Our month-long series about working in the arts in Europe comes to an end with award-winning Polish film-maker Katarzyna Klimkiewicz
How did you get started in your job?
I knew I wanted to be a film director since I was a teenager. I never really changed my mind, although I had a few moments of despair. I was lucky to have that certainty about what I wanted to do in my life.
Is there such a thing as Polish film?
I think there is, but it has been lost for the last 20 years. The strength of Polish cinema has always been its confidence in the audience's ability to read images. Nowadays film-makers in Poland have lost this confidence, and they feel they have to explain everything in dialogue, so the films have lost their magic.
How are the arts funded in your country? Does it work?
Film in Poland is...
How did you get started in your job?
I knew I wanted to be a film director since I was a teenager. I never really changed my mind, although I had a few moments of despair. I was lucky to have that certainty about what I wanted to do in my life.
Is there such a thing as Polish film?
I think there is, but it has been lost for the last 20 years. The strength of Polish cinema has always been its confidence in the audience's ability to read images. Nowadays film-makers in Poland have lost this confidence, and they feel they have to explain everything in dialogue, so the films have lost their magic.
How are the arts funded in your country? Does it work?
Film in Poland is...
- 4/7/2011
- by Jo Harper
- The Guardian - Film News
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