44
Metascore
29 reviews · Provided by Metacritic.com
- 75Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertThis is actually a pretty good thriller, based more on character and plot than on action for its own sake. The need to construct killings that look like accidents adds to the interest.
- 70The Hollywood ReporterTodd McCarthyThe Hollywood ReporterTodd McCarthyThis muscular thriller--led by Jason Statham, Clive Owen and Robert De Niro--strives to be a genuinely good film, but unwilling to let go of proven formulas, it falls short.
- 63Orlando SentinelRoger MooreOrlando SentinelRoger MooreBest of all, the filmmakers took the time to give these hard men just the right things to say - not catchphrases, just lines that smell of blood and gunpowder every time Statham, Owen or DeNiro utter them.
- 60Arizona RepublicBill GoodykoontzArizona RepublicBill GoodykoontzIf you're willing to accept Killer Elite as a shoot-'em-up action movie with good actors taking the spots of the usual lunk heads (but spouting the usual nonsense), you'll be pleased with the film.
- 50Rolling StonePeter TraversRolling StonePeter TraversKiller Elite pretends to be fact-based and true to its 1980s period. Just know it's all baloney.
- 40Time OutDavid FearTime OutDavid FearA few awesome firefights does not an action film make, and even De Niro's Ronin-esque interlude can't shake the feeling that the thrill, like the '80s, is gone.
- 40Village VoiceNick PinkertonVillage VoiceNick PinkertonKiller Elite is distinguished by one no-mercy, eye-gouging, testicle-punching brawl, and one whoppingly indifferent screenplay.
- 33The A.V. ClubNathan RabinThe A.V. ClubNathan RabinThis clumsy action movie feels too generic to be real. The film attempts to add an element of sophisticated sociopolitical commentary to the typical Jason Statham head-busting shoot-'em-up, but only ends up draining it of visceral thrills.
- 25Entertainment WeeklyLisa SchwarzbaumEntertainment WeeklyLisa SchwarzbaumKilling looks ridiculously easy in this dispensable exploitation picture, directed for maximum impact of head-cracking pain by ad-trained Irish director Gary McKendry in his first feature.