (Justine Triet) Killers of the Flower Moon...
- 5/31/2023
- by The Film Stage
- The Film Stage
‘Only The River Flows’ Review: A Witty, Convoluted China-Noir That is Less Whodunnit Than Whodidntit
Imagine the gleaming surfaces of Park Chan-wook’s terrific “Decision to Leave” stripped of romance, all scuzzed-up and grimy. Imagine drilling down through Diao Yinan’s Berlin-winning “Black Coal, Thin Ice” and finding unexpected seams of absurdist dark comedy. You are now somewhere in the seamy offbeat world of “Only the River Flows,” director Wei Shujun’s inventive riff on Asian-noir that gives the expanding subgenre something its Chinese contributions often lack: a pitch-black sense of humor.
Wei has been laying claim to the title of laid-back joker in China’s new-gen pack since debuting with affable slacker comedy “Striding into the Wind” in 2020 (a selection in 2020’s canceled Cannes festival) and following it up with autoreflexive filmmaking satire “Ripples of Life.” Now he brings his wry sensibilities to bear on this murdery mindbender, which he adapts, with a healthy disdain for boring stuff like “linear plotting” and “resolution,” alongside Kang Chunlei,...
Wei has been laying claim to the title of laid-back joker in China’s new-gen pack since debuting with affable slacker comedy “Striding into the Wind” in 2020 (a selection in 2020’s canceled Cannes festival) and following it up with autoreflexive filmmaking satire “Ripples of Life.” Now he brings his wry sensibilities to bear on this murdery mindbender, which he adapts, with a healthy disdain for boring stuff like “linear plotting” and “resolution,” alongside Kang Chunlei,...
- 5/25/2023
- by Jessica Kiang
- Variety Film + TV
Chinese director Wei Shujun has just premiered his third film, neo-noir thriller Only The River Flows, in Cannes Un Certain Regard to positive reviews.
While he’s now had three features selected for the festival, this is the first time he’s been able to walk the red carpet in person, at least with a full-length film.
His debut, semi-autobiographical drama Striding Into The Wind, was selected in 2020, the year that Cannes didn’t take place but still presented an Official Selection. His sophomore work, Ripples Of Life, premiered in Directors Fortnight in 2021, but he was unable to fly to Cannes due to Covid travel restrictions.
However, he’s been to Cannes in person before, with his 2018 short film On the Border, which won a Special Jury Award. He says that watching the Dardenne Brothers’ Palme d’Or winner Rosetta in 2016 (a few decades after it was made in 1999) was...
While he’s now had three features selected for the festival, this is the first time he’s been able to walk the red carpet in person, at least with a full-length film.
His debut, semi-autobiographical drama Striding Into The Wind, was selected in 2020, the year that Cannes didn’t take place but still presented an Official Selection. His sophomore work, Ripples Of Life, premiered in Directors Fortnight in 2021, but he was unable to fly to Cannes due to Covid travel restrictions.
However, he’s been to Cannes in person before, with his 2018 short film On the Border, which won a Special Jury Award. He says that watching the Dardenne Brothers’ Palme d’Or winner Rosetta in 2016 (a few decades after it was made in 1999) was...
- 5/23/2023
- by Liz Shackleton
- Deadline Film + TV
Six upcoming projects selected for development platform.
Upcoming projects from Golden Bear-winning producer Celine Loiseau and Charlotte de la Gournerie of Oscar-nominated Flee are among six titles selected for the Full Circle Lab Nouvelle-Aquitaine workshop programme.
The third edition of the lab, organised by France’s Tatino Films, will host four projects at script stage and two in the editing stage, offering support through the development phase, as well as during the post-production and promotion of their features.
Scroll down for full list
Projects include documentary La Détention by Guillaume Massart, produced by Loiseau of France’s Ts Production, who...
Upcoming projects from Golden Bear-winning producer Celine Loiseau and Charlotte de la Gournerie of Oscar-nominated Flee are among six titles selected for the Full Circle Lab Nouvelle-Aquitaine workshop programme.
The third edition of the lab, organised by France’s Tatino Films, will host four projects at script stage and two in the editing stage, offering support through the development phase, as well as during the post-production and promotion of their features.
Scroll down for full list
Projects include documentary La Détention by Guillaume Massart, produced by Loiseau of France’s Ts Production, who...
- 5/21/2023
- by Michael Rosser
- ScreenDaily
After three long years of being cut off from the rest of the world due to pandemic travel restrictions, China’s film industry will be out in force at this year’s Cannes Film Festival.
