The people of director Aaron Yeger's documentary A People Uncounted are the Roma, more commonly known as Gypsies, a diasporic ethnic group whose most concentrated communities live in Europe. Often denied citizenship, and widely discriminated against for their cultural differences and darker skin, the Roma have long been an easy scapegoat for nationalist and white power movements, which are growing yet again.
Yeger makes parallels between the European Jewish experience and that of the Roma, reflected in a history of disenfranchisement, a common musicality — and in mass annihilation by the Nazis.
However, without voices in power or governments to speak for them, the Romani story remains largely unknown. In interviews with Romani people, Yeger aims to change ...
Yeger makes parallels between the European Jewish experience and that of the Roma, reflected in a history of disenfranchisement, a common musicality — and in mass annihilation by the Nazis.
However, without voices in power or governments to speak for them, the Romani story remains largely unknown. In interviews with Romani people, Yeger aims to change ...
- 5/14/2014
- Village Voice
The Producers Guild of America announced the winners of its theatrical motion picture and TV nominations for the 2013 PGA Awards. Check out the full list of nominees and winners (marked in red) below. This year's big winner was Ben Affleck's "Argo," which means that the film will likely also go on to win the Oscar for Best Pictures since the PGA Awards predict the Academy Award winner almost 80% of the time, including last year when PGA and the Oscars both selected "The Artist." In the animation category, "Wreck-It Ralph" won, beating out Pixar's "Brave." On television, "Modern Family" was once again chosen as the best comedy and "Homeland" as the best drama. Theatrical Motion Picture Nominees: Theatrical Motion Pictures: * Argo * Beasts of the Southern Wild * Django Unchained * Les Miserables * Life of Pi * Lincoln * Moonrise Kingdom * Silver Linings Playbook * Skyfall * Zero Dark Thirty Animated Theatrical Motion Pictures: * Wreck-It Ralph * Brave...
- 1/27/2013
- WorstPreviews.com
Tonight the Producers Guild of America (PGA) announced this year’s winning motion picture and television productions at the 24th Annual Producers Guild Awards ceremony held at the Beverly Hilton Hotel in Los Angeles. In addition to the competitive awards, the PGA recognized several producers with honorary awards including Bob and Harvey Weinstein (Milestone Award), Tim Bevan and Eric Fellner (David O. Selznick Achievement Award in Theatrical Motion Pictures), J.J. Abrams (Norman Lear Achievement Award in Television), Russell Simmons (Visionary Award), and Bully (Stanley Kramer Award). The 2013 Producers Guild Awards were chaired by Michael De Luca. The 2013 Producers Guild nominated films and television programs are listed below in alphabetical order by category, along with producers. The producers’ names for each nominated production are listed in alphabetical order and may not reflect the order of screen credits. The winners are indicated in bold and with an asterisk (*). The theatrical motion picture...
- 1/27/2013
- by vmblog@hollywoodnews.com (Vitale Morum)
- Hollywoodnews.com
Silver Linings Playbook: The case for The Weinstein Company PGA Award ‘threepeat’ [See previous post: "Ben Affleck Argo: PGA Awards 2013 Top Contenders."] The case for Silver Linings Playbook is The Weinstein Company itself, the domestic distributor of the last two PGA Award winners: Michel Hazanavicius’ French-made silent comedy-drama The Artist and Tom Hooper’s British-made The King’s Speech, both of which went on to win Best Picture Oscars. (Photo: Silver Linings Playbook Bradley Cooper.) I should add that neither The Artist nor The King’s Speech were "likely" PGA Award winners. Last year, Alexander Payne’s The Descendants, Tate Taylor’s The Help, and Martin Scorsese’s Hugo would have been more to the (potentially 5,400) PGA Award voters’ tastes; the year before, David Fincher’s The Social Network had been the overwhelming favorite. Also worth noting: initially perceived as a box-office disappointment, Silver Linings Playbook has earned $56m to date in the Us/Canada and could theoretically surpass...
- 1/26/2013
- by Andre Soares
- Alt Film Guide
Vol. I Issue 6
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
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Credits: Editing by Jessica Just for SydneysBuzz
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Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/17/2013
- by Mitchell Block
- Sydney's Buzz
Earlier this week The Producers Guild of America (PGA) announced the nominations for their annual awards for theatrical motion picture, animated motion picture and long-form television nominations for the 2013 Producers Guild Awards.
