91
Metascore
47 reviews · Provided by Metacritic.com
- 100Slant MagazineEd GonzalezSlant MagazineEd GonzalezA screwball surrealist comedy that asks us to laugh at an unconventional romance while also disarming us with the realization that its fantasy scenario isn't too far from our present reality.
- 100VarietyScott FoundasVarietyScott FoundasWhat begins like an arrested adolescent dream soon blossoms into Jonze’s richest and most emotionally mature work to date, burrowing deep into the give and take of relationships, the dawning of middle-aged ennui, and that eternal dilemma shared by both man and machine: the struggle to know one’s own true self.
- 100New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinIn Her, Jonze transforms his music-video aesthetic into something magically personal. The montages — silent, flickering inserts of Theodore and his ex-wife recollected in tranquility — are sublime.
- 100TimeRichard CorlissTimeRichard CorlissJonze creates the splendid anachronism of a movie romance that is laugh-and-cry and warm all over, totally sweet and utterly serious.
- 91The PlaylistRodrigo PerezThe PlaylistRodrigo PerezIt’s an incredibly melancholy, intimate and yet often hilarious look at relationships and connection that provides a surprisingly great deal of insight into the human condition. It’s both sweet and considered, as well as observant about our fears, masks and growing alienation.
- 90The Hollywood ReporterTodd McCarthyThe Hollywood ReporterTodd McCarthyThis is a probing, inquisitive work of a very high order, although it goes a bit slack in the final third and concludes rather conventionally compared to much that has come before.
- 80Film.comDavid EhrlichFilm.comDavid EhrlichIf Her is ultimately better at considering the future than it is at taking us there, it resonates as an insightful reminder that love isn’t obsolete quite yet.
- 80Time OutDavid FearTime OutDavid FearIt’s a tale of lonely souls and literalized online dating, and you assume filmmaker Spike Jonze will characteristically mix high-concept absurdism with heartfelt notions. Unexpectedly, the latter dominates, thanks in no small part to Phoenix’s nuanced, open-book performance.
- 75Entertainment WeeklyChris NashawatyEntertainment WeeklyChris NashawatyJonze's satiric, brave-new-world premise is undeniably clever, but it's also a bit icy emotionally.