Life's certainly a beach for Sheetal Sheth. Stunning in a custom Jorge Vega Umana dress, the actress wed longtime love Neil Mody, the CEO of nRelate, on an island in Mexico. The newlyweds exchanged vows Saturday in the sand at sunset, the highlight of a three-day affair many, many days in the making. "Neil and I met when we were 18 years old and studying at Nyu together," Sheth, 37, whose movie credits include I Can't Think Straight (2008), The World Unseen (2007) and Three Veils (2011), tells People. "He is my first and truest love. Despite experiencing many years of ups and downs, the stars aligned,...
- 11/24/2013
- by Julie Dam and Alison Schwartz
- PEOPLE.com
Tags: Kiss Her I'm Famoustellofilmsweb seriesThe Real L WordWAPIMDbTracy RyersonRolla SelbakIlea Matthews
What Ben & Jerry's is to breakup snack food, Kiss Her, I'm Famous is to breakup television. Only, it's not really on your TV. Tello Films' new web series, which stars The Real L Word's Tracy Ryerson and was created by Three Veils' Rolla Selbak, is a satirical semi-love story that is sweet and delicious and will have you reaching for a second helping.
The five-episode series follows two best friends who decide to cope with their own break-ups by making a sex tape that will make them famous while making their exes "regret their shit choices." You know where the story is heading right from the start, but watching it unfold is a treat.
I confess to not being drawn into the premise when I first heard it. I've never seen a full episode of The Real L Word,...
What Ben & Jerry's is to breakup snack food, Kiss Her, I'm Famous is to breakup television. Only, it's not really on your TV. Tello Films' new web series, which stars The Real L Word's Tracy Ryerson and was created by Three Veils' Rolla Selbak, is a satirical semi-love story that is sweet and delicious and will have you reaching for a second helping.
The five-episode series follows two best friends who decide to cope with their own break-ups by making a sex tape that will make them famous while making their exes "regret their shit choices." You know where the story is heading right from the start, but watching it unfold is a treat.
I confess to not being drawn into the premise when I first heard it. I've never seen a full episode of The Real L Word,...
- 4/29/2013
- by stuntdouble
- AfterEllen.com
★★☆☆☆ The second feature from director Rolla Selbak, Three Veils (2011) tells the interconnected stories of three young Muslim women living in the Us. The film opens with the story of Leila (Mercedes Masöhn), a young girl who finds herself in an arranged marriage with the hot-tempered Ali (Sammy Sheik). We also encounter her troubled friend Nikki (Sheetal Sheth), who we later discover has suffered a family tragedy. Lastly there is Amira (Angela Zahara), a devout Muslim who is struggling to come to terms with her sexuality.
Read more »...
Read more »...
- 7/31/2012
- by CineVue UK
- CineVue
If there’s a theme to 2011’s crop of films featuring lesbian/bi women, it’s that this was a very good year for emerging voices. First time and younger filmmakers made a mark in huge ways this year, providing everything from spellbinding documentaries (No Look Pass), heart-wrenching drama (Pariah, Break My Fall, Circumstance), and fresh comedy (Jamie and Jessie are Not Together, Codependent Lesbian Space Alien Seeks Same). Pair that with the quality coming from established filmmakers like Celine Sciamma (Tomboy), and you have a year marked by the presence of strong, unique voices.
Hard Hitters
Nowhere is that strength of vision more prominent than in the year’s dramas. Well-meaning (but tired) melodramas were drowned out by clear-eyed, nuanced filmmaking, most evident in Pariah, the story of a young African-American woman struggling with her identity, and Circumstance, which features the romance between two teenaged girls in Iran.
As AfterEllen.
Hard Hitters
Nowhere is that strength of vision more prominent than in the year’s dramas. Well-meaning (but tired) melodramas were drowned out by clear-eyed, nuanced filmmaking, most evident in Pariah, the story of a young African-American woman struggling with her identity, and Circumstance, which features the romance between two teenaged girls in Iran.
As AfterEllen.
- 12/27/2011
- by Danielle Riendeau
- AfterEllen.com
Three Veils offers a poignant, dramatic tale of three young Middle-Eastern American women and their colliding lives. Occasionally, the film paints its settings and characters with a rather broad brush, and the script contains uneven moments, but it’s an earnest, entertaining and heartfelt production.
Leila (Mercedes Masöhn) is the pretty, stable “girl next door.” We begin with her staring into a mirror, her voiceover explaining that she’s just gotten engaged (by way of arranged marriage) and all she can think about is her wedding night – specifically her first time with husband-to-be Ali. We watch her prepare for the wedding, host a swinging engagement party and begin to go on awkward dates with Ali, the most aggressively awful kisser of all time.
She relates her adventures in make out purgatory to Nikki (Sheetal Sheth), her free-spirited best friend (and the second of our leading ladies). Slinky, sexy, and perpetually guzzling booze,...
Leila (Mercedes Masöhn) is the pretty, stable “girl next door.” We begin with her staring into a mirror, her voiceover explaining that she’s just gotten engaged (by way of arranged marriage) and all she can think about is her wedding night – specifically her first time with husband-to-be Ali. We watch her prepare for the wedding, host a swinging engagement party and begin to go on awkward dates with Ali, the most aggressively awful kisser of all time.
She relates her adventures in make out purgatory to Nikki (Sheetal Sheth), her free-spirited best friend (and the second of our leading ladies). Slinky, sexy, and perpetually guzzling booze,...
- 4/22/2011
- by Danielle Riendeau
- AfterEllen.com
As the writer and director of Three Veils, a few common questions I get about the film are “Is this movie based on a true story?” or “How was it working with the lovely and (insert your favorite saucy term) Sheetal Sheth?” However, the first question I inevitably get is “Excuse me, are you crazy?”