This was an incredible year for films, and most of the movies nominated here deserve to be. Out of all the films listed here, I'd like to see Zero Dark Thirty or Silver Linings Playbook take the top prize for motion picture, Paranorman for animated film, Game of Thrones for TV drama, and Curb Your Enthusiasm for TV Comedy. In case you missed them, here they are! Look them over and let us know what films you'd like to see win!
Ten nominations in the theatrical motion picture category include:
Argo (Warner Bros.)
Beasts of the Southern Wild (Fox Searchlight)
Django Unchained (The Weinstein Company)
Life of Pi (20th Century Fox)
Lincoln (DreamWorks)
Les Misérables (Universal)
Moonrise Kingdom...
This was an incredible year for films, and most of the movies nominated here deserve to be. Out of all the films listed here, I'd like to see Zero Dark Thirty or Silver Linings Playbook take the top prize for motion picture, Paranorman for animated film, Game of Thrones for TV drama, and Curb Your Enthusiasm for TV Comedy. In case you missed them, here they are! Look them over and let us know what films you'd like to see win!
Ten nominations in the theatrical motion picture category include:
Argo (Warner Bros.)
Beasts of the Southern Wild (Fox Searchlight)
Django Unchained (The Weinstein Company)
Life of Pi (20th Century Fox)
Lincoln (DreamWorks)
Les Misérables (Universal)
Moonrise Kingdom...
- 1/5/2013
- by Joey Paur
- GeekTyrant
The Producers Guild of America has revealed the 10 films Wednesday nominated for the Darryl F. Zanuck producer of the year award for theatrical motion pictures.
From A to Z – literally, from Argo to Zero Dark Thirty, the nominees include the year final contenders Lincoln, Life of Pi, Les Miserables and Django Unchained as well as the producers of Beasts of the Southern Wild, Moonrise Kingdom, Silver Linings Playbook and Skyfall, the 23rd and most successful James Bond movie.
Skyfall is also the first James Bond movie that has earned a nomination.
In the animated film producer’s category are the producers of Brave, Frankenweenie, ParaNorman, Rise of the Guardians and Wreck-It-Ralph.
The Producers Guild Awards will be handed out at a ceremony in Los Angeles on January 26th and will be a closely watched indicator of Oscar sentiment. Eight of the movies are also in the running for best picture...
From A to Z – literally, from Argo to Zero Dark Thirty, the nominees include the year final contenders Lincoln, Life of Pi, Les Miserables and Django Unchained as well as the producers of Beasts of the Southern Wild, Moonrise Kingdom, Silver Linings Playbook and Skyfall, the 23rd and most successful James Bond movie.
Skyfall is also the first James Bond movie that has earned a nomination.
In the animated film producer’s category are the producers of Brave, Frankenweenie, ParaNorman, Rise of the Guardians and Wreck-It-Ralph.
The Producers Guild Awards will be handed out at a ceremony in Los Angeles on January 26th and will be a closely watched indicator of Oscar sentiment. Eight of the movies are also in the running for best picture...
- 1/3/2013
- by Nick Martin
- Filmofilia
Daniel Craig's third outing as James Bond nominated for prize traditionally regarded as Academy Awards signpost
The latest James Bond film, Skyfall, could be making a late run for recognition at this year's Oscars after being named among the top 10 films of 2012 by the Producers Guild of America (PGA).
The guild also named awards season frontrunners Argo, Les Miserables, Lincoln and Silver Linings Playbook in its list of nominees for the Darryl F Zanuck award for outstanding producer of theatrical motion pictures.
Most of the other contenders have also been feted by various critics' groups in the runup to the Academy Awards at the Dolby theatre in Hollywood, Los Angeles, on 24 February. Quentin Tarantino's blood-spattered spaghetti western homage, Django Unchained, is starting to look a good bet for Oscar nominations after picking up another nod in the wake of its five Golden Globe nominations last month.
Ang Lee's...