As China’s strict zero-Covid requirements were only lifted at the beginning of this year, not many Chinese film execs attended Berlin Film Festival in February, although larger numbers made it to Hong Kong Filmart in March. Although accreditations were still being processed at the time of writing, around 250 professionals from China and Hong Kong are expected to attend Cannes Marche du Film (May 16-24), compared to just 55 in 2022.
But that number is still way below the Marche’s record of 620 Chinese professionals in 2019. Flight prices between China and Europe are still prohibitively high, and many execs contacted by Deadline said they were still waiting to see if their visa applications would be processed in time.
As China’s strict zero-Covid requirements were only lifted at the beginning of this year, not many Chinese film execs attended Berlin Film Festival in February, although larger numbers made it to Hong Kong Filmart in March. Although accreditations were still being processed at the time of writing, around 250 professionals from China and Hong Kong are expected to attend Cannes Marche du Film (May 16-24), compared to just 55 in 2022.
But that number is still way below the Marche’s record of 620 Chinese professionals in 2019. Flight prices between China and Europe are still prohibitively high, and many execs contacted by Deadline said they were still waiting to see if their visa applications would be processed in time.
- 5/12/2023
- by Liz Shackleton
- Deadline Film + TV
"Fate is all the truth we cannot see." Cinetic Marketing has unveiled a festival teaser trailer for the Chinese indie thriller titled Only the River Flows, the latest creation from a filmmaker named Wei Shujun (also of Striding Into the Wind and Ripples of Life before). This is premiering next week at the 2023 Cannes Film Festival in the Un Certain Regard section. A police chief investigates a series of murders in a riverside town in rural China in the 1990s. An arrest is made quickly, though mysterious clues push the policeman to dive deeper into the hidden behavior of the locals. All the synopsis end there, without giving any more hints as to what's going on. The film stars Zhu Yilong, Chloe Maayan, Hou Tianlai, and Tong Linkai. This is a very mysterious trailer with a number of fly-by shots at the end showing how this is much more expansive...
- 5/10/2023
- by Alex Billington
- firstshowing.net
Despite only releasing two previous feature films, filmmaker Wei Shujun has already become a favorite of the Cannes Film Festival. And now, with his third film, “Only the River Flows,” the relatively new filmmaker has scored a Cannes Hat Trick (to borrow a sports phrase).
As seen in the teaser for “Only the River Flows,” the film follows the story of a police cheap in rural China who is leading a murder investigation that gives him a bit more than he bargained for.
Continue reading ‘Only The River Flows’ Teaser: Wei Shujun’s Noir Thriller Debuts At This Year’s Cannes at The Playlist.
As seen in the teaser for “Only the River Flows,” the film follows the story of a police cheap in rural China who is leading a murder investigation that gives him a bit more than he bargained for.
Continue reading ‘Only The River Flows’ Teaser: Wei Shujun’s Noir Thriller Debuts At This Year’s Cannes at The Playlist.
- 5/10/2023
- by Charles Barfield
- The Playlist
Get your tux out of the mothballs and brush up on your French phrasebook: After feverish speculation about what might premiere at the 2023 Cannes Film Festival, the lineup has finally been announced.
Thierry Frémaux’s annual press conference, which you can watch below, has wrapped and we now know what will debut on the Croisette when Cannes takes place May 16-27. We already knew there’d be a spot for Martin Scorsese’s “Killers of the Flower Moon,” that Harrison Ford and James Mangold would be bringing fedora couture with “Indiana Jones and the Dial of Destiny” (filling this year’s blockbuster spot reserved by “Top Gun: Maverick” last year), and that, controversially, the Johnny Depp-starring film “Jeanne du Barry” by Maïwenn would open the festival.
Among the titles now confirmed to appear at Cannes are Wes Anderson’s “Asteroid City,” Jonathan Glazer’s “The Zone of Interest,” Todd Haynes’ “May/December,...
Thierry Frémaux’s annual press conference, which you can watch below, has wrapped and we now know what will debut on the Croisette when Cannes takes place May 16-27. We already knew there’d be a spot for Martin Scorsese’s “Killers of the Flower Moon,” that Harrison Ford and James Mangold would be bringing fedora couture with “Indiana Jones and the Dial of Destiny” (filling this year’s blockbuster spot reserved by “Top Gun: Maverick” last year), and that, controversially, the Johnny Depp-starring film “Jeanne du Barry” by Maïwenn would open the festival.
Among the titles now confirmed to appear at Cannes are Wes Anderson’s “Asteroid City,” Jonathan Glazer’s “The Zone of Interest,” Todd Haynes’ “May/December,...
- 4/13/2023
- by Christian Blauvelt
- Indiewire
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