I suppose one must be crazy to attempt to make a film in this day and age about young Arab women — who are Muslim — who go through controversial subject matters such as arranged marriage, forbidden love. And for creating one of the first narrative films to ever feature the struggles of an Arab, Muslim Lesbian.
When I first started writing the script, I admit I was anxious. I didn’t want to offend any particular group, or make unwelcome enemies, especially of the threatening kind. Of course, that goal proved to be mostly hopeless as...
I suppose one must be crazy to attempt to make a film in this day and age about young Arab women — who are Muslim — who go through controversial subject matters such as arranged marriage, forbidden love. And for creating one of the first narrative films to ever feature the struggles of an Arab, Muslim Lesbian.
When I first started writing the script, I admit I was anxious. I didn’t want to offend any particular group, or make unwelcome enemies, especially of the threatening kind. Of course, that goal proved to be mostly hopeless as...
- 4/8/2011
- by Rolla Selbak
- AfterEllen.com
By Caroline J. Nelson
(April 2011)
Running April 6-10, the San Francisco International Women’s Film Festival is in its seventh year of celebrating female filmmakers. Throughout the week, there will be screenings of films directed and co-directed by women followed by a time for questions and answers with the filmmakers as well as events honoring them.
The festival opens tonight with “Grace, Milly, Lucy … Child Soldiers,” a film by Raymonde Provencher about three young girls who are abducted by the Lord’s Resistance Army in Uganda and forced to become child soldiers. Over the course of five days, 58 films (seven features and 51 shorts) from 11 different countries will be showcased.
This year, the festival has a huge local filmmaker presence including “Opal” directed by Dina Ciraulo, “Trust: Second Acts in Young Lives” by Nancy Kelly, and “Atomic Mom” by M.T. Silvia. Additional films to look out for include “Imani” by Caroline Kamya...
(April 2011)
Running April 6-10, the San Francisco International Women’s Film Festival is in its seventh year of celebrating female filmmakers. Throughout the week, there will be screenings of films directed and co-directed by women followed by a time for questions and answers with the filmmakers as well as events honoring them.
The festival opens tonight with “Grace, Milly, Lucy … Child Soldiers,” a film by Raymonde Provencher about three young girls who are abducted by the Lord’s Resistance Army in Uganda and forced to become child soldiers. Over the course of five days, 58 films (seven features and 51 shorts) from 11 different countries will be showcased.
This year, the festival has a huge local filmmaker presence including “Opal” directed by Dina Ciraulo, “Trust: Second Acts in Young Lives” by Nancy Kelly, and “Atomic Mom” by M.T. Silvia. Additional films to look out for include “Imani” by Caroline Kamya...
- 4/6/2011
- by admin
- Moving Pictures Network
By Caroline J. Nelson
(April 2011)
Running April 6-10, the San Francisco International Women’s Film Festival is in its seventh year of celebrating female filmmakers. Throughout the week, there will be screenings of films directed and co-directed by women followed by a time for questions and answers with the filmmakers as well as events honoring them.
The festival opens tonight with “Grace, Milly, Lucy … Child Soldiers,” a film by Raymonde Provencher about three young girls who are abducted by the Lord’s Resistance Army in Uganda and forced to become child soldiers. Over the course of five days, 58 films (seven features and 51 shorts) from 11 different countries will be showcased.
This year, the festival has a huge local filmmaker presence including “Opal” directed by Dina Ciraulo, “Trust: Second Acts in Young Lives” by Nancy Kelly, and “Atomic Mom” by M.T. Silvia. Additional films to look out for include “Imani” by Caroline Kamya...
(April 2011)
Running April 6-10, the San Francisco International Women’s Film Festival is in its seventh year of celebrating female filmmakers. Throughout the week, there will be screenings of films directed and co-directed by women followed by a time for questions and answers with the filmmakers as well as events honoring them.
The festival opens tonight with “Grace, Milly, Lucy … Child Soldiers,” a film by Raymonde Provencher about three young girls who are abducted by the Lord’s Resistance Army in Uganda and forced to become child soldiers. Over the course of five days, 58 films (seven features and 51 shorts) from 11 different countries will be showcased.
This year, the festival has a huge local filmmaker presence including “Opal” directed by Dina Ciraulo, “Trust: Second Acts in Young Lives” by Nancy Kelly, and “Atomic Mom” by M.T. Silvia. Additional films to look out for include “Imani” by Caroline Kamya...
- 4/6/2011
- by admin
- Moving Pictures Magazine
Actress Sheetal Sheth is no stranger to controversy. She made her debut in the film Abcd , playing a promiscuous young woman struggling with the ties of family and tradition. It garnered a lot of attention from press and audiences , both positive and negative. The Indian American beauty held her own against Albert Brooks in Looking for Comedy in the Muslim World, she fell in love with actress Lisa Ray in Shamim Sarif's beloved films The World Unseen and I Can't Think Straight. She also bested me during a pillow fight on my Logo show Brunch with Bridget. (I totally let her win!)
Sheth is dealing with controversy once again with her latest film, Three Veils. The films follows three Middle Eastern women and who deal with abuse, rape and struggles with their sexuality. The script was originally boycotted but was saved thanks to the efforts of the film's director and producer.
Sheth is dealing with controversy once again with her latest film, Three Veils. The films follows three Middle Eastern women and who deal with abuse, rape and struggles with their sexuality. The script was originally boycotted but was saved thanks to the efforts of the film's director and producer.
- 3/31/2011
- by Bridget McManus
- AfterEllen.com
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