The latest James Bond film, Skyfall, could be making a late run for recognition at this year's Oscars after being named among the top 10 films of 2012 by the Producers Guild of America (PGA).
The guild also named awards season frontrunners Argo, Les Miserables, Lincoln and Silver Linings Playbook in its list of nominees for the Darryl F Zanuck award for outstanding producer of theatrical motion pictures.
Most of the other contenders have also been feted by various critics' groups in the runup to the Academy Awards at the Dolby theatre in Hollywood, Los Angeles, on 24 February. Quentin Tarantino's blood-spattered spaghetti western homage, Django Unchained, is starting to look a good bet for Oscar nominations after picking up another nod in the wake of its five Golden Globe nominations last month.
Ang Lee's...
- 1/3/2013
- by Ben Child
- The Guardian - Film News
The Producers Guild of America (PGA) have announced the nominations for their annual Producers Guild Awards. The nominees in the six key categories are:
Theatrical Motion Picture
Argo, Beasts of the Southern Wild, Django Unchained, Life of Pi, Lincoln, Les Misérables, Moonrise Kingdom, Silver Linings Playbook, Skyfall, Zero Dark Thirty
Animated Feature
Brave, Frankenweenie, ParaNorman, Rise of the Guardians, Wreck-It Ralph
Documentary Feature
A People Uncounted, The Gatekeepers, The Island President, The Other Dream Team, Searching For Sugar Man
Episodic Television, Drama
Breaking Bad, Downton Abbey, Game of Thrones, Homeland, Mad Men
Episodic Television, Comedy
30 Rock, The Big Bang Theory, Curb Your Enthusiasm, Louie, Modern Family
Mini-Series of TV Movie
American Horror Story, The Dust Bowl, Game Change, Hatfields & McCoys, Sherlock
Source: Producersguild.org...
Theatrical Motion Picture
Argo, Beasts of the Southern Wild, Django Unchained, Life of Pi, Lincoln, Les Misérables, Moonrise Kingdom, Silver Linings Playbook, Skyfall, Zero Dark Thirty
Animated Feature
Brave, Frankenweenie, ParaNorman, Rise of the Guardians, Wreck-It Ralph
Documentary Feature
A People Uncounted, The Gatekeepers, The Island President, The Other Dream Team, Searching For Sugar Man
Episodic Television, Drama
Breaking Bad, Downton Abbey, Game of Thrones, Homeland, Mad Men
Episodic Television, Comedy
30 Rock, The Big Bang Theory, Curb Your Enthusiasm, Louie, Modern Family
Mini-Series of TV Movie
American Horror Story, The Dust Bowl, Game Change, Hatfields & McCoys, Sherlock
Source: Producersguild.org...
- 1/3/2013
- by Garth Franklin
- Dark Horizons
'Skyfall' was among the 10 film nominees for the 2013 Producers Guild Awards announced Wednesday (Jan. 2) afternoon -- the first James Bond flick ever to be honored by the PGA in its 24-year history.
Others in contention for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures are the producers of 'Argo' (including George Clooney and Ben Affleck, also its star and director), 'Les Misérables,' 'Django Unchained,' 'Zero Dark Thirty,' 'Life of Pi,' 'Lincoln,' 'Moonrise Kingdom,' 'Silver Linings Playbook' and 'Beasts of the Southern Wild.'
Since 2007, five film winners of the Producers Guild Award have gone on to win the Oscar for Best Picture.
The Award for Outstanding Producer of Animated Theatrical Motion Pictures will go to one of five films nominated Wednesday: 'Brave,' 'Frankenweenie,' 'ParaNorman,' 'Rise of the Guardians' and 'Wreck-It Ralph.
Others in contention for the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures are the producers of 'Argo' (including George Clooney and Ben Affleck, also its star and director), 'Les Misérables,' 'Django Unchained,' 'Zero Dark Thirty,' 'Life of Pi,' 'Lincoln,' 'Moonrise Kingdom,' 'Silver Linings Playbook' and 'Beasts of the Southern Wild.'
Since 2007, five film winners of the Producers Guild Award have gone on to win the Oscar for Best Picture.
The Award for Outstanding Producer of Animated Theatrical Motion Pictures will go to one of five films nominated Wednesday: 'Brave,' 'Frankenweenie,' 'ParaNorman,' 'Rise of the Guardians' and 'Wreck-It Ralph.
- 1/3/2013
- by editorial@zap2it.com
- Pop2it
Finally, some love for the animated movie about the kid who sees dead people!
Dissed by the Golden Globes and other official accolade-givers so far, "ParaNorman" has emerged as the number-one champion of the Producers Guild Awards nominations. Then again, we're not sure how much credit we should give to an organization that also nominated "Rise of the Guardians" in the same category, but still, it's the thought that counts.
Non-animated nominees include "Skyfall" (also oddly shunned by the Golden Globes, except for that terrific Adele theme song) and a bunch of predictable choices such as "Les Miserables," "Lincoln," "Argo" and "Zero Dark Thirty." Meanwhile, it's good to see the "Django" love spreading, and any further support for "Life of Pi" and "Moonrise Kingdom" is okay in our book.
The complete list of the nominated films for 2013 is below. The winners of the 24th Annual PGA Awards will be announced on Saturday,...
Dissed by the Golden Globes and other official accolade-givers so far, "ParaNorman" has emerged as the number-one champion of the Producers Guild Awards nominations. Then again, we're not sure how much credit we should give to an organization that also nominated "Rise of the Guardians" in the same category, but still, it's the thought that counts.
Non-animated nominees include "Skyfall" (also oddly shunned by the Golden Globes, except for that terrific Adele theme song) and a bunch of predictable choices such as "Les Miserables," "Lincoln," "Argo" and "Zero Dark Thirty." Meanwhile, it's good to see the "Django" love spreading, and any further support for "Life of Pi" and "Moonrise Kingdom" is okay in our book.
The complete list of the nominated films for 2013 is below. The winners of the 24th Annual PGA Awards will be announced on Saturday,...
- 1/2/2013
- by Bryan Enk
- NextMovie
The Producers Guild of America has announced its nominations for best productions of the year, in what is often looked to as an indicator for how the Academy Awards may go.
The guild selected 10 films — most of them common guesses for the group that could make up the Oscar list of the best films of 2012: Argo, Lincoln, Les Misérables, among others.
The one surprise: Skyfall. No 007 film has ever cracked the Best Picture list, but if this nomination is any indication, that could change when the Oscar nods are revealed Jan. 10.
Check out the full list …
The Darryl F. Zanuck...
The guild selected 10 films — most of them common guesses for the group that could make up the Oscar list of the best films of 2012: Argo, Lincoln, Les Misérables, among others.
The one surprise: Skyfall. No 007 film has ever cracked the Best Picture list, but if this nomination is any indication, that could change when the Oscar nods are revealed Jan. 10.
Check out the full list …
The Darryl F. Zanuck...
- 1/2/2013
- by Anthony Breznican
- EW - Inside Movies
The Producers Guild of America (PGA) has announced the nominees for the Documentary Motion Picture category for the 24th Annual Producers Guild Awards. I'm bummed that "The Imposter" and "Queen of Versailles" were not included :sad
All the other nominations for the Producers Guild Awards will be announced on January 3, 2013. Winners will be revealed on January 26 at the Beverly Hilton Hotel.
And the nominees are:
A People Uncounted
The Gatekeepers
The Island President
The Other Dream Team
Searching For Sugar Man...
All the other nominations for the Producers Guild Awards will be announced on January 3, 2013. Winners will be revealed on January 26 at the Beverly Hilton Hotel.
And the nominees are:
A People Uncounted
The Gatekeepers
The Island President
The Other Dream Team
Searching For Sugar Man...
- 12/2/2012
- by Manny
- Manny the Movie Guy
Last year, none of the Producers Guild of America nominees for Best Documentary made the final five at the Oscars. However, this year's PGA nominees, announced Friday, includes one documentary -- "Searching for Sugar Man" -- that is generating a good deal of Oscar buzz. Malik Bendjelloul traces a journey to find Rodriquez, a musician who enjoyed some success in the 1970s before disappearing. It also contends for both the Ida and Cinema Eye kudos The other four contenders for the PGA prize, which will be handed out at the 24th annual awardsfest on Jan. 26, are: "A People Uncounted," "The Gatekeepers," "The Island President" and "The Other Dream Team." Notably absent from the PGA roster is "How to Survive a Plague," which won the Gotham Award Monday and picked up an Indie Spirit nomination Tuesday. Indeed, all of the Spirit nominees were snubbed by the PGA. However, given the guild's...
- 11/30/2012
- Gold Derby
The Producers Guild of America has nominated five documentary motion pictures. The documentary field is large and competitive this year, so any spotlight will help Oscar voters make tough choices. Never have so many worthy docs been produced and released into the indie marketplace. The Academy doc branch has already submitted their Oscar short list of 15 which should be announced shortly. The International Documentary Association awards will be announced on December 7 (stay tuned for our report). This week's Oscar Talk podcast delves into the doc race. The PGA nominees are: "A People Uncounted" (Director Aaron Yeger; Producers Yeger, Tom Rasky, Marc Swenker, Stephen Chandler Whitehead), "The Gatekeepers" (Dror Moreh; Moreh, Estelle Fialon, Philippa Kowarsky), "The Island President" (Jon Shenk; Richard Berge, Bonni Cohen), "The Other Dream Team" (Marius Markevicius; Markevicius, Jon Weinbach) and "Searching for Sugar Man"...
- 11/30/2012
- by Anne Thompson and Sophia Savage
- Thompson on Hollywood
The Producers Guild of America has nominated five films, ranging from Aaron Yeger's A People Uncounted to Malik Bendjelloul's Searching for Sugar Man, for its Documentary Motion Picture Award. The nominees also include Dror Moreh's The Gatekeepers, Jon Shenk's The Island President and Marius A. Markevicius' The Other Dream Team. The nominees tackle a range of social issues and feature a number of striking personalities. A People Uncounted looks at the history of the Roma people of Central and Eastern Europe, also known as gypsies, who faced annihilation under the Nazis, while The Other Dream Team, which is being distributed by
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read more...
- 11/30/2012
- by Gregg Kilday
- The Hollywood Reporter - Movie News
The Producers Guild of America (PGA) announced the Documentary Motion Picture nominees for the 24th Annual Producers Guild Awards. The nominated films, listed below in alphabetical order, are: A People Uncounted The Gatekeepers The Island President The Other Dream Team Searching For Sugar Man Last year "Beats, Rhymes & Life: The Travels of a Tribe Called Quest," "Bill Cunningham New York," "Project Nim," "Senna" and "The Union" nade up the nominees, with "Beats" winning. Notably, none of those films went on to be nominated for an Oscar. All other nominations for the 2013 Producers Guild Award categories will be announced on January 3, 2013, along with the individual producers. All 2013 Producers Guild Award winners will be announced on January 26, 2013 at the Beverly Hilton Hotel.
- 11/30/2012
- by Peter Knegt
- Indiewire
- 11/30/2012
- by Ryan Adams
- AwardsDaily.com
The Producers Guild of America is beginning to announce their nominees for the 2012 award season and today unveiled their list of five documentary nominees, four of which I've heard of but only one I've actually seen. A People Uncounted is the new title for me and it centers on the story of the Roma (Gypsies) that faced annihilation during the Nazi 'Final Solution' and still today are victims of extreme and often violent racial persecution. It appears to have played film festivals throughout the latter half of 2011 and early part of 2012, but has yet to see a theatrical release domestically. The Gatekeepers is a Sony Classics film centered on the stories of various members of Israel's secret service and it played the end of the year festivals including Telluride and New York, but has yet to be released. The Island President focuses on President Mohamed Nasheed of the...
- 11/30/2012
- by Brad Brevet
- Rope of Silicon
In his feature directorial debut A People Uncounted, directed Aaron Yeger sheds light on the story of the Roma, commonly referred to as Gypsies. While the Roma have to a large extent been romanticized in popular culture, the real-life intolerance and persecution, both past and present, inflicted upon them has been largely ignored. With his documentary, Yeger explores the rich culture of the Roma, linking their present state to the tragedies of their past, notable among them the murder of an estimated 500,000 of the Roma during the Holocaust.
- 11/2/2011
- MovieMaker.com
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